1892 Luke Jordan*
1906 Blind Arvella Gray*
1916 Baby Tate - Charles Henry Tate*
1933 Drink Small*
1941 Cash McCall*
1950 Jaybird Coleman+
1950 Joe McCoy+
1962 Harpdog Brown*
2007 Chico Chism+
2016 Paul Kantner+
John Marx*
1906 Blind Arvella Gray*
1916 Baby Tate - Charles Henry Tate*
1933 Drink Small*
1941 Cash McCall*
1950 Jaybird Coleman+
1950 Joe McCoy+
1962 Harpdog Brown*
2007 Chico Chism+
2016 Paul Kantner+
John Marx*
Happy Birthday
Luke Jordan *28.01.1892
Luke Jordan (* 28. Januar 1892 in Bluefield, West Virginia, USA[1]; † 25. Juni 1952 in Lynchburg, Virginia) war ein US-amerikanischer Blues-Gitarrist und Sänger.
Im August 1927 nahm er bei Victor Records in Charlotte (North Carolina), seine ersten Stücke auf, weitere folgten in New York im November 1929. Dann beendete die Große Depression seine kurze Karriere. Seine bekanntesten Lieder sind Church Bells Blues, Pick Poor Robin Clean und Cocaine Blues, welches mehrmals gecovert wurde.[2]
Am 15. August 2001 wurde ihm von der James River Blues Society ein Gedenkschild in Lynchburg geweiht.
Luke Jordan (January 28, 1892 – June 25, 1952)[1] was an American blues guitarist and vocalist of some renown in his local area of Lynchburg, Virginia.
He was born in Appomattox County, Virginia, United States, and his professional career started at age 35, when he was noticed by Victor Records. He went to Charlotte, North Carolina in 1927 to record several records. These records sold moderately well, and Victor decided to take Jordan to New York in 1929, for two more sessions. He recorded very few known tracks in his career.
He died in Lynchburg in June 1952.[1] His song, "Church Bells Blues" was later recorded by Ralph Willis.
He was born in Appomattox County, Virginia, United States, and his professional career started at age 35, when he was noticed by Victor Records. He went to Charlotte, North Carolina in 1927 to record several records. These records sold moderately well, and Victor decided to take Jordan to New York in 1929, for two more sessions. He recorded very few known tracks in his career.
He died in Lynchburg in June 1952.[1] His song, "Church Bells Blues" was later recorded by Ralph Willis.
If I Call You Mama (LUKE JORDAN, November 1929) Ragtime Blues Guitar Legend
Born Charles Henry Tate in Elberton, Georgia,[2] he was raised in Greenville, South Carolina. In his adolescence, Tate started performing locally, after seeing Blind Blake in Elberton. Tate later formed a trio with Joe Walker (the brother of Willie Walker) and Roosevelt "Baby" Brooks and, up to 1932, played in the local area. As The Carolina Blackbirds, they appeared on the radio station, WFBC, broadcasting from The Jack Tar Hotel,[4] but for the rest of the 1930s worked for a living, mainly as a mason.[1]
Baby Tate served in the United States Army infantry during World War II in the south of England, and did not return to the Spartanburg/Greenville club circuit until 1946. Nevertheless, in 1950 Tate claimed to have recorded several (unreleased) tracks for the Kapp label. Relocating to Spartanburg, South Carolina, he performed solo before forming an occasional duo with Pink Anderson; a working relationship that endured through to the 1970s when Anderson suffered from stroke.[1]
Tate released his only album, Blues of Baby Tate: See What You Done Done, in 1962, and twelve months later appeared in Sam Charters' documentary film The Blues. Throughout the 1960s Tate performed irregularly across the US.[1] Utilising harmonica player, Peg Leg Sam, or guitarists Baby Brooks or McKinley Ellis, Tate recorded nearly sixty tracks in 1970 and 1971 for Peter B. Lowry, but the proposed album remained unreleased once Tate unexpectedly died in the summer of 1972.[5] He appeared at a concert at the State University of New York at New Paltz, New York as a result of Lowry's efforts in the Spring of 1972.
Tate died from the effects of a heart attack, in the VA Hospital in Columbia, South Carolina, in August 1972, at the age of 56.[1]
In January 2011, Baby Tate was nominated for The 10th Annual Independent Music Awards in the Blues Song category for "See What You Done Done".[6]
Smithsonian Folkways released a compilation album on February 16, 2010, titled Classic Appalachian Blues. It featured the Baby Tate number, "See What You Done Done.
Blind Arvella Gray (January 28, 1906 – September
7, 1980)[1] was an American blues, folk and gospel singer and
guitarist.
His birth name was James Dixon, and he was born in Somerville, Texas, United States.[1] He spent the latter part of his life performing and busking folk, blues and gospel music at Chicago's Maxwell Street flea market and at rapid-transit depots. In the '60s, he recorded two singles for his own Gray label including "Freedom Rider" backed with "Freedom Bus."
Gray's only album, 1973's The Singing Drifter was reissued on the Conjuroo[2] record label in 2005. The re-issue producer was Cary Baker, who wrote the liner notes for the original Birch Records vinyl LP.
Gray died in Chicago, Illinois in September 1980, at the age of 74.
His birth name was James Dixon, and he was born in Somerville, Texas, United States.[1] He spent the latter part of his life performing and busking folk, blues and gospel music at Chicago's Maxwell Street flea market and at rapid-transit depots. In the '60s, he recorded two singles for his own Gray label including "Freedom Rider" backed with "Freedom Bus."
Gray's only album, 1973's The Singing Drifter was reissued on the Conjuroo[2] record label in 2005. The re-issue producer was Cary Baker, who wrote the liner notes for the original Birch Records vinyl LP.
Gray died in Chicago, Illinois in September 1980, at the age of 74.
Drink Small *28.01.1933
Drink Small (born January 28, 1933)[1] is an African American soul blues and electric blues guitarist, singer, and songwriter. He is known as the 'Blues Doctor', and has been influenced by gospel and country music and Blind Boy Fuller.
Small was born in Bishopville, South Carolina, United States.[1] He was self taught on the guitar and organised a local gospel group, the Six Stars. He had eclectic musical influences including Tennessee Ernie Ford, Merle Travis, John Lee Hooker and Fats Domino.[3]
He was rated as one of the best gospel guitarists in the 1950s, before he turned his attention to secular music later in that decade. In 1959, he released the single "I Love You Alberta" on Sharp Records.[1][3] Small had a long career, recording spasmodically for small record labels, before issuing six albums between 1990 and 2008.[2] He recorded dirty blues tracks such as "Tittie Man" and "Baby, Leave Your Panties Home",[4] with more righteous offerings such as "The Lord Been Good to Me".[5]
Small appeared at the 2005 New Orleans Jazz & Heritage Festival.[3] He also performed at the first Julius Daniels Memorial Blues Festival in Denmark, South Carolina, in October 2010.
John Marx *28.01.
Call today for lessons with Blues Guitar Great. John Marx. 818-345-8950
Every so often a great musician is revealed to us that goes beyond the norm. A players player that has their art down and passion for the music ingrained into everything they do. At Join the Band we have blues great John Marx. He is the blues jewel of Los Angeles.
I first heard John play over 20 years ago in a small blues club in Burbank. I left very humbled by his dedication to the blues and how he approached every note and chord. He is a true student and scholar of the blues. Anyone that has spent any time with him knows he is a true blues man. He’s knowledge and passion for the blues is both encyclopedic and infectious. Check out John at one of his many gigs in the LA area or sit in on his Blues Workshops at our JTB studio and you will know you have been in the room with a true artist. Sitting in to play with him is a master lesson in rhythm, feel, and subtlety. You can’t BS your way around John. Music is first and BS is sent out the back door.
John is a natural teacher and loves to share his passion for the blues. His true love of the blues is very evident in every JTB workshop he teaches. The “Join the Band Blues Workshop with John Marx” is our most popular workshop.
Born and raised in East Baltimore Maryland, John began singing in church and for audiences at the age of six. He played the drums from ages ten to fifteen, and then took up the guitar to better accompany his singing.
Over the years John has found himself either on stage or in a recording studio with Albert Collins, Lowell Fulson, The Drifters, Gladys Knight, Carmelo Garcia, George Benson, The Dells, Al Duncan, Luther Tucker, Lee Oskar, Gabor Szabo, The Platters, Larry Hopkins, Luis Gasca, The Coasters, Charlie Musselwhite, Jimmy Smith, Jesse Ed Davis, Lightning Hopkins, Sleepy John Estes, Luther Tucker, Larry Davis, Cash Mc Call, Earl King, Floyd Dixon, and many others. He also recorded and toured with great harmonica player William Clarke.
John Marx and the Blues Patrol : complete set Azar's 6-19-13
Harpdog Brown *28.01.1962
Harpdog Brown is a gifted singer and imaginative harmonica player of note that has been in Canada’s Blues scene since 1982.
Born in Edmonton, Alberta and based in Vancouver, British Columbia, he’s crossed tens of thousands of miles playing club dates and festivals in Canada, North Western United States and Germany.
Over the years Harpdog has issued 6 CD’s to critical acclaim. In 1995 his Home is Where The Harp Is won the coveted Muddy Award for the best NW Blues Release of the year, from the Cascade Blues Association in Portland. As well that year it was nominated for a Juno for the best Blues Release in Canada. Teamed up with Graham Guest on piano, his CD Naturally was voted #1 Canadian Blues Album of 2011 by The Blind Lemon Survey.
Harpdog resides in Vancouver, BC where he leads his own trio and quartet of hot local players churning out blues on the jazzy mellower side. He also leads The Harpdog Brown Band which is a gutsy traditional Chicago blues band with John R Hunter (drums), Jordan Edmonds (guitar) and George Fenn (bass). In 2014 they released “What It Is” consisting mainly new originals and a few classic covers you don’t get from your average blues band. As Holger Peterson says on the jacket, Harpdog’s best work yet. Check it out.
Genesis Theater with Harpdog Brown & The Travelin' Blues Show_set one part 1
Genesis Theater with Harpdog Brown & The Travelin' Blues Show_Set one part 2
R.I.P.
Chico Chism +28.01.2007
Chism arbeitete ab den 1950er Jahren u. a. mit TV Slim (Flatfoot Sam 1957), später mit Choker Campbell, Clifton Chenier, Little Junior Parker, Sonny Boy Williamson II., Rosco Gordon, Sunnyland Slim, Muddy Waters, Memphis Slim, Lowell Fulson, Otis Rush, Junior Wells und Freddie King. Mit seiner Band Chico Chism & His Jetnanairs veröffentlichte er 1959 die Single Hot Tomales & Barbeque. In den 1970ern betrieb Chism das Label Cher-Kee Records, auf dem er auf Singles Musik unbekannter Chicagoer Blues-, Soul- und Gospelmusiker wie Highway Man, Eddie Burks, Johnny Christian und Willie Davis vertrieb.
Chism spielte Anfang des Jahrzehnts in Howlin’ Wolf letzter Band; nach dessen Tod 1976 gehörte er der Eddie Shaw’s Wolf Gang an. 1979 war er im Rahmen der Blues Legends Tour mit Eddie C. Campbell, Willie Davenport und Billy Emerson auf Europatournee. Chism trat Anfang der 1980er Jahre in Chicago in Bluesclubs wie Rosa’s und Kingston Mines auf. 1986 zog er nach Arizona, wo er mit dem Produzenten Bob Corritore arbeitete; dabei entstanden in Phoenix Aufnahmen mit Bo Diddley, R. L. Burnside, Henry Gray, Mojo Buford, Louisiana Red, Jimmy Rogers, Smokey Wilson, Little Milton, Big Pete Pearson, Pinetop Perkins und John Brim. 1999 erschienen Aufnahmen von Chico Chism & His Jetnanairs auf dem Album Red River Blues. Er starb im Alter von 79 Jahren an den Folgen eines Schlaganfalls, den er 2002 erlitt. 2009 wurde er posthum in die Arizona Blues Hall of Fame aufgenommen.
CHICO CHISM is an Arizona Blues Ambassador. He is known all over the state as one of the most unique and memorable Blues stars to ever call Arizona home. Chico is best known for his work with Chester Burnett, the famous "Howlin' Wolf". Chico played drums with the Howlin' Wolf during the middle 1970's. When the Howlin' Wolf passed away, he continued playing with the band known as "Eddie Shaw and the Wolf Gang". He was band leader for Roscoe Gordon for two years. During Chico's time in the Blues clubs of Chicago, he played with many great Blues artists including: Eddie Boyd, Sunnyland Slim, Sonny Boy Williamson, Willie Mabon, Muddy Waters, Big Joe Turner, Memphis Slim and many more. Chico's drumming was included on a vast number of studio sessions on several major Chicago Blues labels. He toured on the road throughout the United States and Europe with such people as: Otis Rush, T-Bone Walker, Freddy King, Lowell Fulsom and Junior Wells. In 1987, after an extended time of playing in Europe, Chico moved to Phoenix, Arizona. That same year, the weekly news/arts/entertainment newspaper, THE NEW TIMES, named Chico's band the "Best Blues Band" in their yearly "Best of Phoenix" issue.
Chico Chism passed away on January 28, 2007 at the age of 79 in Phoenix, Arizona.
Chico Chism was inducted into the Arizona Music and Entertainment Hall of Fame (AMEHOF) on February 13, 2011 at the Orpheum Theater in Phoenix, AZ.
Chico Chism passed away on January 28, 2007 at the age of 79 in Phoenix, Arizona.
Chico Chism was inducted into the Arizona Music and Entertainment Hall of Fame (AMEHOF) on February 13, 2011 at the Orpheum Theater in Phoenix, AZ.
Chico Chism The Late Ted Kowal on bass Tim Dustin-guitar R.D.Olson drums ,harmonica,vocals filmed by Walkin Cane Mark 1990
https://www.youtube.com/watch?v=woPQJfwlIOM
Jaybird Coleman +28.01.1950
Burl C. „Jaybird“ Coleman (* 20. Mai 1896 in Gainesville, Alabama; † 28. Januar 1950 in Tuskegee, Alabama) war ein US-amerikanischer Bluesmundharmonikaspieler, -gitarrist und -sänger. Obwohl sein Mundharmonikaspiel nicht richtungsweisend war, ist er doch ein gutes Beispiel für den Sound der Mundharmonika im Country Blues der frühen 1930er Jahre.[1]
Coleman war das Kind einer Pächterfamilie und arbeitete und wuchs auf der Farm seiner Eltern auf, die neben ihm noch drei weitere Kinder aufzogen. Im Alter von zwölf Jahren begann er mit dem Mundharmonikaspiel. Er spielte auf Partys für seine Familie und seine Freunde. Mit dem Blues wurde er während seiner Dienstzeit in der US-Army bekannt, wo er im Ersten Weltkrieg in der Truppenbetreuung beschäftigt war. Nach seiner Entlassung übersiedelte er nach Birmingham, Alabama wo er an Straßenecken auftrat und manchmal auch bei der Birmingham Jug Band mitspielte. Seine erste Platte nahm er 1927 auf, seine Aufnahmekarriere endete aber bereits 1930. In den 1930er und 1940er Jahren spielte er als Straßenmusikant in ganz Alabama.
Er starb 1950 an Krebs. 1993 veröffentlichte Document Records seine Werke.[2] Seine Werke sind auch auf vielen verschiedenen Zusammenstellungen von Country Blues vertreten.
Burl C. "Jaybird" Coleman (May 20, 1896 – January 28, 1950) was an American country blues harmonica player, guitarist and singer.
Born in Gainesville, Alabama, United States, the son of sharecroppers and one of four children. He was born, raised and worked on a farm, and picked up and learned the harmonica at 12 years of age. Coleman began performing the blues as an entertainer for American soldiers while serving in the United States Army. It was during this period that he was given the nickname "Jaybird" due to his independent manner.[1][2] In the early 1920s, he teamed with fellow bluesman Big Joe Williams as a performer in the Birmingham Jug Band which toured through the American South.[1]
Coleman made his first recordings as a solo artist in 1927. His career as a recording artist lasted only until 1930, after which he performed mostly on street corners throughout Alabama.[2]
He died of cancer at the age of 53 in Tuskegee, Alabama in 1950.
Born in Gainesville, Alabama, United States, the son of sharecroppers and one of four children. He was born, raised and worked on a farm, and picked up and learned the harmonica at 12 years of age. Coleman began performing the blues as an entertainer for American soldiers while serving in the United States Army. It was during this period that he was given the nickname "Jaybird" due to his independent manner.[1][2] In the early 1920s, he teamed with fellow bluesman Big Joe Williams as a performer in the Birmingham Jug Band which toured through the American South.[1]
Coleman made his first recordings as a solo artist in 1927. His career as a recording artist lasted only until 1930, after which he performed mostly on street corners throughout Alabama.[2]
He died of cancer at the age of 53 in Tuskegee, Alabama in 1950.
Burl C. "Jaybird" Coleman (May 20, 1896 January 28, 1950) was an American country blues harmonica player, guitarist and singer.
Born in Gainesville, Alabama, the son of sharecroppers and one of four children. He was born, raised and worked on a farm, and picked up and learned the harmonica at 12 years of age. Coleman began performing the blues as an entertainer for American soldiers while serving in the United States Army. It was during this period that he was given the nickname "Jaybird" due to his independent manner. In the early 1920s, he teamed with fellow bluesman Big Joe Williams as a performer in the Birmingham Jug Band which toured through the American South.
Coleman made his first recordings as a solo artist in 1927. His career as a recording artist lasted only until 1930, after which he performed mostly on street corners throughout Alabama.
He died of cancer at the age of 53 in Tuskegee, Alabama in 1950.
Born in Gainesville, Alabama, the son of sharecroppers and one of four children. He was born, raised and worked on a farm, and picked up and learned the harmonica at 12 years of age. Coleman began performing the blues as an entertainer for American soldiers while serving in the United States Army. It was during this period that he was given the nickname "Jaybird" due to his independent manner. In the early 1920s, he teamed with fellow bluesman Big Joe Williams as a performer in the Birmingham Jug Band which toured through the American South.
Coleman made his first recordings as a solo artist in 1927. His career as a recording artist lasted only until 1930, after which he performed mostly on street corners throughout Alabama.
He died of cancer at the age of 53 in Tuskegee, Alabama in 1950.
Joe McCoy +28.01.1950
Joe McCoy (* 11. Mai 1905 in Jackson, Mississippi; † 28. Januar 1950 in Chicago, Illinois) war ein US-amerikanischer Blues-Gitarrist und Sänger. Er war der ältere Bruder von Papa Charlie McCoy. Bekannt war er als Kansas Joe McCoy, trat aber auch unter Pseudonymen wie Hillbilly Plowboy, Mud Dauber Joe, Hamfoot Ham, Georgia Pine Boy und Hallelujah Joe auf.
In den 1920er-Jahren spielte McCoy in Memphis, unter anderem in der Beale Street Jug Band. Hier lernte er seine Frau Lizzie Douglas kennen, die als Memphis Minnie bekannt wurde. 1929 nahmen sie zusammen den Hit Bumble Bee auf.
1930 zog das Paar nach Chicago und feierte dort bis zu ihrer Scheidung Erfolge. In den späten 1930er-Jahren bildete McCoy mit seinem Bruder die Band Harlem Hamfats, die auch die Sängerin Rosetta Howard begleiteten. Er nahm auch Solo-Titel auf, die er selbst komponierte, wie One More Greasing, Oh Red What You Gonna Do und Why Don’t You Do Right.
Bei Ausbruch des Zweiten Weltkrieges wurde Charlie McCoy zum Militär eingezogen, während Joe wegen gesundheitlicher Probleme verschont blieb. Er gründete Big Joe & His Washboard Band, mit denen er bis zu seinem Tod im Alter von nur 44 Jahren auftrat.
Kansas Joe McCoy (May 11, 1905 – January 28, 1950)[1] was an American Delta blues musician and songwriter.[2]
Career
McCoy played music under a variety of stage names but is best known as "Kansas Joe McCoy". Born in Raymond, Mississippi, he was the older brother of the blues accompanist Papa Charlie McCoy. As a young man, McCoy was drawn to the music scene in Memphis, Tennessee where he played guitar and sang vocals during the 1920s. He teamed up with future wife Lizzie Douglas, a guitarist better known as Memphis Minnie, and their 1929 recording of the song "Bumble Bee" on the Columbia Records label was a hit.[3] In 1930, the couple moved to Chicago where they were an important part of the burgeoning blues scene. Following their divorce, McCoy teamed up with his brother to form a band known as the Harlem Hamfats that performed and recorded during the second half of the 1930s.
In 1936, the Harlem Hamfats released a record with the song "The Weed Smoker's Dream" on it. McCoy later refined the tune, changed the lyrics and titled the new song "Why Don't You Do Right?" for Lil Green, who recorded it in 1941. It was covered a year later by both Benny Goodman and Peggy Lee, becoming Lee's first hit single. "Why Don't You Do Right?" remains a jazz standard and is McCoy's most enduring composition.
At the outbreak of World War II Charlie McCoy entered the military, but a heart condition kept Joe McCoy from service. Out on his own, he created a band known as 'Big Joe and his Rhythm' that performed together throughout most of the 1940s. The band featured Robert Nighthawk on harmonica and Charlie on mandolin.[4] In 1950, at the age of 44, McCoy died of heart disease in Chicago, only a few months before Charlie. They are both buried in Restvale Cemetery in Alsip, Illinois.
Led Zeppelin vocalist Robert Plant took his and Memphis Minnie's recording of "When the Levee Breaks," which was in his personal collection, and presented it to guitarist Jimmy Page, who revamped it and slightly altered it lyrically, and helped record it on Led Zeppelin's 1971 album, Led Zeppelin IV.
McCoy's songs have also been covered by Bob Dylan, John Mellencamp, The Ink Spots, Ella Fitzgerald, Jo Ann Kelly, Cleo Laine and A Perfect Circle.
Pseudonyms
McCoy also performed and recorded under the names Bill Wither, Georgia Pine Boy, Hallelujah Joe, Big Joe McCoy and His Washboard Band, and The Mississippi Mudder.[4] He also used the names Hamfoot Ham, Hillbilly Plowboy, and Mud Dauber Joe.[1]
Posthumous recognition
Like many blues musicians of his era, Joe McCoy's grave site was originally unmarked. A tribute concert[5] took place in October 2010 to celebrate the music of Joe and Charlie and to buy gravestones for each of them; they were installed on May 31, 2011.
Career
McCoy played music under a variety of stage names but is best known as "Kansas Joe McCoy". Born in Raymond, Mississippi, he was the older brother of the blues accompanist Papa Charlie McCoy. As a young man, McCoy was drawn to the music scene in Memphis, Tennessee where he played guitar and sang vocals during the 1920s. He teamed up with future wife Lizzie Douglas, a guitarist better known as Memphis Minnie, and their 1929 recording of the song "Bumble Bee" on the Columbia Records label was a hit.[3] In 1930, the couple moved to Chicago where they were an important part of the burgeoning blues scene. Following their divorce, McCoy teamed up with his brother to form a band known as the Harlem Hamfats that performed and recorded during the second half of the 1930s.
In 1936, the Harlem Hamfats released a record with the song "The Weed Smoker's Dream" on it. McCoy later refined the tune, changed the lyrics and titled the new song "Why Don't You Do Right?" for Lil Green, who recorded it in 1941. It was covered a year later by both Benny Goodman and Peggy Lee, becoming Lee's first hit single. "Why Don't You Do Right?" remains a jazz standard and is McCoy's most enduring composition.
At the outbreak of World War II Charlie McCoy entered the military, but a heart condition kept Joe McCoy from service. Out on his own, he created a band known as 'Big Joe and his Rhythm' that performed together throughout most of the 1940s. The band featured Robert Nighthawk on harmonica and Charlie on mandolin.[4] In 1950, at the age of 44, McCoy died of heart disease in Chicago, only a few months before Charlie. They are both buried in Restvale Cemetery in Alsip, Illinois.
Led Zeppelin vocalist Robert Plant took his and Memphis Minnie's recording of "When the Levee Breaks," which was in his personal collection, and presented it to guitarist Jimmy Page, who revamped it and slightly altered it lyrically, and helped record it on Led Zeppelin's 1971 album, Led Zeppelin IV.
McCoy's songs have also been covered by Bob Dylan, John Mellencamp, The Ink Spots, Ella Fitzgerald, Jo Ann Kelly, Cleo Laine and A Perfect Circle.
Pseudonyms
McCoy also performed and recorded under the names Bill Wither, Georgia Pine Boy, Hallelujah Joe, Big Joe McCoy and His Washboard Band, and The Mississippi Mudder.[4] He also used the names Hamfoot Ham, Hillbilly Plowboy, and Mud Dauber Joe.[1]
Posthumous recognition
Like many blues musicians of his era, Joe McCoy's grave site was originally unmarked. A tribute concert[5] took place in October 2010 to celebrate the music of Joe and Charlie and to buy gravestones for each of them; they were installed on May 31, 2011.
From the Too Late, Too Late Blues: Newly Discovered Titles & Alternate Takes Vol. 1 (1926-1944)...DOCD-5150
Recorded Chicago, January 9, 1935...Joe McCoy (as Georgia Pine Boy), vocal/guitar; Jimmie Gordon, piano
https://www.youtube.com/watch?v=Y-IeR7Cde8I
Recorded Chicago, January 9, 1935...Joe McCoy (as Georgia Pine Boy), vocal/guitar; Jimmie Gordon, piano
https://www.youtube.com/watch?v=Y-IeR7Cde8I
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