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Dienstag, 29. März 2016

29.03. John Popper, Sue Foley, Camille Howard, Milton Frazier alias Alabama Slim, Thomas Schied, Christian Schwarzbach * Jazz Gillum +










1914 Camille Howard*
1939 Milton Frazier alias Alabama Slim*
1966 Jazz Gillum+
1967 John Popper*
1968 Sue Foley*
1969 Christian Schwarzbach*
1969 Thomas Schied*









Happy Birthday

 

John Popper  *29.03.1967



John Popper (* 29. März 1967 in Cleveland, Ohio) ist ein US-amerikanischer Bluesmusiker.
Popper ist als Sänger, vor allem aber als Blues Harp-Spieler der New Yorker Gruppe Blues Traveler bekannt. Er gilt als einer der weltbesten Mundharmonika-Spieler. Von der Firma Hohner wird er als „Featured Artist“ aufgelistet, eine Auszeichnung, die nur den besten und erfolgreichsten Mundharmonikaspielern zuteilwird.
Weitere Aktivitäten:
    1987 Gründung einer Band namens Trucking Company zusammen mit Eric Schenkman und dem Schlagzeuger Brendan Hill. Popper verließ diese Band bald wieder, da er bei Blues Traveler einstieg.
    1998 Musik zum Film Blues Brothers 2000 zusammen mit Paul Shaffer.
    häufig Gastmusiker anderer Bands. (z. B. Metallica)
http://de.wikipedia.org/wiki/John_Popper 


Blues Traveler ist eine US-amerikanische Blues-Rock-Band aus Princeton (New Jersey).

Karriere

Die Band wurde 1988 von John Popper gegründet. Die erste LP Blues Traveler erschien 1990 und tauchte ein Jahr später in der amerikanischen LP-Hitparade auf. 1991 erschien dann ihre zweite Langspielplatte Travelers and Thieves, die bei Kritikern große Beachtung fand. In dem darauf folgenden Jahr produzierte die Band ihr drittes Album, das von einem schweren Unfall von John Popper überschattet wurde. Dieser verunglückte mit dem Motorrad so schwer, dass er über ein Jahr im Rollstuhl verbringen musste, was ihn aber nicht daran hinderte, mit der Gruppe aufzutreten.

Den größten Erfolg hatten die Blues Traveler mit dem vierten Album four, das 1994 erschien. Im Dezember des Jahres platzierte sich die Platte auf Platz 8 der amerikanischen LP-Hitparade und verkaufte sich über 5 Millionen mal. Gleichzeitig erschien die Single Run Around, die eine Auskopplung der LP war, und landete unter den Top-Ten der Single-Hitparade in den USA. Die zweite Auskopplung aus der LP (Hook) erreichte allerdings Ende 1995 nur Platz 23 der US Single-Charts. 1996 nahm die Band die Live-Doppel-CD Live from the Fall auf, die ihre Qualität als hervorragende Liveband widerspiegelte. 1999 markierte für die Band einen tragischen Wendepunkt: Bassist Bobby Sheehan starb infolge Drogenmissbrauchs, Ben Wilson (Keyboards) und Tad Kinchla (Bass) kamen neu in die Band. In den folgenden Jahren erschienen weitere CDs, die musikalisch das Niveau der Veröffentlichungen in den neunziger Jahren hielten, aber nicht mehr an den Erfolg von four anknüpfen konnten.

In Deutschland sind Blues Traveler praktisch unbekannt. Die meisten ihrer Alben sind hier nicht erschienen und nur als Import zu bekommen. Bekannt sind sie hier mehr durch Beiträge auf Soundtracks amerikanischer Filme; in einigen hatten sie auch Gastauftritte, so beispielsweise in Blues Brothers 2000 oder Kingpin.
https://de.wikipedia.org/wiki/Blues_Traveler

John Popper (born March 29, 1967) is an American musician and songwriter.
He is most famous for his role as frontman of rock band Blues Traveler performing harmonica, guitar and vocals. He is widely considered a harmonica virtuoso, and is listed by harmonica manufacturer Hohner as a "Featured Artist", an accolade reserved for only the best and most successful harmonica players.
Early life
John Popper was born in Chardon, Ohio.[1] His father was a Hungarian immigrant who escaped Budapest in 1948.[2] Through him, Popper is related to David Popper, a 19th-century European cellist whose many solo works for the cello are staples of the instrument's repertoire.[3] John's mother and brother are lawyers.[4]
Popper was raised in Stamford, Connecticut, New York, and New Jersey. He attended Davenport Ridge School, Stamford Catholic High School (now Trinity Catholic High School) and Princeton High School. He took lessons on the piano, the cello, and the guitar, but none of those instruments appealed to him and he hated being forced to practice.[5][6]
He originally wanted to become a comedian, finding he could use humor to make friends and avoid bullies,[7] but when he and a friend performed a routine as The Blues Brothers, he found that he enjoyed musical performance. From there, he took up the harmonica. Popper played trumpet in the Princeton High School Studio Jazz Band, and convinced the teacher to let him play harmonica instead, after an in-class solo on the song "She Blinded Me With Science".[5][8]
He formed several garage bands with friends in Princeton, New Jersey, one of which evolved into Blues Traveler in 1987. After graduating from high school, the group's members all moved to New York City, where Popper enrolled in The New School for Jazz and Contemporary Music along with two of his bandmates and high school friend Chris Barron. Popper attended for three years but devoted himself to the band full-time once they signed a record contract in 1990.[5][8]
Career
Blues Traveler
Popper is a founding member of Blues Traveler, serving as the band's front man with lead vocals and harmonica. For some songs, he forgoes the harmonica in favor of guitar, most often a 12-string acoustic. In addition, Popper has played the tin whistle on some recordings.
A prolific songwriter, he has composed the majority of the lyrics and music of Blues Traveler's songs.
The band grew a following with its extensive touring, sometimes with over 300 dates a year, and gained a reputation in the jam band scene of the 1990s. Blues Traveler crossed over into mainstream pop/rock radio success with their 1994 album four, which garnered the group extensive media exposure. The Grammy Award for Best Rock Performance by a Duo or Group with Vocal in 1996 was awarded to "Run-Around", a song that Popper composed.
Solo work
In 1990, Popper began to perform occasional solo concerts in addition to touring with Blues Traveler. Several songs that originated as Popper's solo pieces have become part of Blues Traveler's repertoire, and vice versa.
Bolstered by Blues Traveler's mainstream success, Popper released a solo album, Zygote, in 1999 and toured in support of it with his own John Popper Band. The album was produced by Terry Manning, and the backing band consisted of longtime friends[8] Dave Ares, Crugie Riccio, and Rob Clores of Cycomotogoat, with drummer Carter Beauford of Dave Matthews Band. The album's release came less than three months after his heart surgery, and only days after the death of Bobby Sheehan, Popper's band mate and best friend. The subsequent tour was canceled midway due to poor ticket sales, and Popper instead took the time to focus on his health.[9]
Popper has co-written songs with Trey Anastasio, Warren Haynes, Chris Barron, and Jonny Lang. He also frequently appears as a guest performer with musicians both famous and obscure, from a diverse variety of genres. He has performed with, among others, jam bands Spin Doctors, Dave Matthews Band, Phish and most recently, The Allman Brothers Band in 2009; bluesmen Eric Clapton and B.B. King; singer-songwriters Jason Mraz and John Mayer; saxophonist Karl Denson; San Francisco's Culann's Hounds; heavy metal band Metallica; rock trio ZO2 and even with the Hungarian Ambassador to the United States, András Simonyi. He sat in with The Smashing Pumpkins on the second day of their acoustic 1997 Bridge School Benefit appearance, contributing harmonica for their song "Porcelina of the Vast Oceans"; Popper's solo garnered major applause from the audience. He also performed with the Grateful Dead at a tribute to Bill Graham in 1991. He was the harmonica player on Hanson's album This Time Around in 2000, for which he performed on "If Only" and "In The City."
Side projects
In 1992, Popper conceived the HORDE Festival as a venue to gain exposure for up-and-coming independent musicians. It ran until 1998.
Popper was a part of a one-time studio band brought together in 1997 by New York drummer/songwriter Solomon Deniro. Other players included Trey Gunn, Bernie Worrell, Marc Ribot, and Vernon Reid. The group's only recordings were released as the album Gimme Gimme under the name The Devotees.[10] The same recording was re-released by Deniro in 2001 with the title Solomon.[11]
Popper took over in 1998 as front man of jam-band supergroup Frogwings, which released the live album Croakin' at Toad's. Frogwings was mainly active until 2000.
Recently, Popper formed a rock/jazz/hip-hop fusion group The John Popper Project with DJ Logic, which released an album in 2006 and performs occasionally. He also performs on the album Global Noize by Jason Miles and DJ Logic (2008).
Popper's latest side project is John Popper & the Duskray Troubadours, which plays Americana roots music.[8] The group's self-titled debut from 429 Records was released March 2011 and produced by band member Jono Manson who co-wrote much of the material. The first single, "Something Sweet", written by Manson and Bruce Donnola, was released February 7, 2011 on iTunes.
Acting and media appearances
Popper had a speaking guest role in an episode of the sitcom Roseanne as a musician similar to himself. Popper appeared on Episode 30 of Space Ghost Coast To Coast as a musical guest. Popper appeared as a guest on the IFC television comedy series Z Rock. He plays a role as himself, and befriends the band ZO2, helping them get a record deal. He also played the Star-Spangled Banner prior to Game 4 of the 1996 World Series.
In film, Popper had a cameo role as a bowling tournament MC in Kingpin and also with Blues Traveler as the Amish band singing "But Anyway" at end of movie and an appearance in Howard Stern's Private Parts as himself. Another cameo followed in Blues Brothers 2000, with Blues Traveler appearing on the soundtrack and Popper also recording Buster Blues' (J. Evan Bonifant) harmonica parts for the film. Popper's first major role was in 2000 in Just for the Time Being, an independent film starring Eva Herzigova.
Popper has provided narration for art projects produced by his friends, including Das Clown, an award-winning short film in slideshow style that was screened at the Sundance Film Festival.[12]
Popper served as host of the third annual Jammy awards in 2002.
He has been a recurring guest on Howard Stern's and Bill Maher's shows and sits in with The CBS Orchestra on the Late Show with David Letterman on occasion. In 2009, he sat in with The Roots on an episode of Late Night with Jimmy Fallon. Popper performed "Something Sweet" with the Duskray Troubadours on the TBS show "Lopez Tonight" on March 1, 2011. He also sat in with the house band for the closing number of the show.
Personal life
Since the success of Blues Traveler, Popper has lived in various locations, including rural Pennsylvania and New Orleans. He currently has a residence near Snohomish, Washington.
In October 1992 Popper was involved in a traffic accident on a motorcycle while traveling to a studio to record for Blues Traveler's third album. The accident put him in a wheelchair for several months, but Popper continued touring with the band despite the difficulties it created.
In 1999, he suffered a near-fatal heart attack brought on by years of compulsive overeating. (He had been diagnosed with diabetes a few years earlier.) Doctors at Cedars-Sinai Medical Center[13] performed an emergency angioplasty which saved Popper's life: he had 95% arterial blockage.[14] Popper later underwent gastric bypass surgery and lost a significant amount of weight.[15]
Popper has a tattoo across his chest that says, "I WANT TO BE BRAVE", written backwards.[7][16][17]
Weapons collecting
Popper is an avid collector of weaponry, including firearms, swords, and a working $10,000 American Civil War cannon.[18][19] He cites a fascination with their aesthetic of being "life-savingly efficient" machines.[20][21] Popper is a supporter of Second Amendment rights, and appeared on an MTV-sponsored roundtable discussion on gun control which included panelists from the Law Enforcement Alliance of America and Harvard's John F. Kennedy School of Government.[22] He carries weapons in any state where it is allowed, even wearing them onstage.[23] On his Daily Show appearance, he stated that he decided to move away from New Jersey because of the state's tight gun laws.[24] He said that his Bucks County, Pennsylvania property had 32 acres (13 ha) on which he built a private gun range.
Politics
Popper is a member of the Libertarian Party,[25] and has previously expressed support for the Republican Party.[26] He endorsed George W. Bush in the 2004 U.S. presidential election.[27] In November 2008, Popper said, regarding Barack Obama, "this is the first time I've voted for a Democrat, ever."[28] John Popper was a supporter of Ron Paul during the 2012 Presidential election, even participating in phone-banking at Ron Paul's New Hampshire campaign headquarters.[29] He also played a short set during Ron Paul's "We are the Future Rally", an alternative convention for Paul supporters which was held in Tampa the day before the 2012 Republican National Convention.[30]
Popper (with and without Blues Traveler) has played at conventions, fundraisers, and ceremonies for both Republican and Democratic politicians.[31] He has stated that politics do not influence his choice of performance setting.
Popper has said, "I was a bleeding-heart liberal, until I got a job"[31] and describes himself as "a libertarian who is a Republican when pushed".[20] Popper summed up his political position by saying "I believe in freedom for markets and freedom for individuals, so I guess that makes me a libertarian".[20]
Popper has toured with the USO, both with Blues Traveler and solo.[16] In the mid-2000s, he toured the Middle East, performing with the Band of the Air Force Reserve and Jamie O'Neal at various military camps.
He has appeared with Rock the Vote and recorded "The Preamble" for the Schoolhouse Rocks the Vote! album.
Religion
Popper was raised Catholic, and for a time attended Stamford Catholic High School in Connecticut. However, he does not actively practice in his adult life. He has described himself as a "recovering Catholic". The song "Trina Magna" was written as an exploration of his religious views.[32]
Legal trouble
In 2003, Popper was arrested for possession of marijuana.[33] Popper was arrested again on March 6, 2007 near Ritzville, Washington by the Washington State Patrol.[34] He was the passenger in his own vehicle, which was stopped for speeding, and was found to be in the possession of a small amount of marijuana and weapons. Popper was released the same night. The vehicle had a stash of hidden compartments which contained four rifles, nine handguns, a switchblade knife, a Taser, a set of brass knuckles, and night vision goggles. The vehicle was temporarily seized.[35][36]
No charges were filed for the weapons, as they were all registered and securely locked away, and Popper was licensed to carry them, with the exception of the brass knuckles and switchblade knife which Popper agreed to surrender. A deal was reached that allowed the marijuana charge to be dropped if Popper remained free of further drug infractions for one year and attended eight hours of drug counseling.[37] Popper and the driver had been driving back to Washington from Austin, Texas, and Popper likes to visit gun ranges during long trips.[38]
Equipment
John Popper has expressed a preference for the Hohner Special 20 brand blues harp, calling them "the Porsche of harmonicas".[39]
Popper uses Shure microphones and Mesa Boogie amplifiers, similar to bandmate Chan Kinchla. He also uses D'Addario strings.
Trademark equipment
Popper has developed some equipment innovations to accommodate his use of harmonicas during onstage performances. Because each individual diatonic harmonica is tuned to one particular key, he fashioned belts with enough pockets to hold harmonicas in all 12 keys (plus extras) and wore them as a bandolier, or slung over his neck. He frequently has to switch keys multiple times within one song, and this arrangement allowed him to quickly trade one harmonica for another without looking. In 2002, he stopped using the belts because they no longer fit him properly due to his weight loss; now he carries his harmonicas in a small black attaché case. He uses a special microphone with switches that change the audio effect of the harmonica as it is played through an amplifier, similar to a guitar effects pedal. Popper was inspired by Jimi Hendrix's guitar playing to make his instrument sound however he wanted.[8] He has fashioned a number of floppy-brimmed hats with flattened harmonica cover plates on the band, which he almost always wears during appearances with Blues Traveler.

Blues Traveler is an American rock band, formed in Princeton, New Jersey in 1987. The band's music covers a variety of genres, including blues rock, psychedelic rock, folk rock, soul, and Southern rock. They are known for extensive use of segues in their live performances, and were considered a key part of the re-emerging jam band scene of the 1990s, spearheading the H.O.R.D.E. touring music festival.

Currently, the group comprises singer and harmonica player John Popper, guitarist Chan Kinchla, drummer Brendan Hill, bassist Tad Kinchla and keyboardist Ben Wilson. Tad Kinchla and Ben Wilson joined the band following the death of original bassist Bobby Sheehan in 1999.

While Blues Traveler is best known among fans for their improvisational live shows, the general public is most familiar with the group from their Top 40 singles "Run-Around" and "Hook". They gained mainstream popularity after their fourth studio album four, released in 1994. Sheehan's death and Popper's struggle with obesity put a damper on the group's success, and A&M dropped the band in 2002. However, the band took this transition period as an opportunity to start in new directions musically, going largely independent and releasing on smaller experimental labels.

In March 2012, Blues Traveler released a double-disc compilation entitled 25 on Hip-O Records; the album commemorates the band's silver anniversary and includes their hit singles, new covers, and previously unreleased b-side material. Blues Traveler's most recent studio album Blow Up the Moon, is the twelfth studio album and was released on April 7, 2015. As part of the Blow Up the Moon album, Blues Traveler released a music video using Rockstar editor in Grand Theft Auto V on September 14, 2015.[1] The music video features JC Chasez and 3OH!3.

History
Formation

The genesis of Blues Traveler was as a high school garage band formed in Princeton, New Jersey in the mid-1980s. Harmonicist, singer and guitarist John Popper and drummer Brendan Hill formed a group they called The Establishment (later renamed Blues Band) with Hill's brother on bass and a rotating roster of guitarists. The band produced a few cassette tape demos. In addition to some original songs, their repertoire included upbeat covers of "Gloria" and "The Battle Hymn of the Republic".

The group added guitarist and football player Chan Kinchla. Although he was a promising athlete, Kinchla decided to commit to playing music instead after a knee injury. Popper met bassist Bobby Sheehan and the two became good friends, with Sheehan becoming the new bass player for Blues Band in 1987.[2]

The quartet held a basement jam session (later christened The Black Cat Jam) which spawned the core grooves for several songs on their first album. A black cat happened to be nearby, and the group took this as a sign and adopted the Black Cat as their mascot figure.

The group changed their name to Blues Traveler, taking the latter part from the name of the primary demon in the film Ghostbusters, Gozer the Traveler.[2]

Early years

After graduating Princeton High School and moving to New York City, Popper, Hill, and Sheehan enrolled in the music program at The New School while Kinchla attended New York University. After much encouragement by friend and founding member of Mudhoney, David Gonzales, Blues Traveler began playing gigs along the New York-area club circuit, sometimes nightly;[2] the most prominent contract was playing Wednesday nights at a club called the Wetlands.[3][4] Another bar, The Nightingale, was a regular gig, and later became the setting for the song "Defense and Desire".[5][6]

The group shared an apartment on Bergen Street[4] in Brooklyn, N.Y., along with their high school friend, singer Chris Barron.[3][7] A second band that Popper and Hill founded, called The Trucking Company, soon became The Spin Doctors with Barron as their frontman.[3] The two groups would often share the stage, playing non-stop concerts of multiple sets.[6] Their first show together was at a Columbia University fraternity party and their second was at a Jamaican-themed restaurant near Times Square in New York City. During this time, Blues Traveler acquired a devout follower, Gina-Z (subject of the band's song "Gina") who first became an unofficial "band mom" and later a tour manager, and is involved with the group's business to the present day.[8]

At one New York show they were discovered by an A&M Records talent scout, Patrick Clifford, and the band signed their first recording contract. By 1990 all members had dropped out of college classes.[7] The group also attracted the attention of David Graham, son of the world-famous concert promoter Bill Graham, and became one of Graham's many acts. Blues Traveler then started a relentless touring schedule, expanding their reach up and down the east coast.

First albums

Blues Traveler released their self-titled debut album in 1990, with the song "But Anyway" getting airplay on college radio stations. The album included Joan Osborne on backing vocals on two tracks.

A second album, Travelers and Thieves, followed in 1991. Upon Bill Graham's death that year, they released a live EP, On Tour Forever, as a tribute to Graham, which featured guitar legend Carlos Santana. The group was becoming well known in the new wave of jam bands that was developing in the early 1990s.

Around this time, the mainstream national audience was exposed to Blues Traveler by television host David Letterman, who has introduced them as "[his] favorite band". The band has since made more appearances on The Late Show than any musical artist. Letterman's band leader Paul Shaffer has played on a number of Blues Traveler recordings.

In 1992, the group founded the H.O.R.D.E. festival as an alternative to others such as Lollapalooza, along with other bands such as Phish and Spin Doctors. Blues Traveler began recording their third album, Save His Soul. Recording was temporarily interrupted by John Popper's motorcycle accident, although the band resumed touring shortly thereafter with Popper in a wheelchair. Two singles were released from the album, "Defense & Desire" and "Conquer Me", which reached No. 34 on the Mainstream Rock Tracks chart.

Mainstream breakthrough

The band's fourth album, titled four, was produced by the team of Michael Barbiero and Steve Thompson and released in late 1994. The upbeat pop single "Run-Around" became a smash hit and was followed by the catchy "Hook". "Run-Around" won a Grammy Award and broke a record for most weeks on the chart.

Blues Traveler appeared at Woodstock '94 and later became an opening act for The Rolling Stones. The band played on the 1995 season premiere of Saturday Night Live as a last-minute replacement for Prince. They were featured in an episode of the sitcom Roseanne, and later recorded the show's theme song for its final season. The 1996 comedy film Kingpin featured the group playing their song "But Anyway" during the closing credits.

The group recorded the Johnny Rivers song "Secret Agent Man" for the film Ace Ventura: When Nature Calls at Icon Recording Studios in St. Louis, Missouri and the Bob Seger song "Get Out of Denver" for the film Things to Do in Denver When You're Dead, as well as Fats Domino's "I'm Walkin'" for Rebel Highway: Cool and the Crazy. Several previously recorded Blues Traveler songs were included on film soundtracks, including The Last Seduction, Speed, Very Bad Things, White Man's Burden, and The Truth About Cats & Dogs. The band also appeared in the film Blues Brothers 2000 and on its soundtrack, playing "Maybe I'm Wrong", an original composition with a classic blues-rock sound. Blues Traveler recorded the Sly & the Family Stone song "I Want to Take You Higher" for the NORML compilation album Hempilation and the John Lennon song "Imagine" for the Lennon tribute album Working Class Hero. The original song "Christmas" was included on the benefit album A Very Special Christmas 3.

The double live album, Live from the Fall, was released in 1996. It featured recordings from the band's autumn 1995 concerts and showcased the strength of the band's live performances.

The next studio album, Straight On till Morning, also produced by Barbiero/Thompson, was released in 1997. It achieved platinum status, reaching number 11 on the Billboard 200 albums chart, but did not perform as well as four. The single "Carolina Blues" peaked at number four on the Mainstream Rock Tracks.

By the end of 1998, the band had prepared a concept album called The Sun, The Storm and The Traveler, based on Aesop's fable of The North Wind and the Sun, and they planned to record it after a recess in the fall of 1999. That summer, John Popper had emergency heart surgery due to artery blockage, forcing the band to cancel their annual July 4th Red Rocks shows at the last minute.

During the hiatus, Popper released a solo album with a backing band consisting of Dave Matthews Band drummer Carter Beauford and members of the group Cycomotogoat. The band made an appearance performing as themselves in the 1999 independent film Wildflowers, which had been filmed a couple of years earlier.

Sheehan's death and new lineup

On August 20, 1999, Bobby Sheehan was found dead in his New Orleans, Louisiana home, where he had been recording music with some friends the night before. Sheehan's death was ruled an accidental drug overdose, with cocaine, Valium, and heroin found in his system.

The remaining members of Blues Traveler convened and agreed that Sheehan would have wanted them to continue as a band. Auditions for a new bassist were held in concert, and included Chan Kinchla's younger brother Tad, who was unanimously determined to be the best choice for the role. Additionally, an open call was sent for a permanent keyboard player, a role of which Sheehan had often been a proponent. Ben Wilson of the jump blues band Big Dave & the Ultrasonics was chosen, and has since become a central contributor to the band's songwriting.

The band discarded their concept album material, instead releasing a smaller online EP, Decisions of the Sky: A Traveler's Tale of Sun and Storm, and went to work collectively composing a new set of songs with the new lineup. The resulting album was Bridge, which had the working title Bridge Outta Brooklyn as a tribute to Sheehan (with both the acronym B.O.B. and his nickname "Brooklyn Bobby"). The songs "Girl Inside My Head" and "Just for Me" received airplay, but the album's sales fell somewhat short of expectations.

The live album What You and I Have Been Through and the compilation Travelogue: Blues Traveler Classics were both released in 2002.

Independent years

Blues Traveler were one of dozens of artists who were jettisoned as part of A&M's corporate restructuring. The band signed with Sanctuary Records for their next album, Truth Be Told, which achieved number 147 on The Top 200 chart.[citation needed] The band's 2003 Independence Day concerts at Red Rocks Amphitheatre were released on the CD Live on the Rocks and the DVD Thinnest of Air, and include Ziggy Marley singing on his father's song "No Woman, No Cry".

The band left Sanctuary for Vanguard Records and released ¡Bastardos!, which was produced by Wilco's Jay Bennett and was touted as the band's return to music that they wanted to play. The album charted at 49 on the Independent Albums, and a live EP of songs from the album was released to independent record stores. The group recorded "Rag Mama Rag" for the 2007 tribute album Endless Highway: The Music of The Band, as well as "Free Bird" for Under the Influence: A Jam Band Tribute to Lynyrd Skynyrd.

Blues Traveler have been featured on VH1's Behind the Music, A&E's Private Sessions,[9] and Austin City Limits. The group recorded the title track to the Sandra Boynton children's album Dog Train, which was also used as the promotional music for the American Kennel Club's National Championship event. The band's music has been used in video games (NASCAR 2000) and commercials (Busch Beer). The songs "Business as Usual" and "Money Back Guarantee" are used as transitional music on the public radio finance program Marketplace and its sister show Marketplace Money.

In 2007, Blues Traveler released the album Cover Yourself, a "best-of" album of previously released songs re-recorded and reinterpreted with acoustic instrumentation. It was released October 30, 2007 through Columbia/Red Ink Records.[10] They did a national tour, with New Jersey-based singer/songwriter Lisa Bouchelle as opening act. After the tour John Popper and Lisa Bouchelle recorded the song "Only The Tequila Talking", which was released on her album Bleu Room with a Red Vase in 2010.

Blues Traveler appeared at the 2008 Lollapalooza festival. At their June 2008 shows, the band debuted new songs off their new album North Hollywood Shootout. The album, which features a guest appearance by Bruce Willis, released in August 2008.

2010s

The band's album 25 peaked at No. 49 in Canada.[11] Their last studio album, Suzie Cracks the Whip, was released on June 26, 2012.[12] In September 2013, Blues Traveler signed with Las Vegas-based management firm, UD Factory.[13]

Concert recordings

Blues Traveler allows and encourages fans to record and trade live performances,[14] provided that no money changes hands and no profit is made. The band has also given permission for live fan-made recordings to be hosted on websites such as Live Music Archive and eTree.org. Recordings available there span from 1986 through the present day.

On more recent tours, they sell recordings of that very night's performance. Attendees can pre-purchase a copy of the show until 30 minutes into the performance and then pick up the CD after the show.

Independence Day shows at Red Rocks

Every year since 1994, with the exception of 1999, Blues Traveler has headlined a show at Red Rocks Amphitheatre in Morrison, Colorado on the American Independence Day, July 4. The band usually plays two consecutive nights, starting on July 3.

This tradition started in 1992 when Blues Traveler was opening for The Allman Brothers Band at the venue for two nights, July 3 and 4. The next year, the band booked the HORDE festival to play there on Independence Day, and in 1994 the current tradition began in earnest.

These shows attract fans from all over the United States. The band frequently debuts new songs and brings back older songs, fallen out of rotation.

The 2003 Independence Day concerts were recorded for a home video and live album release.

Steve Vai owned AGAIN by harmonica player (John Popper) 


https://www.youtube.com/watch?v=qGm0M2ztEWg&x-yt-cl=84411374&x-yt-ts=1421828030 


Blues Traveler - Hook 











Sue Foley  *29.03.1968

 



Sue Foley (* 29. März 1968 in Ottawa, Ontario, Kanada) ist eine kanadische Bluessängerin, Gitarristin und Songschreiberin.
Foley hatte mit 16 Jahren in der Blues-Szene von Ottawa ihre erste Auftritte in Clubs. Sie erhielt ihren ersten Plattenvertrag bei Antone's Records und zog in die USA nach Austin, Texas. 1992 veröffentlichte sie dort ihre erste Platte. 1997 kehrte sie nach Kanada zurück und wechselte zu Shanachie Records. Seit 2001 arbeitet sie an dem Projekt Guitar Woman, einer Geschichte und Biographie von Gitarristinnen verschiedener Musikrichtungen.

http://de.wikipedia.org/wiki/Sue_Foley

Sue Foley (born March 29, 1968, Ottawa, Ontario, Canada)[1] is a Canadian blues singer and guitarist.
Career
Born to a working-class family, Foley grew up listening to her father play and sing Irish folk songs. After seeing James Cotton perform when she was 15, she made the lifelong decision to play blues guitar. At 16, Foley started playing professionally around Ottawa with local blues bands. By 21, she was living in Austin, Texas, and recording for legendary blues label Antone’s Records. Her first CD Young Girl Blues quickly established her unique talents as a blues guitarist and songwriter. Throughout the 90’s she took to the road with her paisley Telecaster and honed her craft working/sharing the stage with such artists as BB King, Buddy Guy, Lucinda Williams and Tom Petty. In 1997 she moved back to Canada to raise her son. Foley was also an excellent and advanced voice student of Cantor Stephen Chaiet of the NATS (National Association of Teachers of Singing of America). In 2000, her home country honored her with her first Juno Award (Canada's premier music awards): Best Blues Album for her CD Love Comin’ Down.[2] Since 1999, she has received a record-setting 17 Maple Blues Awards, and 3 Trophées de blues in France. Sue also received a nomination for the prestigious W.C. Handy Award for best contemporary female artist in 2003.

Sue Foley - "Hooked On Love" live 


Peter Karp & Sue Foley, "Highway 61 Revisited" (05-22-2015 (06) Atlanta) 











Camille Howard  *29.03.1914

 

http://www.pastblues.com/view-action-89.html?en=Camille+Howard

Camille Howard (March 29, 1914 – March 10, 1993)[1] was an American R&B pianist and singer.
Howard was born in Galveston, Texas.[1] When in California in the 1940s, she became the featured piano player with Roy Milton’s Solid Senders, playing on all their early hits on the Juke Box and later the Specialty record label, including "R. M. Blues" (1946).
After that record's success, she featured on more of Milton’s records, occasionally as singer. Record label head Art Rupe also began recording her as a solo artiste, with her biggest hit coming with "X-Temporaneous Boogie".
She continued to record successfully in the early 1950s, but the growth of rock and roll and her own religious convictions ended her career.
Howard died in Los Angeles in March 1993.
http://en.wikipedia.org/wiki/Camille_Howard 


Camille Howard - Money Blues  


https://www.youtube.com/watch?v=8XcwuyG0nQM 

















Milton Frazier alias Alabama Slim *29.03.1939

 

http://www.pastblues.com/view-action-89.html?en=Alabama+Slim

Alabama Slim was born Milton Frazier in Vance, Alabama on March 29, 1939. His father worked building trains at the Pullman plant and his mother did domestic work. In their home, they had a Victrola and a boxful of 78s – this is where Slim fell in love with the Blues of Bill Broonzy and Lightnin’ Hopkins.
“I grew up listening to the old blues since I was a child. I spent summers with my grandparents who had a farm. Them old folks would get to moanin’ while they worked, and I just started moanin’ with them. That’s where I learned to sing. When I got grown I formed a band and we played little juke joints in the 50s and 60s. In ‘65, I came to New Orleans after hurricane Betsy. Got me a job with a moving company and then one making cooking oil. My cousin Freddie King was drinking hard in those days, and I was too. We jammed every once in awhile. By the time the 80s rolled around I was not doing much but Freddie always checked on me. By the 90s I got myself together and we have been the best of friends ever since, tighter than brothers really; there is not a day that goes by when we do not speak or see each other.” – Alabama Slim
When MMRF founder Tim Duffy, first met Slim, he recalled, “I met Alabama Slim in New Orleans while visiting bluesman Little Freddie King. Slim is a towering man, close to seven feet tall. He was very well spoken and dressed in an impeccable tailored suit. He told me he was an old friend of Freddie’s and was originally from Huntsville, Alabama. I told him if he ever got back there soon, that he should call me and I will get him into a great recording studio up there.”
New Orleans drummer Wacko Wade introduced Music Maker to New Orleans Blues guitar patriarch Little Freddie King in the late 90s and he and Freddie and Alabama have since been performing with Music Maker. Upon losing all of their possession in the floodwater of Hurricane Katrina, Alabama and Freddie settled in Dallas, TX in an apartment complex and spent most of their days working up old and new songs. Soon after, they visited producer/drummer Ardie Dean and recorded a session. Impressed by Slim’s voice and Freddie’s guitar work that danced and followed Slim wherever he went, Tim Duffy asked the two to come to NC to record. Slim and Freddie visited Music Maker that December and between fellow New Orleans musicians Slewfoot and Carrie B., they cut The Mighty Flood.
“Who knows how many incredible unrecorded blues artists are out there. It is clear that the blues will never die within the community from which it was born, as there are artists that embrace the older musical traditions and are determined to scuffle and hold dear to their Blues even if it takes them 50 years to get into a studio.” – Tim Duffy


Alabama Slim: Blue and Lonesome 











Thomas Schied  *29.03.1969

 


https://www.facebook.com/thomas.schied.1


 Möglicherweise liegt es daran, dass die Mundharmonika gewissermaßen im Osten geboren worden ist. Vielleicht aber liegt es nur daran, dass ich selbst lange Zeit so ein Teil mit mir herum getragen habe, bis mir irgendwann die Puste ausging. Ich jedenfalls denke, dass die Harp einer Blueskapelle erst die richtige Würze gibt.
Zum Glück gibt es hierzulande eine Menge Leute, die eine hervorragende Blues-Harp spielen. Manch einer kommt mit einem oder zwei dieser Teile aus, andere haben einen ganzen Gürtel voll um den Bauch geschnallt und wieder andere tragen schwer an ihrem Harp-Koffer.
Auch der Osten hatte und hat ausgezeichnete Bluesharper. Stellvertretend seien hier der unvergessene Igor Flach genannt; Bernd Kleinow, der uns einst Diestelmanns "Reichsbahnblues" blies; Matthias "Matze" Stolpe, der derzeit in der Waldi-Weiz-Band die Suppe würzt; Sören Birke, der unlängst mit "Blues and Loose" ein beachtenswertes Come Back feierte oder Thomas Hanke aus Leipzig.
Eine meisterliche Bluesharp spielt auch der Hallenser Thomas Schied (Jahrgang 1969). Der gelernte Melker aus dem Paulus-Viertel ist Autodidakt, beherrscht sein Instrument längst professionell und gibt inzwischen selbst Unterricht an der Musikschule "Robert Franz" in Halle.
Erstmalig erlebte ich ihn mit der "L.E. Boogieband". Mir gefiel sein solides und geradliniges Spiel. Orientiert ist er vor allem am traditionellen Country-Blues und dem klassischen Chicago-Blues. Es scheint, als würde Schied sich inmitten einer Bluesband und als Solist gleichermaßen wohl fühlen; so tourte er auch schon mit "Carl Wyatt & The Delta Voodookings" . Unlängst erst sah man ihn inmitten der "Joris Hering Blues Band" aus Berlin. Offensichtlich weiß man seine Qualitäten zu schätzen, verfügt er doch über umfangreiche internationale Erfahrungen. So trat er u.a. beim "Festival Blues Alive" in Tschechien, der "Blues 'n Jazz Rallye" in Luxemburg und dem "Guinness Blues Festival" in Irland auf, wo Schied ein Jahr lebte. Dort traf er vor nunmehr schon 13 Jahren auf den aus Westirland stammenden Gitarristen Trevor Hansbury.
Seither verbindet beide eine enge Zusammenarbeit. Regelmäßig ist der Ire in Deutschland zu Gast, sodass das Duo Hansbury/Schied längst eine bekannte Größe in der hiesigen Blueswelt geworden ist. Hansbury (Jahrgang 1974) verleiht dem alten Delta-Blues eine irische Note, lässt ihn so lebendiger erscheinen. Wenn man Glück hat, bekommt man auch einige Gallagher-Songs zu hören. Logisch!
Auch mit dem aus Bremen stammenden Gitarristen Heiko Schrader, der vor allem mit "Double Stomp" bekannt geworden ist, hat Schied bereits zusammen gearbeitet. Dessen Liebe zum traditionellen Blues eines Robert Johnson oder J.B. Lenoir ist unverkennbar. Doch verbindet er ihren Blues gern mit Soul- und Rockelementen und gibt ihm dadurch eine moderne Note.
Aktuell arbeitet Schied mit Marko Schneider zusammen, der mit Gitarre und Dobro gleichermaßen gekonnt umzugehen weiß. Schneider bevorzugt es den Blues eines Robert Johnson, J.B. Lenoir oder Lightnin Hopkins über den Gesang zu transportieren. Er flüstert, singt und schreit den Blues, benutzt die Gitarre als Begleitinstrument. Dem Bluesliebhaber ist zu raten, künftig auf "The Blind Flying Dogs" aus Halle an der Saale sein Augenmerk zu richten.
(August 2013)


Trevor Hansbury & Thomas Schied @ BLUES ALIVE Festival Sumperk CZ 











Christian Schwarzbach  *29.03.1969

 

https://www.facebook.com/christian.schwarzbach.10



http://www.belami-hamburg.de/musik/1304-christian-schwarzbach.htm

 „Mir ist wichtig, dass mich die Musik berührt. Ich will spüren, dass der Künstler etwas zu sagen hat!“
Und der Gitarrist und Sänger Christian Schwarzbach teilt schon seit Jahren erfolgreich seine musikalischen Botschaften aus.
Der Saiten-Zauberer aus München ist einer von Deutschlands angefragtesten Studio- und Live-Musikern. Mit seinem einzigartigen Gitarrenspiel hat er sich bereits auf unzähligen Musik-Produktionen verewigt, mehr als 2000 Auftritte in der ganzen Welt absolviert. Sein Weg führte ihn nicht nur durch Deutschland, Östereich oder die Schweiz, nein, auch exotische Länder wie Russland und China wurden bespielt.
Die Gitarre hat der Multi-Kulti-Musiker im Alter von neun Jahren entdeckt, seit dem alle Musikrichtungen durchspielt. Dabei wurde die Bühne auch schon mit Top-Acts wie ZZ Top oder Jethro Tull geteilt.
Aufgrund seiner außergewöhnlichen Performance holten ihn Stars wie Toto-Sänger Bobby Kimball, Glen Hughes (Deep Purple) so wie Woodstock-Legende Fito de la Para (Canned Heat) auf die Bühne. Ob als Sideman für Dickie Peterson (Blue Cheer), oder 2010 als support für Gitarren-Genie Jeff Beck – Schwarzbach ist überall zu Hause, begeistert sein Publikum mit impulsanten Rock-Riffs und spektakulären, temporeichen Soli. Der Blues-Rock ist musikalische Hemat.
Doch seiner 1964er Fender Stratocaster entlockt er auch ganz andere Töne. Durch langjährige Mitwirkung bei „Soul Kitchen“ – einer der top Soul-Bands Deutschlands – sowie diversen Projekten mit der aus Los Angeles stammenden Sängerin Erin Perry, konnte sich Schwarzbach nicht nur in Deutschland, sondern auch europaweit einen Namen machen, sich musikalisch vielseitig präsentieren. So ganz nebenbei ist er Endorser der Gitarrenmarke Line 6 und Dozent am Münchner Gitarren Institut (MGI).
Zu seinen musikalischen Einflüssen zählen Musik-Größen wie Jeff Beck und Steve Lukather (Toto). Aber auch Blues Legenden wie Stevie Ray Vaughn und Robben Ford gaben – und geben – ihm Impulse.
Sein erstes Soloalbum „Anthology Part I“ wurde 2007 veröffentlicht. Die Musik-Fach-Zeitschrift „Gitarre & Bass“ schrieb dazu: „Eine wirklich fette, scharfe Lead-Gitarre mit den berühmten Eiern, spielt Christian Schwarzbach hier. Seine E-Gitarren Instumentals rocken, drücken, sägen – haben Emotion und Stil.“
Im Juli 2011 wurde sein aktuelles Solowerk „Antholygy Part II“ veröffentlicht, auf dem der Saitenhexer auch erstmals selbst zum Mikrofon greift. „Gitarre und Bass„ schreibt: „Was für ein Rocker! Gitarrist Christian Schwarzbach beherrscht sein Instrument, egal ob er shreddet oder eine Midtempo-Nummer mit Southern-Feel rüberkommen lässt. Der Tele-Spieler hat einen eigenen Stil, deftig, zupackend, irgendwie bluesig in jeder Note...„
Live wird Christian Schwarzbach von excellenten Musikern in seiner Gleichnamigen Band unterstützt.


Christian Schwarzbach & Band: Little Wing - Live 14.12.2012 









R.I.P.

 

Jazz Gillum   +29.03.1966

 

William McKinley Gillum (* 11. September 1904 in Indianola, Mississippi; † 29. März 1966 in Chicago, Illinois), bekannt als Jazz Gillum, war ein US-amerikanischer Blues- und Hokum-Musiker. Neben Sonny Boy Williamson I. war er der populärste Mundharmonikaspieler im Chicago der 1930er.
Wie B. B. King in Indianola geboren, brachte sich Gillum das Spielen auf der Blues Harp selbst bei. Nachdem er mit 7 Jahren von seinem Ziehvater weggelaufen war, verbrachte er die nächsten Jahre bei Verwandten in Charleston, Mississippi, wo er jobbte und an Straßenecken musizierte.
1923 ging er nach Chicago. Hier trat er häufig mit dem Gitarristen Big Bill Broonzy auf. 1934 machte Gillum seine ersten Aufnahmen.
In den 1930ern und 1940ern erschien er sowohl unter eigenem Namen wie auch als Begleitmusiker auf vielen von Lester Melrose produzierten Platten. Nach dem Ende von Bluebird Records war auch Gillums Karriere vorbei. 1961 machte er noch einmal Aufnahmen mit Memphis Slim.
Jazz Gillum starb 1966 durch einen Kopfschuss bei einer Streiterei.
http://de.wikipedia.org/wiki/Jazz_Gillum

William McKinley Gillum (September 11, 1904 – March 29, 1966),[1] known as Jazz Gillum, was an American blues harmonica player.
He was born in Indianola, Mississippi. After running away from home at the age of seven, Gillum spent the next few years in Charleston, Mississippi, working and playing for tips on local street corners. He moved to Chicago, Illinois in 1923, meeting up with the guitarist, Big Bill Broonzy.[1] The duo started working club dates around the city and, by 1934, Gillum started recording for both ARC and Bluebird Records.
He appeared on many of the highly popular "Bluebird beat" recordings produced by Lester Melrose in the 1930s and 1940s, under his own name and as a sideman.[1] Gillum was the first to record the blues classic "Key to the Highway" (featuring Broonzy on guitar) utilizing the now-standard melody and 8-bar blues arrangement. (The song had first been recorded a few months earlier by Charlie Segar, with a different melody and a 12-bar blues arrangement.) Gillum's version of the song was then covered by Broonzy a few months later, and has become the standard arrangement of this now-classic blues song. Gillum's records also resulted in some of the very earliest recordings of electric guitar in blues, when 16-year-old fledgling jazz guitarist George Barnes was featured on several songs on the 1938 Gillum session that produced "Reefer Headed Woman" and others.
Gillum joined the United States Army in 1942 and served until 1945.[2] Gillum recorded an early version of "Look on Yonder Wall" (1946) with Big Maceo on piano, which was later popularized by Elmore James.[3]
However, after the Bluebird record label folded in the late 1940s he made few further recordings. His last, slightly sad recordings were on a couple of 1961 albums with Memphis Slim and the singer-guitarist Arbee Stidham on Folkways Records.[3]
On 29 March 1966, during a street argument, he was shot in the head and was pronounced dead on arrival at Garfield Park Hospital in Chicago.[2] He is buried at Restvale Cemetery in Alsip, Illinois. [2]
Gillum's daughter, Ardella Williams, is active as a blues singer in Chicago.

Jazz Gillum - Key To The Highway 


https://www.youtube.com/watch?v=s4kO0OSI8kk 


Donnerstag, 10. März 2016

10.03. Ronnie Earl, Gerd Gorke, David Maxwell, John Nemeth, Edward 'Ted' McKenna, Dave Alexander * LaVern Baker, Camille Howard, Jackie Neal +






1938 Dave Alexander*
1950 David Maxwell*
1950 Edward 'Ted' McKenna
1953 Ronnie Earl*
1964 Gerd Gorke*
1976 John Nemeth*
1993 Camille Howard+
1997 LaVern Baker+
2005 Jackie Neal+




Happy Birthday

 

Ronnie Earl  *10.03.1953

 



Ronnie Earl (* 10. März 1953 in New York City; eigentlich Ronald Horvath) ist ein US-amerikanischer Blues-Gitarrist.
Earl studierte an der Boston University, wo er sich für die lokale Blues-Szene begeisterte. Er wurde Mitglied einer Band in Cambridge, Massachusetts, und nahm den Künstlernamen Earl an, zu Ehren seines Vorbilds Earl Hooker.
1977 machte er erste Aufnahmen, zunächst mit Guitar Johnny & the Rhythm Rockers, dann als Gründungsmitglied von Sugar Ray & the Bluetones mit Sugar Ray Norcia. 1979 kam er zur Band Roomful of Blues, bei denen er acht Jahre lang blieb.
Daneben gründete Earl in den frühen 1980ern seine eigene Band The Broadcasters. 1983 brachte er sein erstes Soloalbum Smokin' heraus, dem 1984 They Call Me Mr. Earl folgte. 1987 verließ er Roomful of Blues und widmete sich seiner Solokarriere, bevor er im Jahr darauf die Broadcasters wieder belebte, mit Darrell Nulisch (Gesang), Jerry Portnoy (Mundharmonika), Steve Gomes (Bass) und Per Hanson (Schlagzeug). 1988 erschien das Album Soul Searchin, 1990 Peace of Mind und I Like It When It Rains (live), 1991 Surrounded by Love (mit Sugar Ray Norcia).
Anfang der 1990er überwand Earl seine Drogen- und Alkoholprobleme und formierte die Broadcasters neu: mit dem Organisten Bruce Katz, dem Bassisten Rod Carey und am Schlagzeug wie bisher Per Hanson. Der Stil wurde Jazz-lastiger. Es entstanden die Alben Still River (1993), Language of the Soul (1994), Blues Guitar Virtuoso Live in Europe (1995), Grateful Heart: Blues and Ballads (1996) und The Colour of Love (1997). 1997 gewann Earl einen Handy Award als bester Blues-Instrumentalist.
In dieser Zeit litt Earl an manischer Depression. Er löste die Band auf und machte eine Pause. 2000 nahm er mit dem Organisten Jimmy McGriff das Album Healing Time auf. 2001 folgte Ronnie Earl and Friends, 2003 I Feel Like Goin' On, 2004 Now My Soul und 2005 The Duke Meets the Earl mit dem Blues-Gitarristen Duke Robillard.

Ronnie Earl (born Ronald Horvath, March 10, 1953, Queens, New York, United States)[1] is an American blues guitarist and music instructor.
Career
Earl collected blues, jazz, rock and soul records while growing up. He studied American History at C.W. Post College on Long Island for a year and a half, then moved to Boston to pursue a Bachelor's Degree in Special Education and Education at Boston University where he would graduate in 1975.[2] He spent a short time teaching handicapped children. It was during his college years that he attended a Muddy Waters concert at the Jazz Workshop in Boston. After seeing Waters perform, Earl took a serious interest in the guitar, which he had first picked up in 1973. His first job was as a rhythm guitarist at The Speakeasy,[3] a blues club in Cambridge, Massachusetts. In addition to playing in the Boston blues scene, Earl traveled twice by Greyhound Bus to Chicago, where he was introduced to the Chicago blues scene by Koko Taylor.
Later he traveled to New Orleans and Austin, Texas, where he spent time with Kim Wilson, Jimmie Vaughan and The Fabulous Thunderbirds. In 1979 he joined Roomful of Blues as lead guitarist for the band.
He began performing solo in 1986, in addition to playing with Roomful of Blues, and he released his first solo album on the Black Top Records label with a quartet that focused on blues instrumentals. After leaving Roomful of Blues, he began collaborations with contemporaries Ron Levy and Jerry Portnoy, Earl King, Jimmy Rogers, and Jimmy Witherspoon.
In 1988, Earl formed his own band that he called The Broadcasters, named after the first Fender guitar which originally had been labeled The Broadcaster and was distributed in 1950. The first group of Broadcasters included Darrell Nulisch (vocalist), Jerry Portnoy (harmonica), Steve Gomes (bass), and Per Hanson (drums). In 1988 they released their first album, Soul Searchin, followed by Peace of Mind in 1990. Their album Language of the Soul was released in 1994. The lineup for the Broadcasters for that album was Bruce Katz (keyboards), Per Hanson (drums) and "Rocket" Rod Carey (bass). The next album The Colour of Love, featured Marc Quinones (percusion) and Gregg Allman (keyboards). The association lead to Ronnie Earl and the Broadcasters opening for the Allman Brothers Band at Great Woods, and Warren Haynes (guitar for the Allman Brothers Band) sitting in with Ronnie Earl and the Broadcasters at Johnnie D's in Somerville. Later Katz joining the Gregg Allman Band.
In 2000, Earl was diagnosed with several medical ailments,[4] and scaled back his touring, as well as re-evaluating his career plans. The current group of Broadcasters, Jimmy Mouradian (bass), Dave Limina (organ), and Lorne Entress (drums), began playing together prior to the 2003 release of I Feel Like Going On and, in 2009, released Living in the Light, their fifth release from Stony Plain Records.[5] In 2008, Ronnie Earl and the Broadcasters celebrated twenty years as a band, and by August, 2010, Ronnie Earl and the Broadcasters released Spread the Love.
Earl is a three-time Blues Music Award winner as Guitar Player of the Year.[6] For five years he was an Associate Professor of Guitar at Berklee College of Music and, in 1995, he released Ronnie Earl: Blues Guitar with Soul, an instructional VHS tape that was then re-released in DVD format in 2005. Earl was also the blues instructor at the 'National Guitar Summer Workshop'.
In early 2004, Earl's "Hey Jose" won in the third Independent Music Awards for Best Blues/R&B Song.

Ronnie Earl and The Broadcasters - Hope Radio 2007 


https://www.youtube.com/watch?v=cTGeuHdN4Dw 





Gerd Gorke  *10.03.1964 



Deutscher Bluespreisgewinner „German Blueschallenge" 2009 mit Hootin' the Blues

Seit 30 Jahren ist Gerd Gorke in der deutschen Bluesszene präsent. In dieser Zeit spielte er mehr als 2500 Konzerte in ganz Deutschland. Ebenso tourte er mit seinen Bands „Hootin’ the Blues“ den „Deltaboys“ und den „Speedos“ durch 14 Länder Europas und die USA.
Zahlreiche Konzerte mit amerikanischen Bluesmusikern wie Angela Brown, Louisiana Red, Dave Myers, Sam Myers und über 10 Jahre intensiver Konzerttätigkeit mit der US-Sängerin Jeanne Carroll & Blues Mafia bereichern seine Vita.
Am 18.10.13 feierte Gerd Gorke offiziell sein 30 jähirges Bühnenjubiläum im Hot Jazz Club Münster. Gleichzeitig wurde auch die neue CD der „Delta Boys“ feat. Gorke&van Merwyk vorgestellt .
Mit von der Partie sind auch „Hootin the Blues“ und „Bluestis“ mit Rainer Achterholt und Nadja Grosspietsch.
Mit seiner unverwechselbaren Stimme sowie seinem virtuosem Harmonikaspiel begeistert Gerd Gorke sein Publikum. Er liefert ein musikalisches Repertoire aus Blues,Country, Swing und Boogie der 40/50er Jahre und eigene Songs. Alles wird mit viel Humor und einem Augenzwinkern auf die Bühne gebracht!
„Musik muss unterhalten“ und „der Ton macht die Musik“ sagt Gerd Gorke
Bis Heute sind eine Vielzahl von CDs erschienen mit „Hootin’the Blues“, der „Blues Mafia“, „The Speedos“ den „Delta Boys“ und zahlreichen Gasteinspielungen bei diversen Produktionen unter Mitwirkung von Gerd Gorke.
Ab Oktober gibt es die neue Delta Boys CD mit Michael van Merwyk
Am 20. Januar 2010 nahm Gerd Gorke mit seinem Trio „Hootin the Blues“ sehr erfolgreich an der internationalen Blueschallenge in Memphis, USAteil.
„excellent Vocals and awsome Harmonica playing“ urteilte die internationale Fachjury in Memphis.
„Unglaublich, mehr als echt, unwiderstehlicher Deltablues und eine Begegnung mit der Harmonica Champions League“ (Emdener Zeitung)
http://www.gerdgorke.de/

Seit mehr als 20 Jahre ist der Münsteraner  als Sänger und Mundharmonika-Spieler in der deutschen Bluesszene präsent. In dieser Zeit spielte er mehr als 1500 Konzerte in ganz Deutschland .

Ebenso tourte er mit seinen Bands >Hootin’ the Blues, der "Blues Mafia" und den "Speedos" durch 9 Länder Europas. Zahlreiche Konzerte mit amerikanischen Bluesmusikern wie Angela Brown, Louisiana Red, Dave Myers, Sam Myers und über 10 Jahre intensive Konzerttätigkeit mit der US-Sängerin Jeanne Carroll bereichern seine Vita.

Mit seiner unverwechselbaren Stimme, sowie seinem virtuosem Harmonikaspiel (,das laut dem „German Blues Circle mit zum Besten Deutschlands gehört,) begeistert Gerd Gorke sein Publikum.

Er liefert ein musikalisches Repertoire aus Blues, Swing und Boogie der 40/50er Jahre . Bis Heute sind eine Vielzahl von CD’s erschienen mit „Hootin’the Blues“ ,der "Blues Mafia", "The Speedos" den "Pink Piano Altstars“ (ehemalige Formation der legendären Blues Session in Osnabrück) und zahlreichen Gasteinspielungen bei diversen Produktionen unter Mitwirkung von Gerd Gorke .

Seine neueste Formation heißt >Mr. Blues jr ., eine "frei skalierbare" Band - vom Duo bis zur Vollbesetzung - jedenfalls immer mit Gerd Goke an der Mundharmonika und Gesang!

Gerd ist mit seiner Band Gewinner der German Blues Challenge (2009) und Semifinalist bei der anschließenden International Blues Challenge.

Im Shop sind zwei seiner CDs zu haben: >"Hootin' the Blues - Tree Mountain Hop (2008)" - ein Album mit traditioneller Blues-Musik: Stomps and Hollers from the Westfalian Countryside - gespielt auf SEYDEL's 1847!

Und ein neueres Werk >"Delta Boys - Front Porch Stories (2010)" im Duo mit dem einzigartigen Michael van Merwyk auf der akkustischen Gitarre.

For over 20 years Gerd is present as a singer and harmonica-player in the German Blues-scene. During this time he played on more than 1500 concerts all over Germany.

He also performed with his band >"Hootin’ the Blues", the "Blues Mafia" and the "Speedos" in 9 different european countries. He had many concerts with American Blues musicians like Angela Brown, Louisiana Red, Dave Myers, Sam Myers and over 10 years of intensive performances with the US-singer Jeanne Carroll enrich his vita.

His distinctive voice as well as his virtuosic harmonica playing (that is one of the best all over Germany according to the "German Blues Circle") he inspires his audience.

He plays the blues, swing and boogie from the 40th-50th. Until today there are many CDs available where Gerd plays together with his bands or as a guest on many other recordings.

Gerd's newest Band is named >Mr. Blues jr . and is a "scalable band" - if you can afford "only" a Duo or if you need a whole band - always featuring Gerd Gorke on harmonica and vocals!

Gerd and his band won the German Blues Challenge in 2009 and were semi-finalists at the following International Blues Challenge.

There are two CDs now available in our webshop: >"Hootin' the Blues - Tree Mountain Hop (2008)" - an album with traditional Blues music: Stomps and Hollers from the Westfalian Countryside - played on the SEYDEL 1847!
And a newer album together with Gerd's excellent duo partner Michael van Merwyk on accoustic guitar - >"Delta Boys- Front porch stories" 



http://www.hootingtheblues.de/


Lonesome Train - Hootin´The Blues mit Gerd Gorke 


https://www.youtube.com/watch?v=79Mdyf1FIB8 





David Maxwell  *10.03.1950 

 

http://www.cincybluesfest.org/pianostage/david-maxwell/

 Pianist David Maxwell has been a part of the Boston blues scene as a sideman since the late 1960s, but has only in the '90s begun leading his own band and recording under his own name.
Maxwell took some of his early stylistic cues from the likes of Spann, Sunnyland Slim and Pinetop Perkins, also listening to the recordings of Big Maceo, Ray Charles and Memphis Slim; he became friendly with Muddy Waters' longtime piano player, Otis Spann, in the late 1960s.
Maxwell went on to back many great players over the years, including Freddie King, whom he worked with for two years in the early 1970s; Bonnie Raitt, whom he worked with in 1974 and '75, while she was still based in Boston; and James Cotton from 1977 to 1979. He toured Europe and Japan with Otis Rush in the 1990s, and has performed over the years with dozens of others, including John Lee Hooker, Jimmy Rogers, Paul Oscher, Hubert Sumlin, Bob Margolin, John Primer and Ronnie Earl. He has joined many of these same people on their studio efforts, including Cotton for his 1997 Grammy-winning Deep in the Blues. Maxwell also can be heard on the soundtrack to the movie Fried Green Tomatoes with longtime Boston musicians Ronnie Earl and Peter Wolf.
Maxwell's debut record for Tone-Cool, Maximum Blues Piano, is a collection of instrumental tunes that showcase many of the Boston scene's veteran players: Ronnie Earl and Duke Levine on guitars, Kaz Kazanoff and Gordon Beadle on saxophones, drummer Marty Richards and bassist Marty Ballou. Echoes of all of his influences can be heard throughout the tracks, including Pete Johnson on "Down at A.J.'s Place," and Otis Spann on "Deep Into It." 






John Nemeth  *10.03.1976

 


John Németh (*1976, Boise, ID) kommt zwar nicht grad aus einer Gegend, die man als Hochburg von Soul und Blues bezeichnen könnte.

Aber dort war es, wo der extrem talentierte Sohn eines ungarischen Einwanderers seine ersten Erfahrungen auf der Harp machte, beeinflusst von Helden wie Sonny Boy Williamson und Little Walter. Dort begann seine Liebe zur Musik, die ihn vom Kirchenchor und Teenager mit eigener Band bis zu einem hochgelobten Sänger, Harper und Songschreiber mit sieben tollen CD’s und neun Blues Award Nominierungen brachte.

2014 gewann er den Blues Music Award als bester männlicher Soul Blues Künstler des Jahres. Mit seiner Karriere ging es steil aufwärts, nachdem er 2002 in der Band von Junior Watson spielte. Watson war zwei Jahre später auch auf seinem ersten Solo Album mit von der Partie.

Als grossartiger Sänger mit viel Soul in der Stimme und tollem Harpspiel gelang es ihm mühelos, ab 2005 vorübergehend den grossen Sam Myers bei Anson Funderburgh‘s Band zu ersetzen. Seine folgenden CD’s, die er ab 2006 auf dem bekannten Blind Pig Label veröffentlichte, erreichten fast alle hohe Notierungen in den Billboard Top Blues Album Charts.

Seit 2013 lebt Németh in Memphis. Welch hohen Stellenwert er in der Szene geniesst, verdeutlicht wohl am besten die renommierte Zeitschrift Living Blues, deren Kritiker gar meinte, John Németh sei vielleicht der beste weisse Blues Sänger aller Zeiten.

John Németh (born 1976) is an American electric blues and soul harmonicist, singer, and songwriter. He has recorded seven albums since 2002, having also backed Junior Watson and Anson Funderburgh.[1] He has opened for Robert Cray, Keb' Mo', and Earl Thomas.[2]
Allmusic noted that he is a "vocalist with great range, ability, and soulfulness, Németh had also developed into a top-notch blues harmonica player..."[1] In 2013 alone, he was nominated five times for a Blues Music Award, making nine such nominations in total.
Németh was born in Idaho, United States and grew up in Boise.[1] After singing at his local church, Németh played in local groups in his teenage years, and later formed Fat John & the 3 Slims with his friend Tom Moore. He toured and performed regularly working between five and seven nights a week for almost a decade.[4]
By 2000, Németh was supplying backing to Junior Watson, and separately fronting his own band known as The Jacks.[1] In 2002, he self-published the album, The Jack of Harps. His debut solo effort, Come and Get It, followed in 2004.[1] The same year, Németh relocated to Oakland, California.[5][6] Gaining more experience, he temporarily replaced Sam Myers in Anson Funderburgh's backing band in 2005 and 2006.[2]
In 2006, he signed a recording contract with Blind Pig Records. Magic Touch, which was produced by Funderburgh and had Watson as a guest musician on several tracks, was issued in 2007.[1] Living Blues stated "Magic Touch gives hope that the blues will survive." The release saw Németh nominated for a Blues Music Award in the 'Best New Artist Debut' category. Németh also appeared on Elvin Bishop's The Blues Roles On album (2008), which was nominated for a Grammy Award in the Best Traditional Blues Album category.[5] Németh performed at the Blue Bear Live III concert on May 9, 2008 at the Great American Music Hall, to benefit the Blue Bear School of Music.[7] Németh's next release, Love Me Tonight (2009), reached number 6 in the Billboard Top Blues Albums Chart.[8]
Németh's fourth solo release, Name the Day!, was released in 2010.[1] It equalled the achievement of Love Me Tonight by peaking at number 6 in the Billboard Top Blues Albums Chart.[8] Blues Live was recorded in February 2012 at three venues in the San Francisco Bay Area, and included guitar contributions from Kid Andersen.[9] Soul Live was released in September 2012.[10] In December 2012, Németh appeared at the PowerHouse Pub in Folsom, California.[11] The following February, he performed in his home town of Boise.[12]
In 2013, Németh was nominated in five categories for a Blues Music Award. These included 'B.B. King Entertainer', 'Contemporary Blues Album', 'Instrumentalist - Harmonica', 'Soul Blues Album', and 'Soul Blues Male Artist'.[13] Németh is due to perform at the Great Lakes Blues Society in April; the Simi Valley Cajun & Blues Music Festival in May; and the Jackson Rhythm and Blues Festival in August 2013.[14] He relocated to Memphis, Tennessee in early 2013, and has stated that the Bo-Keys will back him on his next recording.[15] In 2014, he won a Blues Music Award in the 'Soul Blues Male Artist of the Year' category.[16]
Németh is sponsored by Hohner.[2]
http://en.wikipedia.org/wiki/John_N%C3%A9meth 

Boise, Idaho is hardly the place anyone would conjure up as a hotbed of soul music.

But for John Németh, it’s where his love for the genre began—and the starting point for a journey that’s taken him from his first gigs fronting a teenaged band to five Blues Music Award nominations in 2013 alone.

It’s where this preternaturally talented son of a Hungarian immigrant gained his early chops on the harmonica, building on the style of rootsy heroes like Little Walter and Sonny Boy Williamson. Németh’s first paid performance came in 1991, when he was hired to perform drinking songs for a pinochle luncheon held by the Catholic Daughters of America before setting his sights on the Boise club scene, where, for nearly a decade, he played seven nights a week at local pubs, taverns, joints, and parties.

After opening a show for Junior Watson, Németh was tapped as tour opener for the guitar great, a gig that took him across the United States, to Scandinavia, and into the recording studio for his 2004 solo debut, Come And Get It, featuring Watson. When Németh’s girlfriend decided to relocate to California, he knew he couldn’t lose her, so he packed up the house and traveled west. It was an astute move: shortly after his arrival, Németh was signed by Blind Pig Records to a three-album deal. He also earned critical acclaim placing him in, as Nick Cristiano of the Philadelphia Inquirer put it, “a cadre of young and relatively young artists such as James Junter, Eli ‘Paperboy’ Reed, and Sharon Jones.”

“I learned a lot living in Oakland and San Francisco,” Németh says, “from recording and performing with Elvin Bishop to hearing Jimmy Hughes perform. Oakland is like a truly southern city, only it’s on the west coast. It wasn’t until after I arrived that I discovered that so many great songs I love actually originated there.”

In early 2013, Németh traded his life on the west coast to settle down in Memphis, Tennessee. He and Jaki, that girlfriend he followed to California, had married and started a family, and Memphis made sense for multiple reasons: It’s centrally located for touring, the cost of living is inexpensive, and the river town is the historical ground zero for American roots music.

“I moved to Memphis because it is the epicenter for soul and blues,” Németh confirms. “The wealth of knowledge runs deep in the instincts of its musicians and its studios.”

The 2000-mile trek south was wild. Németh’s 26-foot Budget rental truck broke down in the middle of the night in Flagstaff, Arizona, where he had to unload the entire truck and reload a new one on the side of the road. A scant two days after that, he was in Memphis and, as improbably as it sounds, in the recording studio.

Németh landed in the perfect place: Electraphonic Studio, home of producer and musician Scott Bomar, who composed the film scores for Hustle & Flow and Black Snake Moan and produced Cyndi Lauper’s Memphis Blues. Backed by the Bo-Keys, Bomar’s group of veteran Memphis performers who made their names backing the likes of Al Green, O.V. Wright, Rufus Thomas, and the Bar-Kays, Németh quickly laid down thirteen tracks that, as he describes it, “live in the style like I live in the style.” The tapes from that session caught the ear of manager Charles Driebe, who took the record to Denby Auble of Blue Corn Music. The Americana/roots music label signed Németh that year, adding him to a roster that boasts the likes of Ruthie Foster, Gurf Morlix, and Steve Forbert.

Memphis Grease, the long-awaited follow up to Németh’s fourth solo studio release, 2010’s Name The Day!, embodies everything that sets this artist apart from the revivalist pack: it’s innovative and unique while epitomizing the absolute best of the genre. It’s a deeply forged amalgamation of scorching harmonica-driven blues and sweet blue-eyed soul ala the Box Tops or Roy Head, delivered via two fistfuls of originals and a trio of carefully chosen covers, including Roy Orbison’s “Crying,” reinvented here as a slow-burning soul number that matches anything that came out of circa-late 1960s’ Muscle Shoals.

The album title itself is evocative of Németh’s journey to Memphis. The soul-blues scene he fell into in the Bay Area is historically referred to as “Oakland Grease,” and a pair of Oakland’s “greasiest” artists, guitarist Lowell Fulson and pianist Jimmy McCracklin, journeyed south to record two of their best, if often overlooked albums: Fulson’s funky psych-blues In A Heavy Bag and McCracklin’s soulful High on the Blues. For Németh, Memphis Grease is a natural concept that marries the techniques he honed in the Bay with the intuitiveness that flows between him and the Bo-Keys.

“When it comes to more traditional styles of music, people expect to hear a tribute record. But you can get into a real rut if you’re just doing rewrites,” Németh says. “We’re creating fresh music here. Our arrangements sound just like they would back then, but what we’re doing is so much more innovative.”

With the inter-generational combination of drummer Howard Grimes, guitarist Joe Restivo, Al Gamble on keyboards, producer Scott Bomar on bass, venerable soul vocalist Percy Wiggins singing background, and a killer horn section featuring Marc Franklin, Kirk Smothers, and Art Edmaisten, it’s a collaboration that sounds completely effortless. Together, Németh and the Bo-Keys take modern soul from a simmer to a full boil.

The Bo-Keys
Lost in much of the soul revival hype is the fact that many of the originators of soul music are still performing up to their Black Power-era standards. In the early parts of their careers, members of the Bo-Keys performed in B.B. King’s orchestra, anchored the Hi Rhythm Section, nailed the unforgettable intro to “Theme From Shaft,” and survived the plane crash that claimed Otis Redding. The Bo-Keys features alumni both of Stax Records and Hi Records, plus younger musicians who’ve garnered an Emmy award and a Grammy nomination. The Bo-Keys’ debut effort The Royal Sessions drew raves, and can still be heard in snippets on National Public Radio broadcasts. Their song “I’m Still in Need,” with Percy Wiggins on vocals, is featured in the new film Grudge Match, starring Robert DeNiro and Sylvester Stallone.

The Bo-Keys include vocalist Percy Wiggins, keyboardist Al Gamble, trumpeter Marc Franklin (Lucero, Solomon Burke, Bobby “Blue” Bland), and saxophonists Kirk Smothers (Buddy Guy, Ike Turner, Cliff Richard), and Art Edmaisten.  On drums is the incomparable Howard Grimes, whose credits include Rufus and Carla Thomas’ “Cause I Love You,” O.V. Wright’s “Nickel and a Nail,” Ann Peebles’ “I Can’t Stand the Rain,” and Syl Johnson’s “Take Me to the River.”

Bass player Scott Bomar is a founding father of The Bo-Keys, along with the late guitarist Skip Pitts. Bomar’s music career began in the 1990s with the instrumental group Impala; the bassist also backed Rufus and Carla Thomas, Rosco Gordon, Eddie Floyd, William Bell, and Motown session guitarist Dennis Coffey. Production-wise, Bomar served an apprenticeship with Willie Mitchell, engineering Al Green’s two most recent releases at Mitchell’s Royal Studio and working with a variety of musicians, running the gamut from jazz legend Calvin Newborn to punk visionary Jay Reatard. In 2005, Bomar composed the soundtrack for the Academy Award-winning film Hustle and Flow, and the Bo-Keys played the film’s score. Bomar also produced three songs for the Soul Men motion picture soundtrack, including the Grammy-nominated “Soul Music,” and the Bo-Keys performed on-screen with stars Samuel L. Jackson and Bernie Mack. Most recently Bomar won an Emmy for “Best Original Music” for the documentary I Am A Man: From Memphis, A Lesson in Life and co-produced and engineered Cyndi Lauper’s Grammy-nominated Memphis Blues album at his own Electraphonic Recording studio in downtown Memphis.


John Nemeth - Love Gone Crazy [HD] 







Edward 'Ted' McKenna  *10.03.1950




Edward 'Ted' McKenna (born 10 March 1950, Lennoxtown, East Dunbartonshire, Scotland), is a Scottish drummer, who has played with bands Tear Gas, The Sensational Alex Harvey Band, Rory Gallagher, The Sensational Party Boys,[1] and The Michael Schenker Group. He also toured with Ian Gillan for a short period in 1975 alongside fellow former SAHB bassist, Chris Glen. He lectured in Applied Arts at North Glasgow College from 1996–2011. McKenna was educated at St Patrick's High School, Coatbridge. His studies included Double bass lessons at school, several piano lessons, and a year under Glasgow big band veteran, Lester Penman. He has worked as a bandmember for several artists, including Rory Gallagher from 1978–1981. He additionally worked as a session musician with Greg Lake & Gary Moore in The Greg Lake Band 1980–81; the Michael Schenker Group in 1981–84; Bugatti & Musker, 1982; Ian Gillan; and a solo album for Nazareth singer Dan McCafferty, in 1975.
Ted also had his own band after his time in MSG called McKenna's Gold. Formed at the end of 1986 this band played together for just over two years and featured Charles Bowyer/vocals, Julian Hutson-Saxby/guitar, Alex Bowler/bass and Steve Franklin/keyboards. Julian Hutson-Saxby later played guitar with the reformed Sensational Alex Harvey Band after Zal's departure in 2008.
In 1992, Ted & Zal Cleminson decided to get together again and they put together an outfit called The Party Boys an idea Ted had in Australia whilst working with Womack and Womack. They had keyboardist Ronnie Leahy from Stone The Crows come in, and invited well known and respected rock singers to come up and do their thing. Singers such as Stevie Doherty, Fish, and Dan McCafferty to name a few. It wasn't before long that the band decided to get reunited with SAHB keyboardist Hugh McKenna and reform as SAHB. This line up included Stevie Doherty from Zero Zero & Peter Goes To Partick on vocal duties, and they released a live album titled 'LIVE IN GLASGOW 93' which is still regarded as one of the best live albums the band did as it shows both their technical abilities, and their 'rockier' spin on the SAHB classics. The band later disbanded in 1995 after a gig with Maggie Bell at The Kings Theatre in Glasgow.
In 2004, Ted again reformed SAHB with remaining members Zal Cleminson, Hugh McKenna, and Chris Glen, but this time introduced vocalist Max Maxwell, formally of The Shamen, which originally was to be a farewell tour, but with the success they received, the band decided to keep it together and do various other tours and festivals from 2004–2009. Some of the festivals the band performed were:
The Wickerman Festival & The Sweden Rock Festival in 2006
The Tours were:
2004 - Brick By Brick, 2005 - Zalvation, 2006 - Dogs of War, 2007 - Hail Vibrania
In this time they also released a live album Zalvation, which was the band's first official release since Rock Drill in 1977 with Alex. They also performed various tours across the UK, Europe, and Australia, as well as 2 successful sellout Christmas shows in 2006 & 2007 at the ABC in their hometown of Glasgow. In 2008, Guitarist Zal Cleminson left the band and retired from performing altogether, and the band continued for a short spell with guitarist Julian Hutson Saxby before disbanding in 2009.
Although primarily known as a rock musician, Ted has also worked with jazz maestro John Etheridge, Juno Award-winning American/Canadian blues guitarist Amos Garrett and American soul duo Womack & Womack as well as Paul Rose, Gwyn Ashton, The Rhumboogie Orchestra, Frank O Hagan, and FISH. Ted is currently touring with Rory Gallagher bassist Gerry McAvoy and Dutch guitar virtuoso Marcel Scherpenzeel in "Band of Friends", a celebration of the music of Rory Gallagher. The band won 'Best Blues Band of 2013' at the European Blues Awards, and recently released a CD/DVD titled 'Too Much Is Not Enough'. Band of Friends Website: http://www.bandoffriends.eu/ Band of Friends Facebook Page: https://www.facebook.com/GerryMcAvoys.BoF
http://en.wikipedia.org/wiki/Ted_McKenna  


The Paul Rose Band - LsL T-Bone Blues Jam 
A slow blues shot at the end of a days filming at Riverside Complex in Glasgow. With Paul Rose on guitar, Ted McKenna on Drums, Kenny Hutchison on bass and Colin Train on keyboards. More song orientated footage to follow shortly. 



Rory Gallagher - As The Crow Flies.wmv 
Ted McKenna -- drums













Dave Alexander  *10.03.1938

 




Dave Alexander, auch bekannt unter den Namen Omar Shariff und Omar Hakim Khayam (* 10. März 1938 in Shreveport, Louisiana; † 8. Januar 2012 in Marshall, Texas[1]), war ein US-amerikanischer Blues-Pianist und Sänger. Er wird dem West Coast Blues zugerechnet.

Leben

Geboren in Louisiana wuchs Alexander in Marshall in Texas auf. Seine Eltern ermunterten ihn, Klavier zu spielen. 1955 ging Alexander zur Navy. 1957 zog er nach Oakland in Kalifornien und begann, in der Blues-Szene der San Francisco Bay Area zu musizieren. Im Laufe der Zeit trat er mit so bekannten Größen wie Big Mama Thornton, Jimmy Witherspoon, Muddy Waters, Buddy Guy und Albert Collins auf.

1968 machte Alexander seine ersten eigenen Aufnahmen, die auf dem Sampler Oakland Blues erschienen. Anfang der 1970er veröffentlichte er einige Alben unter seinem Geburtsnamen. Nachdem er den Künstlernamen Omar Shariff angenommen hatte, dauerte es fast zwei Jahrzehnte, bis ein neues Album erschien.

1970 spielte Alexander auf dem Ann Arbor Blues and Jazz Festival, seit 1973 oft auf dem San Francisco Blues Festival und tourte auch in Europa.

1993 war Alexander für einen Handy Award nominiert. Er schrieb mehrere Artikel für das Magazin Living Blues.

Dave Alexander (born David Alexander Elam) aka Omar Sharriff, Omar Shariff, Omar Hakim Khayam (March 10, 1938 – January 8, 2012) was an American Texas blues singer and pianist.[1]

Biography
Born in Shreveport, Louisiana, in 1938, Alexander grew up in Marshall, Texas. His father was a pianist and his mother encouraged him to play in the church. Alexander joined the United States Navy in 1955, moved to Oakland, California, in 1957, and began a long history of working with various San Francisco Bay Area musicians. A self-taught pianist, he played with Big Mama Thornton, Jimmy Witherspoon, Muddy Waters, Buddy Guy and Albert Collins. Later in 1968, he recorded his first songs for the World Pacific label release called Oakland Blues, a compilation album of artists from that city. He also performed at the Ann Arbor Blues and Jazz Festival in 1970, and played at the San Francisco Blues Festival, many times from 1973 onward. He was also the warm up act at the Last Waltz at Winterland, Thanksgiving 1974. He also performed in Europe.

Alexander recorded a pair of albums The Rattler (1972) and The Dirt on the Ground (1973), for the Arhoolie label under his given name Dave Alexander.[2] Songs include "The Hoodoo Man (The Voodoo Woman & The Witch Doctor)", "St. James Infirmary", "Blue Tumbleweed", "Sundown", "Sufferin' With The Lowdown Blues", "Strange Woman", "Cold Feelin", "Jimmy, Is That You?", "So You Wanna Be A Man" and "The Dirt On The Ground".[3]

In 1976, he began to perform as Omar the Magnificent having changed his name to Omar Khayam.[4]

He was nominated for a W. C. Handy Award in 1993.[5]

In 1993 small blues label Have Mercy! released Black Widow Spider, followed it up with hit Baddass in 1995, and Anatomy of a Woman in 1998.

In the 2000s Alexander lived and performed mostly in the Sacramento area, where he recorded on Have Mercy! Records. He was an articulate writer and advocate for the blues and African American music.[6] He wrote several articles for the Living Blues magazine.[7]

On Martin Luther King Day 2011, NPR Radio All Things Considered broadcast a segment about Marshall, Texas being the birthplace of the boogie-woogie style of piano. The broadcast described how Dr. John Tennison, a San Antonio-based boogie-woogie musicologist, had shared his knowledge of the history of boogie-woogie with the citizens of Marshall, and how Tennison had located Alexander in Sacramento, California. Alexander performed in Marshall during December 2010, to great acclaim.[8] In February 2011, Alexander relocated to Marshall, Texas, where he lived until his death.

Death

On January 8, 2012, Alexander was found dead of an apparently self-inflicted gunshot wound at his home in Marshall, Texas. He was 73 years old.


Omar Sharriff (aka Dave Alexander) ~ ''The Raven''&''St. James Infirmary''(Piano Blues 1992 1973) 


 






R.I.P.

 

LaVern Baker  +10.03.1997



LaVern Baker (* 11. November 1929 in Chicago, Illinois; † 10. März 1997 in New York City; eigentlich Delores Baker, nicht jedoch Delores Williams, wie oft fälschlich angegeben (angeheirateter Name)), war eine US-amerikanische Rhythm-and-Blues-Sängerin.
Sie begann in einem Chicagoer Gospel-Kirchenchor, von dem aus sie mit siebzehn Jahren in einen Chicagoer sowie in einen Detroiter Nachtclub wechselte, wo man sie unter dem Namen Little Miss Sharecropper buchen konnte. Der Bühnenname bezog sich auf die seit Anfang der 40er Jahre in Chicago auftretende Little Miss Cornshucks, deren Erkennungsmelodie „So Long“ auch Baker sang. In Detroit wurde sie von dem Jazz-Orchesterleiter Fletcher Henderson entdeckt, der ihr einen Plattenvertrag bei Okeh Records verschaffte. Zusammen mit dem Orchester von Todd Rhodes nahm sie für King Records in Cincinnati ihre ersten Singles auf, die allerdings völlig unbeachtet blieben. Sie nannte sich von nun an LaVern Baker.
1954 erhielt sie einen Plattenvertrag bei Atlantic Records. Ihr Manager wurde Al Green, der sich bei ihren weiteren Rhythm-and-Blues-Aufnahmen bis zu seinem Tod im Jahre 1957 um Baker kümmerte. Eine unter ihnen war der Klassiker „Tweedlee Dee“, der später ein großer Hit für Georgia Gibbs wurde. Baker verklagte daraufhin Gibbs' Plattenfirma auf Schadenersatz wegen geistigen Diebstahls. Dieser Diebstahl bezog sich nicht auf die Songwriter-Tantiemen, sondern auf das Arrangement, das Ton für Ton übernommen wurde. Der damals in der Fachbranche beachtete Prozess entschied sich zu Ungunsten von Baker und Atlantic. Baker schaffte mit „Tweedle Dee“ gerade mal einen Platz 14 in den R&B-Charts.
Ab 1956 gelangten ihre Singles dann aber regelmäßig in die Pop-Charts. Ihre Alben verkauften sich nicht besonders gut, nennenswert ist allein LaVern Baker Sings Bessie Smith von 1958, auf dem Baker verschiedene von Smith' Blues-Klassikern vorträgt und dabei von Jazz-Musikern begleitet wird. Bis 1960 hielt die Hitwelle an (darunter ihr wohl bekanntester Song I Cried A Tear), doch dann drängte "Hitsville" Motown Baker immer mehr in den Hintergrund. Durch Zusammenarbeit mit dem Komponisten- und Produzenten-Duo Leiber/Stoller hatte sie 1962 mit See See Rider ihren letzten größeren Single-Erfolg.
Nachdem auch einige Duette mit Jackie Wilson ihr kein Comeback verschaffen konnten, wanderte sie nach Japan aus, wo sie sich als Entertainerin betätigte. 1969 vereitelte ihr eine Lungenentzündung eine weitere Karriere im Showbusiness und sie zog auf die Philippinen. Dort lebte sie zusammen mit ihrem Ehemann und leitete einen Nachtclub.
Erst 1988 kehrte sie zum 40-jährigen Jubiläum von Atlantic nach New York zurück und wurde Nachfolgerin Ruth Browns in dem Broadway-Musical Black And Blue. 1991 wurde sie in die Rock and Roll Hall of Fame aufgenommen[1] und sie begann ein Comeback. Obwohl ihr als Folge einer Diabetes-Erkrankung im Jahre 1995 beide Beine unterhalb des Knies amputiert werden mussten, trat sie weiterhin - nun im Rollstuhl sitzend - auf. Am 10. März 1997 starb LaVern Baker in einem New Yorker Krankenhaus an Herzversagen.

Delores LaVern Baker (November 11, 1929 – March 10, 1997) was an American rhythm and blues singer, who had several hit records on the pop chart in the 1950s and early 1960s. Her most successful records were "Tweedlee Dee" (1955), "Jim Dandy" (1956), and "I Cried a Tear" (1958).
Early life
Baker was born in Chicago and is occasionally referred to as Delores Williams because of an early marriage to Eugene Williams.[1][2]
Career
She began singing in Chicago clubs such as the Club DeLisa around 1946, often billed as Little Miss Sharecropper,[3] and first recorded under that name in 1949. She changed her name briefly to Bea Baker when recording for Okeh Records in 1951, and then became LaVern Baker when singing with Todd Rhodes and his band in 1952.[1]
In 1953 she signed for Atlantic Records as a solo artist, her first release being "Soul on Fire". Her first hit came in early 1955, with the Latin-tempo "Tweedlee Dee" reaching #4 on the R&B chart and #14 on the national US pop charts. Georgia Gibbs' note-for-note cover of Baker's "Tweedle Dee" reached #1; subsequently Baker made an unsuccessful attempt to sue her and petitioned Congress to consider such covers copyright violations.[4][5]
Baker had a succession of hits on the R&B charts over the next couple of years with her backing group The Gliders, including "Bop-Ting-A-Ling" (#3 R&B), "Play It Fair" (#2 R&B), and "Still" (#4 R&B). At the end of 1956 she had another smash hit with "Jim Dandy" (#1 R&B, #17 pop). It sold over one million copies, and was awarded a gold disc.[6] Further hits followed for Atlantic, including the follow-up "Jim Dandy Got Married" (#7 R&B), "I Cried a Tear" (#2 R&B, #6 pop in 1958, with sax by King Curtis), "I Waited Too Long" (#5 R&B, #3 pop, written by Neil Sedaka), "Saved" (#17 R&B, written by Leiber and Stoller), and "See See Rider" (#9 R&B in 1963). In addition to singing, she did some work with Ed Sullivan[7] and Alan Freed on TV and in films, including Rock, Rock, Rock and Mr. Rock & Roll. In 1964, she recorded a Bessie Smith tribute album, before leaving Atlantic and joining Brunswick Records, where she recorded the album "Let Me Belong to You".[citation needed]
In 1966, Baker recorded a duet single with Jackie Wilson. The controversial song, "Think Twice", featured raunchy lyrics that were not considered appropriate for airplay at that time or even today. Three versions were recorded, one of which is the X-rated version with the raunchy lyrics.[8]
Baker and comedian Slappy White were married in 1959.[2] After the couple was divorced in 1969, Baker signed on for a USO tour; she became seriously ill with bronchial pneumonia after a trip to Vietnam. While recovering at the US Subic Bay Naval Base in the Philippines, a friend recommended that she stay on as the entertainment director at the Marine Corps Staff NCO club there. She remained there for 22 years, returning to the US after the base was closed in 1988.[9]
In 1988 she returned to perform at Madison Square Garden for Atlantic Records' 40th anniversary. She then worked on the soundtracks to films such as Shag, (1989), Dick Tracy, (1990) and A Rage in Harlem (1991), which were all issued on CD. She performed a song on Alan Parker's film Angel Heart (1987), which appeared on the original vinyl soundtrack album, but was not included on the later CD issue "for contractual reasons".[10]
In 1990, she made her Broadway debut replacing Ruth Brown as star of the hit musical Black and Blue.[9] In 1991, Rhino Records released a new album Live in Hollywood recorded at the Hollywood Roosevelt Cinegrill, as well as a compilation of her greatest Atlantic hits entitled Soul on Fire. In 1992, she recorded a well-received studio album, Woke Up This Morning, for DRG Records.[9] She continued performing after having both legs amputated from diabetes complications in 1994.[9] Baker made her last recording, "Jump Into the Fire," for the 1995 Harry Nilsson tribute CD, For the Love of Harry on the Music Masters label.[citation needed]
In 1990 she was among the first eight recipients of the Pioneer Award from the Rhythm and Blues Foundation. In 1991, Baker became the second female solo artist inducted into the Rock and Roll Hall of Fame, following Aretha Franklin in 1987. Her song "Jim Dandy" was named one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll and was ranked #343 on the Rolling Stone's 500 Greatest Songs of All Time.
Death
LaVern Baker died from cardiovascular disease on March 10, 1997, at the age of 67. She was originally buried in an unmarked plot in Maple Grove Cemetery, Kew Gardens, New York, but her grave received a headstone on May 4, 2008, after a fundraiser was held by local historians.

Back Water Blues LaVERN BAKER 


https://www.youtube.com/watch?v=3UncLG974pQ 





Camille Howard  +10.03.1993

 


http://www.allmusic.com/artist/camille-howard-mn0000944555

Camille Howard (March 29, 1914 – March 10, 1993)[1] was an American R&B pianist and singer.
Howard was born in Galveston, Texas.[1] When in California in the 1940s, she became the featured piano player with Roy Milton’s Solid Senders, playing on all their early hits on the Juke Box and later the Specialty record label, including "R. M. Blues" (1946).
After that record's success, she featured on more of Milton’s records, occasionally as singer. Record label head Art Rupe also began recording her as a solo artiste, with her biggest hit coming with "X-Temporaneous Boogie".
She continued to record successfully in the early 1950s, but the growth of rock and roll and her own religious convictions ended her career.
Howard died in Los Angeles in March 1993.


Camille Howard - Money Blues 


https://www.youtube.com/watch?v=8XcwuyG0nQM 





Jackie Neal  +10.03.2005


http://www.soulbluesmusic.com/jackieneal.htm

Jacqueline "Jackie" Neal (July 7, 1967 – March 10, 2005)[1] was an American blues singer.
Born in Baton Rouge, Louisiana, her father was also a blues musician, Raful Neal, as were eight of her ten siblings, including Kenny Neal. She was best known for her hit single "Right Thang, Wrong Man, The Way We Roll".
She was shot and killed by her ex-boyfriend, James White, on March 10, 2005 in Baton Rouge. She died at the age of 38.


Jackie Neal - I Need A M.A.N. 


https://www.youtube.com/watch?v=JAZCuaXpyfs