Samstag, 26. März 2016

26.03. Joe Krown, Quinn Sullivan, Simon Oslender * Duster Bennett +






1976 Duster Bennett+
1998 Simon Oslender*
1999 Quinn Sullivan*
Joe Krown*















Happy Birthday

 

Joe Krown  *26.03.

 


Joe Krown is a resident and is based out of the city of New Orleans. He is a New Orleans styled piano and Hammond B-3 player. He has been nominated twice and won a New Orleans Big Easy Award in the Blues category in April 2001. His blues trio, Sansone, Krown & Fohl won a 2004 Big Easy Award. Krown has been highlighted in a feature article in the September 2000 and April 2005 OffBEAT Magazine. Joe's third compact disc, Buckle Up, was picked #4 CD, "Best of 2000CDs" in the Times Picayune, and "Best CDs of 2000" in OffBeat magazine. Joe was also selected "Best Keyboardist, Editor's Choice" at CitySearch.com for New Orleans. Joe's fourth CD, Funkyard was picked #4 CD in Gambit Magazine and #15 in the Times Picayune "Best CD's of 2002" and "Critic's Choice Best of 2002" in Offbeat Magazine. Joe's band, the Joe Krown Organ Combo was the front page feature "Fest Focus" article for the Times Picayune 2003 Jazz Festival Focus series. Joe's latest CD, Livin' Large clocked in at #11 in overall sales for the New Orleans Jazz and Heritage Festival 2005.
  Joe held the keyboard chair with Clarence "Gatemouth" Brown & Gate’s Express from 1992 until Gatemouth's passing in the fall of 2005. Joe is featured on the chart topping albums The Man, Gate Swings, American Music, Texas Style and most recently Back to Bogalusa albums. In 1995, Gatemouth and the Gate's Express including Joe on keyboards, did a 62 date world tour as the opening act for Eric Clapton. The band, Gate’s Express won an Offbeat 2004 Best Band in the Blues Category.
  From September 1996 to June 2001, he held the Traditional Piano Night slot at the Maple Leaf Bar in New Orleans, which was once occupied by Professor Longhair and James Booker. Joe followed that strong tradition with his debut solo release Just the Piano...Just the Blues (1998) and the follow-up CD, New Orleans Piano Rolls (2003). Joe has been a headline performer at WWOZ's Piano Night during the New Orleans Jazz & Heritage festival every year since 1997. As of Labor Day 2001, Joe and the Traditional Piano Night moved to Le Bon Temps Roule in New Orleans. In November 2003, Joe made his European debut as a solo piano performer playing a 5 night club tour in Germany.
  His band, the Joe Krown Organ Combo (New Orleans, LA) was formed in 1999. The Joe Krown Organ Combo made its European debut in November 2001 at the Ingolstadt Jazztage in Ingolstadt Germany and makes regular appearances at the French Quarter Festival in New Orleans, the New Orleans Jazz & Heritage Festival and the Ottawa Blues Fest. The Joe Krown Organ Combo has appeared at such noted nightclubs as the Boom Boom Room in San Fransisco, CA and Tobacco Road in NYC. The Joe Krown Organ Combo performs every week at one of the many New Orleans nightclubs, including the Maple Leaf Bar, House of Blues, Tipitina's, Le Bon Temps Roule, dba, and the Funky Butt. The Joe Krown Organ Combo has 4 CD releases. Down & Dirty (1999), Buckle Up (2000) and Funkyard (2002) were all released on the New Orleans label STRdigital. Krown’s newest release, the Joe Krown Organ Combo’s Livin’ Large, released in February 2005, is Joe’s first independent release with Krown as producer.
  In June 2000, Joe started playing around New Orleans with Jumpin' Johnny Sansone (harmonica, vocals) and John Fohl (acoustic guitar and vocals) in an acoustic delta blues trio featuring Joe on piano. Sansone, Krown & Fohl made their New Orleans Jazz & Heritage Festival debut in May 2001 and has also performed at "Rivers Festival" in Columbia South Carolina. In April 2004 Sansone, Krown & Fohl released thier first self-titled CD on the Shortstack Records label. Sansone Krown & Fohl won a 2004 Big Easy Award in the blues category.
  In March 2003, Joe took his band up to the Rock & Bowl for the Wednesday night swing dance night. Following in the tradition of Gatemouth Brown's swing music, Joe's swing band has become the feature band for one of New Orleans' most popular swing dances. Gatemouth was a regular special guest with Joe's swing band at the Rock Bowl's Wednesday Night Swing Dance.
  In April 2004, Joe starting playing in New Orleans Juice. Juice is one of the premier national touring acts from New Orleans legendary funk scene. The band is a 4-piece New Orleans style funk band, that has a very creative original mix of New Orleans funk, blues, second line, rock and rhythm and blues. Joe is featured on their 2005 double live CD, Hey Buddy.
  Joe has performed with Clarence "Gatemouth" Brown, Johnny Adams, Marcia Ball, Chuck Berry, Bo Diddley, New Orleans Juice, Theresa Anderson, C.J. Chenier, Irene Sage, and Marva Wright. Joe has held the keyboard chair for Clarence "Gatemouth" Brown since 1992. As the keyboard player in Gatemouth's band and as an artist, Joe has shared the stage with superstars like Carlos Santana, Eric Clapton, Kim Wilson, Ike Turner, Jimmy McGriff, Melvin Sparks, George Porter Jr., Buddy Guy, Niles Rodgers, Shemekia Copeland, Paul Shaffer (David Letterman Show), Lenny Picket (Tower of Power, SNL band), Sonny Landreth, Dr. John, Albert Collins, Joe Sample, Irma Thomas, Kenny Neal, Frankie Ford, and many others. During the 2005 New Orleans Jazz Fest , the Joe Krown Organ Combo hosted an all-star New Orleans Organ Summitt for the city of New Orleans' Mo Fest. Joe and his band were the house band for a 2-hour show that featured Dr. John, Art and Ivan Neville, Robert Walter (Grey Boy All-Stars), Rich Vogel (Galactic) and John Gros (Papa Grows Funk).
  Joe has recorded with Clarence "Gatemouth" Brown, Luther "Guitar Jr." Johnson, Jumpin Johnny Sansone, New Orleans Juice, Kid Ramos (guitarist from the Fabulous Thunderbirds), Bobby Charles, Raful Neal, Marva Wright and many other New Orleans artists. Krown has six CDs out under his own name and one CD as member of Sansone, Krown & Fohl.

Joe Krown is an American keyboardist, based in New Orleans, Louisiana. He is known for his long tenure with Clarence "Gatemouth" Brown's band. As a solo artist, he has been playing in several different styles. When he plays the piano, he typically plays in the traditional New Orleans style. When he plays with his band the Joe Krown Organ Combo, the sound is jazzy and funky,[citation needed] and he plays the Hammond B-3 organ.
Biography
Early years
Krown was raised in Westbury, Long Island, New York. He started playing piano in his childhood. While attending the State University of New York at Buffalo, he discovered the Hammond organ, and soon left the University to pursue career as a professional musician.[1] He became part of a jazz-rock band called Bellevista featuring guitarist Peter Calo that had regional success.
In the 1980s, Krown relocated to Boston, formed his own band with his then wife and played around New York and New England. He also joined Chuck Berry's back up band and toured with him on the East Coast.[1]
Krown joined ex-Muddy Waters guitarist Luther "Guitar Junior" Johnson's band in the late 1980s. He toured and recorded two albums with Johnson during his tenure with his band.
With Gatemouth Brown
In 1992, Krown moved to New Orleans to join Gatemouth's band, Gate's Express. From then on he held the keyboard chair of the band until Gatemouth's death in 2005. Krown recorded four albums with him, and toured across U.S. and overseas.[2] In 1995, Gatemouth was chosen as an opening act for Eric Clapton's world tour, and Krown toured with him as a member of the band.[2]
Solo career
In 1998 he debuted as a solo artist. He released Just the Piano...Just the Blues on STR Digital Records. It was a piano solo album in strictly traditional blues and boogie woogie style.
In 1999, Krown formed the Joe Krown Organ Combo and the band released its debut album Down & Dirty that year. On the album, Krown showed wider range of sound playing the organ only throughout the album. Gatemouth was featured as a guest soloist on three tracks.[3] He was also featured on four tracks on Krown's following album Buckle Up released in 2000.[4]
The Organ Combo soon started to play regularly in New Orleans as well as some dates in Europe, San Francisco, and Ottawa.[2] The band released its second album Funk Yard in 2002.
Apart from the Organ Combo, Krown started to play with guitarist John Fohl and harmonica/accordion player Johnny Sansone in 2000. They played traditional blues with Krown on piano, and Fohl and Sansone sharing the vocal duties. This trio Sansone, Krown & Fohl released a self-titled album from Sansone's label ShortStack Records in 2004.[2]
Krown's other projects include Joe Krown's Swing Band which he started in 2003, Joe Krown Trio a collaboration with his Organ Combo band mates Brint Anderson and Mike Barras which lead to the album Old Friends (2007), and another trio Krown, Washington, Batiste (teaming up with Walter "Wolfman" Washington on guitar and vocals and Russell Batiste, Jr. on drums) who started to play at Maple Leaf Bar in 2007. Krown has also worked as a member of funk band Juice appearing on their live album Hey Buddy in 2005.
In the fall of 2007, Joe was chosen as one of the featured acts in the 'Solid Blues' package tour with Mavis Staples, Charlie Musselwhite, and The North Mississippi All-Stars covering 38 cities in the U.S.
Krown's latest effort is Live at the Maple Leaf (2008), his first live album with the Krown, Washington, Batiste trio.
http://en.wikipedia.org/wiki/Joe_Krown

JOE KROWN @ Louisiana Music Factory JazzFest 2007 


https://www.youtube.com/watch?v=HMBuBj8xCJU 







Quinn Sullivan  *26.03.1999

 



Quinn Sullivan (* 26. März 1999 in New Bedford, Massachusetts) ist ein US-amerikanischer Bluesmusiker.
Quinn Sullivan begann das Gitarrespielen mit drei Jahren. Er kam früh mit den Beatles und dem Blues in Berührung, da sein Vater Terry eine umfangreiche DVD- und Plattensammlung besitzt. Mit fünf Jahren spielte Quinn in der regionalen Kinderband Toejam Band. Zu dieser Zeit wurde auch das lokale Fernsehen auf ihn aufmerksam. Der Bostoner Fernsehsender WB 56 brachte eine erste Reportage und auf Fox 25 spielte er mit der Band seines Vaters A Day in the Life seinen ersten Song Sing Dance and Clap Your Hands sowie mit The Thrill is Gone einen Klassiker von B. B. King. Mit sechs Jahren trat Quinn bei The Ellen DeGeneres Show mit dem Beatles-Song Twist and Shout auf und erhielt eine Gibson ES-335 als Preis, die auch Eric Clapton spielt.
Sein außergewöhnliches Talent führte ihn ihn am 14. April 2007 mit Buddy Guy zusammen, der an diesem Tag in Quinns Heimatstadt New Bedford spielte. Quinns Vater Terry Sullivan besorgte seinem achtjährigen Sohn einen Backstage-Termin mit Buddy Guy, um dessen schwarz-weiße Squier Stratocaster signieren zu lassen. Guy fragte den Zweitklässler, ob er denn auch spielen könne. Quinn spielte etwas vor und Buddy Guy war so begeistert, dass er Quinn auf die Bühne holte und mit ihm Sweet Home Chicago spielte. Guy testete ihn mit Riffs von Eric Clapton, Stevie Ray Vaughan, Jimi Hendrix und Quinn spielte alles sauber nach, was er ihm vorspielte. Buddy Guy war so überzeugt von der Qualität des Jungen, dass er beschloss, sich des Talentes anzunehmen. Vier Jahre später sagte Buddy Guy in einem Interview anlässlich eines Konzertes mit Quinn in B.B Kings Club in New York: „Er ist das größte Talent der letzten 30–40 Jahre.“
Buddy Guy nahm Quinn seit 2007 regulär mit auf Tour, wenn es die Zeit zuließ. Quinns Eltern achten sehr auf seine schulischen Perspektiven und auch Buddy Guy, der nie einen Highschool-Abschluss erlangte, sah dessen persönliche und schulische Fortschritte als Kernelement an. Ein normales Leben als Teenager in New Bedford und in der großen weiten Welt on Stage mit den Legenden des Blues und Rock´n Roll.
Ein Meilenstein in der Geschichte des jungen Quinn war der Solopart in "Who's Gonna Fill Those Shoes" des Grammy nominierten Albums "Skin Deep" von Buddy Guy 2008. Er schaffte es, als jüngster Musiker aller Zeiten auf dem legendären Jazzfestival von Montreux aufzutreten. 2013 spielte der damals 14-jährige Quinn zusammen mit Buddy Guy und Robert Randolph auf dem von Eric Clapton organisierten Crossroads Guitar Festival und es gab Standing Ovations vor ausverkauftem Haus im Madison Square Garden in New York City.


Quinn Sullivan (born March 26, 1999) is an American singer and guitarist from New Bedford, Massachusetts.
Career
Sullivan began taking guitar lessons at age three. He has studied with Brian Cass of The Overclock Orchestra and the Toe Jam Puppet Band as well as Stan Belmarce. The first original song he wrote with Chris Waters was titled "Sing, Dance, Clap Your Hands". Sullivan first gained national media attention at age six when he appeared on The Ellen DeGeneres Show. He garnered more attention when Buddy Guy asked him to come on stage and play during a performance at the Zeiterion Theater in New Bedford, Massachusetts in 2007.[1][2]
Quinn has since performed on stage with Guy as well as with B.B. King and has played in venues such as the Beacon Theatre in New York City, the Orpheum Theatre in Boston, and Buddy Guy's Legends in Chicago. In 2008, Sullivan appeared on The Oprah Winfrey Show[3] and was featured on NBC's The Today Show in July 2009. In 2009, Sullivan opened for Buddy Guy on his East Coast tour during the summer, played his own set at the summer music festival Lollapalooza, as well as the Austin City Limits Festival in October.[4] In 2011, he appeared on the Jimmy Kimmel Live! show.
Sullivan made a guest appearance on Buddy Guy's Grammy-nominated album Skin Deep, released in 2008. His solo can be heard on the track “Who's Gonna Fill Those Shoes." His single, "Summer of Love," was released in 2009.[5] Quinn released his debut album, Cyclone, in February 2011. He went on tour in the summer of 2011 with Buddy Guy to promote his album. In the fall of 2011 Quinn played such venues as Austin City Limits Music Festival and BB King's Blues Club in New York City.
In April 2013, Quinn Sullivan played at Madison Square Garden with his mentor Buddy Guy during the first night of the 2013 Crossroads Guitar Festival.[6][7]
On January 16, 2014, Quinn returned to The Ellen DeGeneres Show to perform "She Gets Me" from his album "Getting There". He was given the first 60th Anniversary Stratocaster, signed by Ellen herself.[8]
Gear
Quinn plays Fender guitars and amps including Fender Stratocasters, Bassmans and Twin Reverbs live, but in the studio uses all different varieties of guitars, pedals and amps. Quinn also plays out of a Buddy Guy signature Chicago Blues Box Amp. Quinn's effects include an Ibanez Tube Screamer, a Buddy Guy signature Dunlop Wah Wah Pedal, and a Boss Tuner Pedal. Quinn also has a Gibson ES-335 that he received as a gift on "The Ellen DeGeneres Show" in 2006. 

8 year old guitar whiz Quinn Sullivan and Buddy Guy 



Quinn Sullivan - Live at Legends -- Buddy's Blues








Simon Oslender  *26.03.1998

 

https://www.facebook.com/simon.oslender/photos_all




Simon Oslender spielte spektakulär
Ob Blues, Funk oder Jazz: Simon Oslender aus Aachen ist ein Virtuose an der Orgel. Schon als Elfjähriger wurde Simon bei Jazz-Festivals in den Niederlanden mit Preisen überhäuft. Es war spektakulär, was der erst 17-Jährige Simon Oslender beim diesjährigen Bluesfest in Gaildorf ablieferte. Mittags schon mit „The Özdemirs“ beim Alten Schloss zu hören, wurde er abends kurzfristig als Keyboarder in die Band von Sugaray Rayford aufgenommen.

Having developed his own sound and style, Simon plays the Hammond B3 organ, the piano and keyboards, combining the tradition and heritage of his heroes like Dr. Lonnie Smith, Jimmy Smith, Larry Goldings, Joey DeFrancesco, George Duke, Frank Chastenier and others with his own stylistic approach. He's also a sought-after sideman and session musician in several acclaimed projects from jazz to blues, funk, soul, gospel, rock and pop music.

...born 26-3-1998 in Aachen, Germany. At the age of 2 I started drumming on my (grand)mother's pots and pans. When I was 3 years old I wanted a bass drum for Christmas because I had seen my father's drumset some time before and it had fascinated me. I got a little bassdrum, followed by a tiny drum set later. I had fun with it and learned to play autodidactically. I often played on my father's big set and soon wanted to get lessons. Since then I have been a drummer and although I'm a Hammond, Piano and keys player primarily, I still play the drums as well and I'm having fun with it.

One day, my father brought a DVD of John Mayall and his Bluesbreakers. Tom Canning was playing the Hammond B3 on that record and this instrument started fascinating me deeply. Its power, its soul, its warmth and versatility has moved me since then and it will move me forever. Inspired by Barbara Dennerlein I also began to love jazz, funk and soul, which today are my favourite styles.

I already had received an old Yamaha Keyboard and I started experimenting with its sounds. I soon asked the organist of our church to give me some lessons and she agreed. When I started this classical education I was 8-9 and I still do it. It's one of the most important parts of my (and everyone's, I guess) musical development.

Since listening to rock and blues music on my father's MP3 player, I had fallen in love with that kind of music and I learned to play blues scales, chords and so on by ear. I had no teacher to tell me how to play jazz and blues. In the next few years I tried to learn more and more. I started to play in Bigbands, I recorded stuff at home and in December 2009 I asked Marc Huynen, the leader of the Vitzkids big band from Maastricht (NL), whether I could join them. He agreed and I did. I have had a great time with this cool big band. Marc recommended to search for a good jazz piano teacher and I immediately found one - the great Stefan Michalke. Meanwhile, I have been working together with the amazing Frank Chastenier, my new Mentor. In addition, I have attended masterclasses by Brad Mehldau, Timothy Carpenter, Georgie Fame and many more.

Well, the big band is, where everything else began - I met Jérôme Cardynaals, the Vitzkids' drummer. He was the only big band member that spoke German and so a great friendship started developing between us. Finally, we founded Twogether in 2010 and immediately won three awards at the Prinses Christina Concours in Amsterdam. This caused loads of gig requests and invitations to festivals, radio programmes etc...This got the whole thing started and I am very busy by now.

Since, I have had many cool gigs and shows at great venues and events (for example the Paradiso Amsterdam, "Paard van Troje" in The Hague, Grachtenfestival Amsterdam, Dutch Hammond Day, The Hague Jazz, ...), sometimes together with other great musicians, for example Dr. Lonnie Smith (my hero), the WDR Big Band, Max Mutzke, Butterscotch, Georgie Fame, Eric Vloeimans, The Jazz Orchestra Of The Concertgebouw, the Metropole Orchestra, Bruno Müller and many more. 




Weihnachtsblues der Kulturschmiede mit The Özdemirs feat. Simon Oslender


























R.I.P.

 

Duster Bennett   +26.03.1976

 


Photo of John Mayall (left) and Duster Bennett backstage during their 1970 US tour.


Anthony "Duster" Bennett (* 23. September 1946 in Welshpool, Powys, Mid Wales; † 26. März 1976 in Warwickshire)[1] war ein britischer Bluesmusiker. Er spielte als Oneman Band, indem er mit einem Fuß die Trommel schlug, die Mundharmonika auf einem Gestell spielte und dazu seine Gitarre bediente. Diese Mischung war fesselnd und einzigartig, so dass er in den Bluesclubs ein gerne gesehener Gast war.
Karriere
Seine Karriere begann an der Kunstschule in Kingston upon Thames und Guildford. In seinen Liveauftritten kombinierte er Eigenkompositionen im Stil von Jimmy Reed mit Bluesstandards. Dabei wurde er oft von seinen Freunden Peter Green und Top Topham[2] unterstützt. In den frühen 1960er-Jahren spielte er auch oft als Sessionmusiker an der Mundharmonika. 1970 wurde er Mitglied von John Mayalls Bluesbreakers[3] und ging mit ihnen auf Amerikatournee. Nach einem Auftritt mit Memphis Slim fuhr er nach Hause, schlief am Lenkrad ein und kollidierte mit einem Lastwagen, wobei er getötet wurde.

Anthony "Duster" Bennett (23 September 1946 – 26 March 1976) was a British blues singer and musician. Based around London, his first album Smiling Like I'm Happy saw him playing as a one-man band, playing a bass drum with his foot and blowing a harmonica on a rack while strumming a 1952 Les Paul Goldtop guitar given to him in 1968 by Peter Green.[1] Backed by his girlfriend Stella Sutton and the original Fleetwood Mac on three tracks, the album was well received. He remained popular on the local blues club scene until his death in a car crash in 1976.
Early career
Bennett was born in Welshpool, Powys, Mid Wales. Emerging in the late 1960s from the art school music scene of Kingston-upon-Thames and Guildford, Bennett was a one-man blues band with virtuosity and co-ordination on drums, guitar and harmonica. His live sets combined his own compositions with Jimmy Reed-style blues standards often aided by friends Peter Green and Top Topham. He was a session musician in the early 1960s playing harmonica. Between 1968 and 1970 he was played on John Peel's Top Gear, toured and eventually joined John Mayall's Bluesbreakers as band member/solo act on a US tour in 1970. In the 1970s he drifted off into more mainstream material.
Musical style
Bennett's music was country blues with the occasional gospel music offering, but his last album Fingertips (1975) differs from the earlier records; it was made with influences of soul, R&B and funk. Bennett recorded three albums and a string of singles for Blue Horizon. Bright Lights was recorded live at the Gin Mill Club in Godalming, Surrey. Bennett's "Jumping at Shadows" was subsequently covered by Fleetwood Mac and revived in 1992 by Gary Moore, who covered it in his After Hours album. Attempts to gain wider appeal with Mickie Most were unsuccessful. For decades, a clutch of live and home recordings on Indigo seemed to be all that remained of his work until the 2006 release of the Complete Blue Horizon Sessions.
Death
After performing with Memphis Slim on 26 March 1976, Bennett was driving home in a Ford Transit van in Warwickshire when he apparently fell asleep at the wheel. The van collided with a truck and Bennett was killed.

Duster Bennett Jumpin' At Shadows (1968) 






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