1925 Jerome Solon Felder (Doc Pomus)*
1927 Johnny "Big Moose" Walker*
Austin John Doody*
Myrna Dee Dee Hardy*
1927 Johnny "Big Moose" Walker*
Austin John Doody*
Myrna Dee Dee Hardy*
Happy Birthday
Johnny "Big Moose" Walker *27.06.1927
Johnny "Big Moose" Walker (June 27, 1927 – November 27, 1999) was an American Chicago and electric blues pianist and organist. He worked with many blues musicians including Ike Turner, Sonny Boy Williamson II, Lowell Fulson, Choker Campbell, Elmore James, Earl Hooker, Muddy Waters, Otis Spann, Sunnyland Slim, Jimmy Dawkins and Son Seals.[2]
In addition to his virtuoso piano playing, Walker was proficient on the electric organ and bass guitar, playing the latter instrument when backing Muddy Waters. As well as playing accompaniment to other musicians in both concert and recording arenas, Walker recorded a small number of solo albums.
John Mayon Walker was born in the unincorporated community of Stoneville, Mississippi, United States, partly of Native American ancestry.[2] He acquired his best known stage name in his childhood in Greenville, Mississippi, derived from his long flowing hairstyle.[1] Walker learned to play a number of instruments including church organ, guitar, vibraphone and tuba.[2]
It was as a pianist that he started his musical career in 1947, and toured in various blues bands variously backing notable artists such as Ike Turner, Sonny Boy Williamson II, Elmore James, Lowell Fulson and Choker Campbell. Walker served in the United States Army from 1952 to 1955, taking part in the Korean War.[2] In 1955, billed as Moose John, Ultra Records released the single, "Talkin' 'Bout Me".[3] Although his own recordings under a selection of names were unsuccessful, Walker started working more consistently in the mid 1950s, particularly backing both Earl Hooker and Elmore James.[2] Relocating to Chicago in the late 1950s, over the next decade Walker then accompanied Sunnyland Slim, Otis Rush, Muddy Waters (on bass guitar), Ricky Allen, Little Johnny Jones, and Howlin' Wolf.[4] In 1960, Walker accompanied Junior Wells on his best known recording, "Messin' with the Kid".[5] The following year Walker appeared on Elmore James' recordings of "Look on Yonder Wall" and "Shake Your Moneymaker". In 1962, Walker played on Muddy Waters recording of "You Shook Me". During the 1960s, a couple of obscure Chicago based record labels, Age and The Blues, released Walker's solo singles.[1]
By 1969, Walker had rejoined Earl Hooker and played on the latter's album, Don't Have to Worry (ABC Bluesway).[1] Following Hooker's death the following year, Walker played backing for Jimmy Dawkins, Mighty Joe Young and Louis Myers.[1] His own debut album was issued in 1970, when ABC released Ramblin Woman. Further piano accompaniment from Walker was supplied on Andrew Odom's Farther on the Road,[6] and If You Miss 'Im...I Got 'Im, by John Lee Hooker featuring Earl Hooker.[4][7]
Alligator Records utilised Walker's playing on their Living Chicago Blues series of recordings.[1][8] He toured Europe in 1979 with the Chicago Blues Festival,[4] saw his second album, Blue Love, released in 1984[9] and later toured both in New Zealand and Canada.[4] He recorded with Son Seals,[2] and appeared at the Burnley Blues Festival in England in 1991.[4] Walker had suffered a stroke prior to this engagement, and he had a series of others which left him unable to perform.[4] The 1996 reissue of Blue Love by Evidence Music had five bonus tracks.[9]
Walker lived for a while in a nursing home in Chicago before his death, at the age of 72, in November 1999.
http://en.wikipedia.org/wiki/Johnny_%22Big_Moose%22_Walker
Doc Pomus (bürgerlich Jerome Solon Felder; * 27. Juni 1925 in Brooklyn, New York; † 14. März 1991 in New York City) war ein US-amerikanischer Rock'n'Roll- und Pop-Komponist.
Leben
Er begann in seiner Jugend - trotz einer Polioerkrankung, wegen der er auf Krücken angewiesen war - als Saxophonspieler und Bluessänger in Clubs und Bars. Nach seiner ersten selbstgesungenen und -komponierten Single "Blues in the Red" vom Oktober 1945, eingespielt mit dem Tab Smith Septette, hatte er noch 18 weitere Platten ohne Chartplatzierung bis 1952 herausgebracht.[1]
Im August 1952 gelang es Doc Pomus, seine Komposition "Don't you cry" dem erfolgreichen Bluessänger Big Joe Turner anzubieten, der diesen Song gleich zur Nr. 5 der R & B-Charts machte. Von nun an gelang es ihm, weitere Interpreten für seine Kompositionen zu gewinnen. Das für die Fortentwicklung des Rock'n'Roll bedeutsame "Boogie Woogie Country Girl" wurde unverdient im April 1956 auf die B-Seite einer Joe Turner-Single verbannt. Mit dem autobiografischen "Lonely Avenue" für Ray Charles gelang im Oktober 1956 schließlich der Durchbruch.
Jetzt wurde das Songschreiben zu seinem Hauptberuf: Unterstützt von seinem Songwritingpartner und Pianisten Mort Shuman schrieb er ab 1956 zahlreiche Hits für damalige Stars wie Elvis Presley (unter anderem "Viva Las Vegas", "Suspicion", "Little Sister", "His Latest Flame"), Fabian ("I'm a Man", "Turn me Loose"), Bobby Darin ("Plain Jane"), Dion and the Belmonts ("Teenager in Love"), mehrere Songs für The Drifters ("Sweets for my Sweet"), erfolgreich gecovert durch die Searchers, und "Save the Last Dance for Me". Außerdem verfasste er noch einige Songs mit dem Komponisten-Duo Jerry Leiber und Mike Stoller, darunter für die Coasters den Titel "Young blood" (dem Jugendjargon entstammende Bezeichnung für ein gut aussehendes Mädchen) im Mai 1957 (Nr. 2 der R & B-Charts). Nachdem die Partnerschaft mit Mort Shuman wegen dessen Umzug nach Europa 1964 zu Ende gegangen war, stieg Pomus für zehn Jahre aus dem Musikgeschäft aus und verdiente sein Geld als Pokerspieler. Nach seiner Rückkehr arbeitete er als Songschreiber für Künstler wie B. B. King, für den er im Mai 1981 zusammen mit Dr. John das autobiografische There must be a better world somewhere schrieb. Johnny Adams brachte im September 1991 ein Album mit Pomus-Songs unter dem Titel Johnny Adams sings Doc Pomus, aus dem There is always one more time (komponiert von Pomus und Dr. John) zu erwähnen ist. Mink DeVille berücksichtigte auf seinem im Juni 1985 erschienenen Album Sporting life die Pomus-Komposition Something beautiful dying; DeVilles 1980 erschienenes Album Le chat bleu enthielt die Pomus-Songs That world outside und You just keep holding on. Pomus produzierte unter anderem auch für Ray Charles, Joe Cocker und Marianne Faithfull, bis er 1991 in New York an Lungenkrebs starb.
Songstatistik
Broadcast Music Incorporated zufolge sind für Pomus insgesamt 561 Urheberrechte registriert. Man schätzt, dass bis heute weltweit etwa 100 Millionen Platten mit seinen Songs verkauft wurden. Für seine Leistungen wurde er unter anderem mit der Aufnahme in die Rock and Roll Hall of Fame (1992), mehreren Grammys und dem "Pioneer Award" der Rhythm and Blues Foundation ausgezeichnet.
Jerome Solon Felder (June 27, 1925 – March 14, 1991), known as Doc Pomus, was an American blues singer and songwriter.[1] He is best known as the lyricist of many rock and roll hits. Pomus was inducted into the Rock and Roll Hall of Fame as a non-performer in 1992,[2] the Songwriters Hall of Fame (1992),[3] and the Blues Hall of Fame (2012).[4]
Early life
Born Jerome Solon Felder in 1925 in Brooklyn, New York, he was a son of Jewish immigrants.[5] Felder became a fan of the blues after hearing a Big Joe Turner record. Having had polio as a boy, he walked with the help of crutches. Later, due to post-polio syndrome, exacerbated by an accident, Felder eventually relied on a wheelchair.
His brother is New York attorney Raoul Felder.
Career
Using the stage name "Doc Pomus", teenager Felder began performing as a blues singer. His stage name wasn't inspired by anyone in particular; he just thought it sounded better for a blues singer than the name Jerry Felder. Pomus stated that more often than not, he was the only Caucasian in the clubs, but that as a Jew and a polio victim, he felt a special "underdog" kinship with African Americans, while in turn the audiences both respected his courage and were impressed with his talent. Gigging at various clubs in and around New York City, Pomus often performed with the likes of Milt Jackson, Mickey Baker and King Curtis. Pomus recorded approximately 40 sides as a singer in the '40s and '50s for record companies such as Chess, Apollo, Gotham and others.
In the early 1950s, Pomus started writing magazine articles as well as songwriting for artists such as Lavern Baker, Ruth Brown, Ray Charles and Big Joe Turner to earn more money to support a family, after he had married Willi Burke, a Broadway actress. His first big songwriting break came when he chanced upon the Coasters' version of his "Young Blood" on a jukebox while on their honeymoon. Pomus wrote the song, then gave it to Jerry Leiber and Mike Stoller, who radically rewrote it. Still, Doc had co-credit as author, and he soon received a royalty check for $1500.00, which convinced him that songwriting was a career direction worth pursuing. By 1957, Pomus had given up performing for full-time songwriting. He collaborated with pianist Mort Shuman, whom he met when Shuman was dating Doc's younger cousin, to write for Hill & Range Music Co./Rumbalero Music at its offices in New York City's Brill Building. Pomus asked Shuman to write with him because Doc didn't then know much about rock and roll, whereas Mort was familiar with many popular artists of the day. Their songwriting efforts had Pomus write the lyrics and Shuman the melody, although often they worked on both. They wrote the hit songs "A Teenager in Love", "Save The Last Dance For Me", "Hushabye", "This Magic Moment", "Turn Me Loose", "Sweets For My Sweet" (a hit for the Drifters and then the Searchers), "Go Jimmy Go", "Little Sister", "Can't Get Used to Losing You", "Suspicion", "Surrender" and "(Marie's the Name) His Latest Flame".
During the late 1950s and early 1960s, Pomus wrote several songs with Phil Spector ("Young Boy Blues"; "Ecstasy"; "What Am I To Do?"), Mike Stoller and Jerry Leiber ("Young Blood" and "She's Not You"), and other Brill Building-era writers. Pomus also wrote "Lonely Avenue", a 1956 hit for Ray Charles.[6]
In the 1970s and 1980s, in his eleventh-floor, two-room apartment at the Westover Hotel at 253 West 72nd Street, Pomus wrote songs with Dr. John, Ken Hirsch and Willy DeVille for what he said were "...those people stumbling around in the night out there, uncertain or not always so certain of exactly where they fit in and where they were headed." These later songs ("There Must Be A Better World", "There Is Always One More Time", "That World Outside", "You Just Keep Holding On", and "Something Beautiful Dying" in particular)—recorded by Willy DeVille, B.B. King, Irma Thomas, Marianne Faithfull, Charlie Rich, Ruth Brown, Dr. John, James Booker, and Johnny Adams—are considered by some, including writer Peter Guralnick, musician and songwriter Dr. John, and producer Joel Dorn, to be signatures of his best craft.
The documentary film A.K.A. Doc Pomus (2012), conceived by Pomus' daughter Sharyn Felder, directed by filmmaker Peter Miller and Will Hechter, edited by Amy Linton and produced by Felder, Hechter and Miller, details Pomus' life.
Pomus died on March 14, 1991 from lung cancer, at the age of 65 at NYU medical center in Manhattan.
Legacy and influence
Further information: List of songs written by Doc Pomus and Mort Shuman
Together with Shuman and individually, Pomus was a key figure in the development of popular music. They co-wrote such hits as "Save the Last Dance for Me", "This Magic Moment", "Sweets for My Sweet", "Viva Las Vegas", "Little Sister", "Surrender", "Can't Get Used to Losing You", "Suspicion", "Turn Me Loose" and "A Mess of Blues".[7]
Pomus was elected to the Songwriters Hall of Fame and the Rock and Roll Hall of Fame.
In 1991 he was the first non-African-American recipient of the Rhythm and Blues Foundation Pioneer Award.[8] Ray Charles did the honors via a pre-recorded message.
The funk band Cameo was heavily influenced by Doc Pomus' song-writing style and frequently acknowledges his impact before performing their hit song "Word Up."
Longtime friend jazz singer Jimmy Scott performed at Pomus' funeral, which performance singularly resurrected his career. Other attendees included Seymour Stein, who subsequently signed Scott to Sire Records, and Lou Reed, who thereafter would regularly work with Scott until his death. Pomus had been imploring his friends to see Scott play for many years.[9]
The song "Doc's Blues"[10] was written as a tribute to Pomus by his close friend, Andrew Vachss. The lyrics originally appeared in Vachss’ 1990 novel Blossom. "Doc's Blues" was recorded by bluesman Son Seals, on Seals' last album, Lettin’ Go.[11]
Responsible for Lou Reed's introduction to the music industry in the early 1960s, Pomus was one of two friends Reed memorialized on his 1992 album Magic and Loss (the other was Rotten Rita).
In 1995, Rhino Records released a tribute album to Pomus entitled Till The Night Is Gone. Pomus songs are performed by Bob Dylan, Brian Wilson, Dion, Dr. John, Irma Thomas, Solomon Burke, John Hiatt, Shawn Colvin, Aaron Neville, Lou Reed, The Band, B.B. King, Los Lobos and Rosanne Cash.
In 2010, Ben Folds and Nick Hornby named their collaborative album Lonely Avenue, on which the song "Doc Pomus" appeared. The lyrics referenced an excerpt from Doc Pomus's uncompleted memoir, February 21, 1984: "I was never one of those happy cripples who stumbled around smiling and shiny-eyed, trying to get the world to cluck its tongue and shake its head sadly in my direction. They’d never look at me and say, 'What a wonderful, courageous fellow.'" The album featured lyrics written by British author Hornby, set to music by American performer Folds. It was released on September 28, 2010.
John Goodman's character in the Coen brothers' 2013 dramedy Inside Llewyn Davis was loosely inspired by Pomus.
http://www.syracuse.com/entertainment/index.ssf/2013/08/music_notes_austin_john_perfor.html
Jerome Solon Felder (Doc Pomus) *27.06.1925
Doc Pomus (bürgerlich Jerome Solon Felder; * 27. Juni 1925 in Brooklyn, New York; † 14. März 1991 in New York City) war ein US-amerikanischer Rock'n'Roll- und Pop-Komponist.
Leben
Er begann in seiner Jugend - trotz einer Polioerkrankung, wegen der er auf Krücken angewiesen war - als Saxophonspieler und Bluessänger in Clubs und Bars. Nach seiner ersten selbstgesungenen und -komponierten Single "Blues in the Red" vom Oktober 1945, eingespielt mit dem Tab Smith Septette, hatte er noch 18 weitere Platten ohne Chartplatzierung bis 1952 herausgebracht.[1]
Im August 1952 gelang es Doc Pomus, seine Komposition "Don't you cry" dem erfolgreichen Bluessänger Big Joe Turner anzubieten, der diesen Song gleich zur Nr. 5 der R & B-Charts machte. Von nun an gelang es ihm, weitere Interpreten für seine Kompositionen zu gewinnen. Das für die Fortentwicklung des Rock'n'Roll bedeutsame "Boogie Woogie Country Girl" wurde unverdient im April 1956 auf die B-Seite einer Joe Turner-Single verbannt. Mit dem autobiografischen "Lonely Avenue" für Ray Charles gelang im Oktober 1956 schließlich der Durchbruch.
Jetzt wurde das Songschreiben zu seinem Hauptberuf: Unterstützt von seinem Songwritingpartner und Pianisten Mort Shuman schrieb er ab 1956 zahlreiche Hits für damalige Stars wie Elvis Presley (unter anderem "Viva Las Vegas", "Suspicion", "Little Sister", "His Latest Flame"), Fabian ("I'm a Man", "Turn me Loose"), Bobby Darin ("Plain Jane"), Dion and the Belmonts ("Teenager in Love"), mehrere Songs für The Drifters ("Sweets for my Sweet"), erfolgreich gecovert durch die Searchers, und "Save the Last Dance for Me". Außerdem verfasste er noch einige Songs mit dem Komponisten-Duo Jerry Leiber und Mike Stoller, darunter für die Coasters den Titel "Young blood" (dem Jugendjargon entstammende Bezeichnung für ein gut aussehendes Mädchen) im Mai 1957 (Nr. 2 der R & B-Charts). Nachdem die Partnerschaft mit Mort Shuman wegen dessen Umzug nach Europa 1964 zu Ende gegangen war, stieg Pomus für zehn Jahre aus dem Musikgeschäft aus und verdiente sein Geld als Pokerspieler. Nach seiner Rückkehr arbeitete er als Songschreiber für Künstler wie B. B. King, für den er im Mai 1981 zusammen mit Dr. John das autobiografische There must be a better world somewhere schrieb. Johnny Adams brachte im September 1991 ein Album mit Pomus-Songs unter dem Titel Johnny Adams sings Doc Pomus, aus dem There is always one more time (komponiert von Pomus und Dr. John) zu erwähnen ist. Mink DeVille berücksichtigte auf seinem im Juni 1985 erschienenen Album Sporting life die Pomus-Komposition Something beautiful dying; DeVilles 1980 erschienenes Album Le chat bleu enthielt die Pomus-Songs That world outside und You just keep holding on. Pomus produzierte unter anderem auch für Ray Charles, Joe Cocker und Marianne Faithfull, bis er 1991 in New York an Lungenkrebs starb.
Songstatistik
Broadcast Music Incorporated zufolge sind für Pomus insgesamt 561 Urheberrechte registriert. Man schätzt, dass bis heute weltweit etwa 100 Millionen Platten mit seinen Songs verkauft wurden. Für seine Leistungen wurde er unter anderem mit der Aufnahme in die Rock and Roll Hall of Fame (1992), mehreren Grammys und dem "Pioneer Award" der Rhythm and Blues Foundation ausgezeichnet.
Jerome Solon Felder (June 27, 1925 – March 14, 1991), known as Doc Pomus, was an American blues singer and songwriter.[1] He is best known as the lyricist of many rock and roll hits. Pomus was inducted into the Rock and Roll Hall of Fame as a non-performer in 1992,[2] the Songwriters Hall of Fame (1992),[3] and the Blues Hall of Fame (2012).[4]
Early life
Born Jerome Solon Felder in 1925 in Brooklyn, New York, he was a son of Jewish immigrants.[5] Felder became a fan of the blues after hearing a Big Joe Turner record. Having had polio as a boy, he walked with the help of crutches. Later, due to post-polio syndrome, exacerbated by an accident, Felder eventually relied on a wheelchair.
His brother is New York attorney Raoul Felder.
Career
Using the stage name "Doc Pomus", teenager Felder began performing as a blues singer. His stage name wasn't inspired by anyone in particular; he just thought it sounded better for a blues singer than the name Jerry Felder. Pomus stated that more often than not, he was the only Caucasian in the clubs, but that as a Jew and a polio victim, he felt a special "underdog" kinship with African Americans, while in turn the audiences both respected his courage and were impressed with his talent. Gigging at various clubs in and around New York City, Pomus often performed with the likes of Milt Jackson, Mickey Baker and King Curtis. Pomus recorded approximately 40 sides as a singer in the '40s and '50s for record companies such as Chess, Apollo, Gotham and others.
In the early 1950s, Pomus started writing magazine articles as well as songwriting for artists such as Lavern Baker, Ruth Brown, Ray Charles and Big Joe Turner to earn more money to support a family, after he had married Willi Burke, a Broadway actress. His first big songwriting break came when he chanced upon the Coasters' version of his "Young Blood" on a jukebox while on their honeymoon. Pomus wrote the song, then gave it to Jerry Leiber and Mike Stoller, who radically rewrote it. Still, Doc had co-credit as author, and he soon received a royalty check for $1500.00, which convinced him that songwriting was a career direction worth pursuing. By 1957, Pomus had given up performing for full-time songwriting. He collaborated with pianist Mort Shuman, whom he met when Shuman was dating Doc's younger cousin, to write for Hill & Range Music Co./Rumbalero Music at its offices in New York City's Brill Building. Pomus asked Shuman to write with him because Doc didn't then know much about rock and roll, whereas Mort was familiar with many popular artists of the day. Their songwriting efforts had Pomus write the lyrics and Shuman the melody, although often they worked on both. They wrote the hit songs "A Teenager in Love", "Save The Last Dance For Me", "Hushabye", "This Magic Moment", "Turn Me Loose", "Sweets For My Sweet" (a hit for the Drifters and then the Searchers), "Go Jimmy Go", "Little Sister", "Can't Get Used to Losing You", "Suspicion", "Surrender" and "(Marie's the Name) His Latest Flame".
During the late 1950s and early 1960s, Pomus wrote several songs with Phil Spector ("Young Boy Blues"; "Ecstasy"; "What Am I To Do?"), Mike Stoller and Jerry Leiber ("Young Blood" and "She's Not You"), and other Brill Building-era writers. Pomus also wrote "Lonely Avenue", a 1956 hit for Ray Charles.[6]
In the 1970s and 1980s, in his eleventh-floor, two-room apartment at the Westover Hotel at 253 West 72nd Street, Pomus wrote songs with Dr. John, Ken Hirsch and Willy DeVille for what he said were "...those people stumbling around in the night out there, uncertain or not always so certain of exactly where they fit in and where they were headed." These later songs ("There Must Be A Better World", "There Is Always One More Time", "That World Outside", "You Just Keep Holding On", and "Something Beautiful Dying" in particular)—recorded by Willy DeVille, B.B. King, Irma Thomas, Marianne Faithfull, Charlie Rich, Ruth Brown, Dr. John, James Booker, and Johnny Adams—are considered by some, including writer Peter Guralnick, musician and songwriter Dr. John, and producer Joel Dorn, to be signatures of his best craft.
The documentary film A.K.A. Doc Pomus (2012), conceived by Pomus' daughter Sharyn Felder, directed by filmmaker Peter Miller and Will Hechter, edited by Amy Linton and produced by Felder, Hechter and Miller, details Pomus' life.
Pomus died on March 14, 1991 from lung cancer, at the age of 65 at NYU medical center in Manhattan.
Legacy and influence
Further information: List of songs written by Doc Pomus and Mort Shuman
Together with Shuman and individually, Pomus was a key figure in the development of popular music. They co-wrote such hits as "Save the Last Dance for Me", "This Magic Moment", "Sweets for My Sweet", "Viva Las Vegas", "Little Sister", "Surrender", "Can't Get Used to Losing You", "Suspicion", "Turn Me Loose" and "A Mess of Blues".[7]
Pomus was elected to the Songwriters Hall of Fame and the Rock and Roll Hall of Fame.
In 1991 he was the first non-African-American recipient of the Rhythm and Blues Foundation Pioneer Award.[8] Ray Charles did the honors via a pre-recorded message.
The funk band Cameo was heavily influenced by Doc Pomus' song-writing style and frequently acknowledges his impact before performing their hit song "Word Up."
Longtime friend jazz singer Jimmy Scott performed at Pomus' funeral, which performance singularly resurrected his career. Other attendees included Seymour Stein, who subsequently signed Scott to Sire Records, and Lou Reed, who thereafter would regularly work with Scott until his death. Pomus had been imploring his friends to see Scott play for many years.[9]
The song "Doc's Blues"[10] was written as a tribute to Pomus by his close friend, Andrew Vachss. The lyrics originally appeared in Vachss’ 1990 novel Blossom. "Doc's Blues" was recorded by bluesman Son Seals, on Seals' last album, Lettin’ Go.[11]
Responsible for Lou Reed's introduction to the music industry in the early 1960s, Pomus was one of two friends Reed memorialized on his 1992 album Magic and Loss (the other was Rotten Rita).
In 1995, Rhino Records released a tribute album to Pomus entitled Till The Night Is Gone. Pomus songs are performed by Bob Dylan, Brian Wilson, Dion, Dr. John, Irma Thomas, Solomon Burke, John Hiatt, Shawn Colvin, Aaron Neville, Lou Reed, The Band, B.B. King, Los Lobos and Rosanne Cash.
In 2010, Ben Folds and Nick Hornby named their collaborative album Lonely Avenue, on which the song "Doc Pomus" appeared. The lyrics referenced an excerpt from Doc Pomus's uncompleted memoir, February 21, 1984: "I was never one of those happy cripples who stumbled around smiling and shiny-eyed, trying to get the world to cluck its tongue and shake its head sadly in my direction. They’d never look at me and say, 'What a wonderful, courageous fellow.'" The album featured lyrics written by British author Hornby, set to music by American performer Folds. It was released on September 28, 2010.
John Goodman's character in the Coen brothers' 2013 dramedy Inside Llewyn Davis was loosely inspired by Pomus.
DOC POMUS Give It Up 1951
Downtown Charlie Brown Blues Band - Clean Head Blues - 9/15/12
Downtown Charlie Brown Blues Band feat. Dee Dee Hardy - Down Home Blues - 9/15/12
"Whiskey And Gin" THE HIGHJIVERS 7/10/15
Keine Kommentare:
Kommentar veröffentlichen