1935 Jerry Lee Lewis*
1937 Joe „Guitar“ Hughes*
1939 Sherman Holmes*
Mike Onesko*
Happy Birthday
Jerry Lee Lewis *29.09.1935
Jerry Lee Lewis (* 29. September 1935 in Ferriday, Louisiana, USA) ist ein US-amerikanischer Rock-’n’-Roll- und Country-Musiker. Lewis ist vor allem für sein aggressives Klavierspiel und seine legendäre Bühnenpräsenz bekannt.
In den 1950er-Jahren hatte er mit Whole Lotta Shakin’ Goin’ On, Great Balls of Fire und Breathless einige bedeutendere Hits im Rock-’n’-Roll-Genre. Nach einem Skandal gegen Ende des Jahrzehnts konzentrierte er sich verstärkt auf Country-Musik, mit der er sich in den 1960er- und 1970er-Jahren an die Spitze der Country-Charts hocharbeitete.
Jerry Lee Lewis wurde 1935 in dem kleinen Ort Ferriday in Louisiana geboren und wuchs in ärmlichen Verhältnissen auf. Trotzdem war es den Eltern Elmo und Mamie Lewis möglich, für ihren Sohn ein Klavier zu kaufen. Zusammen mit seinen Cousins Jimmy Lee Swaggart und Mickey Gilley, die später beide ebenfalls eine Karriere in der Musikszene begannen, nahm Lewis Klavierunterricht und zeigte bald besonderes Talent für das Instrument. Lewis wurde während dieser Zeit vom Boogie Woogie, dem Rhythm and Blues sowie von Gospel und der Country-Musik beeinflusst; alle Stile vereinigte er in seinem Klavierspiel. Schon mit 14 hatte er den Stil, den er später bei seinen Aufnahmen anwenden sollte: mit der linken Hand erzeugte er einen starken Boogie-Woogie-Hintergrund, während er mit rechts schnelle, mit Gospel angereicherte Melodien spielte.
Rock-’n’-Roll-Star der 1950er-Jahre
Lewis’ Mutter hatte andere Pläne für ihren Sohn. Sie schickte ihn in eine Bibelschule, aus der er jedoch wegen seines Verhaltens wieder entlassen wurde. Daraufhin zog der 21-jährige Pianist nach Memphis (Tennessee). Memphis war bekannt für die Entwicklung des Rockabilly und seine lebendige Musikszene. Schnell bekam Lewis eine Anstellung als Musiker in einer Bar. Dort lernte er den Musiker Roy Hall kennen, der ihn zu fördern begann. Hall war ebenfalls Pianist und hatte bereits einige Platten eingespielt. Hall schrieb zusammen mit Dave Williams auch Lewis’ späteren Hit Whole Lotta Shakin’ Goin’ On. Lewis spielte 1956 bei der Plattenfirma Sun Records vor, die bereits Rockabilly-Musiker wie Elvis Presley, Carl Perkins, Johnny Cash und Roy Orbison unter Vertrag hatte. Besitzer Sam Phillips war zwar gerade in den Urlaub gereist, aber sein Mitarbeiter Jack Clement hörte sich Lewis an und entschied, eine Probeaufnahme anzusetzen.
Clement holte den Gitarristen Roland Janes und den Schlagzeuger Jimmy Van Eaton dazu, die er bei Fernwood Records kennengelernt hatte und setzte sie mit Lewis am 4. November 1956 zusammen. Während einer Pause hatte Clement vergessen, die Aufnahmegeräte auszustellen. In dieser Pause kam Sun-Künstler Billy Lee Riley in das Studio und begann, mit Lewis Ralph Mooneys Crazy Arms auf der Gitarre zu spielen. Roland Janes kam hinzu und nahm sich einen alten Kontrabass. Janes erinnerte sich später an die Aufnahme:
“I came out of the washroom about halfway through the song and picked up an old upright bass and started playing it – and I don’t play upright bass. Fortunately, I wasn’t close to a microphone. On that song, there are technically only two instruments, drums and piano.”
Als Clement Sam Phillips die Bänder vorspielte, rief er: „Just get him [Jerry Lee Lewis] in here as fast as you can!“ Phillips ließ Lewis erneut Crazy Arms mit Lewis' eigener Boogie-Version des Jug-Band-Songs End of the Road einspielen. Crazy Arms wurde zwar kein nationaler Hit, Sam Phillips entschied sich jedoch aufgrund der regionalen starken Verkäufe, Lewis unter Vertrag zu behalten. Er spürte, dass Lewis Potential zum Star hatte, und besorgte ihm Arbeit, wo er nur konnte. Anfang 1957 ersetzte er den unzuverlässigen Pianisten Smokey Joe Baugh bei den Snearly Ranch Boys, spielte Klavier bei Sessions von Carl Perkins, Billy Lee Riley, Johnny Cash, Ray Harris, Jimmy Wages und vielen weiteren und bekam einige kleine Auftritte in Tanzhallen von Arkansas. Am 23. Februar 1957 hatte Lewis seinen ersten großen Auftritt im Big D Jamboree, einer Live-Countryshow aus Dallas, Texas und am 31. März startete er seine erste Tournee mit Cash, Perkins und Onie Wheeler. Während dieser Zeit entwickelte er seine starke Bühnenpräsenz. Lewis war unzufrieden, da er auf der Bühne am Klavier „gefesselt“ war und nicht wie beispielsweise Carl Perkins mit der Gitarre auf der Bühne tanzen konnte. Perkins gab ihm den Rat, den Hocker einfach wegzutreten.
Phillips dachte, er könne aus Lewis einen wahren Rock’-n’-Roll-Star machen, daher steckte er entgegen seiner sonstigen Verfahrensweise alle finanziellen Mittel in die nächste Single, Whole Lotta Shakin’ Goin’ On. Lewis hatte das Stück in einem Club von Roy Hall gehört, und im Sommer 1957 stand der Song auf Platz Eins der Memphis Charts. Am 12. Juni erreichte die Single auch die Country-Charts, und zwei Wochen später stieg sie auf Platz 70 in die nationalen Top-100 Billboard-Charts ein. Doch danach ließen die Anfragen für Whole Lotta Shakin’ Goin’ On nach; die expliziten Texte und Lewis’ wilde Auftritte trugen offensichtlich nicht zu seinem guten Ruf bei. Sam Phillips besorgte ihm daraufhin einen Auftritt in der bekannten Steve Allen-Show und nach seiner Darbietung am Abend des 28. Juli kletterte die Single auf Platz Eins der Country- und R&B-Charts sowie auf Platz Zwei der Top-100.
Im Dezember 1956 war Lewis als Pianist bei einer Session für Carl Perkins anwesend, bei der unter anderem Matchbox und Your True Love eingespielt wurden. Am Ende dieser Aufnahmen begann jenes musikhistorische Ereignis, das später als „Sun Session“ oder Million Dollar Quartet in die Geschichte eingehen sollte. Lewis spielte mit Cash, Presley, Perkins und einigen weiteren Musikern im Studio ein paar alte Songs, die Phillips aufnehmen ließ.
Es folgten weitere Hits wie Great Balls of Fire, dessen Besetzung aus Gesang, Klavier und Schlagzeug bestand, und Breathless. Lewis’ Bühnenauftritte wurden immer legendärer. Er spielte jetzt mit Händen und Füßen auf dem Klavier, stieß den Hocker weg und tanzte um das Klavier oder zündete es sogar an. Er war regelmäßig im American Bandstand zu sehen und hatte weitere Auftritte im nationalen Fernsehen. Er spielte außerdem in dem Film Jamboree mit.
Jerry Lee Lewis spielte auch im Privatleben stets den wilden Mann. Nachdem 1958 bei einer England-Tournee bekannt geworden war, dass er seine erst dreizehnjährige Cousine Myra Gale Brown, die Tochter seines Bassisten J.W. Brown, geheiratet hatte, schien seine Karriere beendet zu sein. Die Tournee musste er wegen dieses Skandals abbrechen, doch auch die US-amerikanische Öffentlichkeit war entsetzt. Man bezeichnete ihn als „Kinderräuber“ (cradle snatcher), und seine Platten wurden aus den Radioprogrammen genommen. Lewis blieb nichts anderes übrig, als in kleinen Clubs zu spielen. Erst Anfang der 1960er Jahre arbeitete er sich mühsam wieder nach oben. Er hatte einige Hits und wurde allmählich wieder von der Öffentlichkeit akzeptiert. Die große Zeit des Rock ’n’ Roll war jedoch vorbei, und so blieb der ganz große Erfolg aus.
Jerry Lee Lewis (born September 29, 1935) is an American singer-songwriter, musician, and pianist, who is often known by his nickname of The Killer and is often viewed as "rock & roll's first great wild man."[1]
As an early pioneer of rock and roll music, in 1956 Lewis made his first recordings at Sun Records in Memphis. "Crazy Arms" sold 300,000 copies in the South, but it was his 1957 hit "Whole Lotta Shakin' Going On" that shot Lewis to fame worldwide. Lewis followed this when he recorded songs such as "Great Balls of Fire", "Breathless" and "High School Confidential". However, Lewis's rock and roll career faltered in the wake of his marriage to his 13-year-old cousin when he was 22.
He had little success in the charts following the scandal and his popularity quickly faded. His live performance fees plummeted from $10,000 per night to $250. In the meantime he was determined to gain back some of his popularity. During the early 1960s he didn't have much chart success with few exceptions such as "What'd I Say". His live performances at this time were increasingly wild and energetic. His album Live at the Star Club, Hamburg from 1964 is often regarded by many music journalists and fans as one of the wildest and greatest rock and roll concert albums ever. After recording songs such as "I'm on Fire" for several years with little success, in 1968 Lewis made a transition into country music and had hits with songs such as "Another Place, Another Time". This reignited his career and throughout the late 1960s and 1970s he regularly topped the country-western charts. His No. 1 country hits included "To Make Love Sweeter For You", "There Must Be More to Love Than This", "Would You Take Another Chance on Me" and "Me and Bobby McGee".
Lewis's successes continued throughout the decade and he embraced his rock and roll past with songs such as a cover of the Big Bopper's "Chantilly Lace" and Mack Vickery's "Rockin' My Life Away". In the 21st century Lewis continues to tour to audiences around the world and still releases new albums. One such album, titled Last Man Standing, is his best selling to date at over a million copies sold worldwide. This was followed by Mean Old Man, which has received some of the best sales of Lewis's career.
Lewis has had a dozen gold records in both rock and country, won several Grammy awards, including a Lifetime Achievement Award. Lewis was inducted into the Rock and Roll Hall of Fame in 1986, and his pioneering contribution to the genre has been recognized by the Rockabilly Hall of Fame. In 1989, his life was chronicled in the movie Great Balls of Fire, starring Dennis Quaid. In 2003, Rolling Stone listed his box set All Killer, No Filler: The Anthology number 242 on their list of "500 Greatest Albums of All Time".[2] In 2004, they ranked him number 24 on their list of the 100 Greatest Artists of All Time.[3] Lewis is the last surviving member of Sun Records' Million Dollar Quartet and the Class of '55 album, which also included Johnny Cash, Carl Perkins, Roy Orbison and Elvis Presley.
Early life
Lewis was born to the poor family of Elmo and Mamie Lewis in Ferriday in Concordia Parish in eastern Louisiana, and began playing piano in his youth with two cousins, country music singer Mickey Gilley and TV evangelist Jimmy Swaggart. His parents mortgaged their farm to buy him a piano. Influenced by a piano-playing older cousin, Carl McVoy (who later recorded with Bill Black's Combo), the radio, and the sounds from a black juke joint across the tracks called Haney's Big House,[4] On the live album By Request, More of the Greatest Live Show on Earth, Lewis is heard naming Moon Mullican as an artist who inspired him.
He was also influenced by the Great American Songbook and popular country singers like Jimmie Rodgers and Hank Williams. Williams in particular struck a chord with Lewis, who told biographer Rick Bragg in 2014, "I felt something when I listened to that man. I felt something different."
His mother enrolled him in Southwest Bible Institute in Waxahachie, Texas, so that her son would be exclusively singing his evangelical songs. But Lewis daringly played a boogie woogie rendition of "My God Is Real" at a church assembly that sent him packing the same night. Pearry Green, then president of the student body, related how during a talent show, Lewis played some "worldly" music. The next morning, the dean of the school called Lewis and Green into his office to expel them. Lewis said that Green should not be expelled because "he didn't know what I was going to do." Years later Green asked Lewis: "Are you still playing the devil's music?" Lewis replied "Yes, I am. But you know it's strange, the same music that they kicked me out of school for is the same kind of music they play in their churches today. The difference is, I know I am playing for the devil and they don't."
After that incident, he went home and started playing at clubs in and around Ferriday and Natchez, Mississippi, becoming part of the burgeoning new rock and roll sound and cutting his first demo recording in 1954. He made a trip to Nashville circa 1955 where he played clubs and attempted to build interest, but was turned down by the Grand Ole Opry, as he had been at the Louisiana Hayride country stage and radio show in Shreveport. Recording executives in Nashville suggested he switch to playing a guitar.
Career
Sun Records
In November 1956, Lewis traveled to Memphis, Tennessee, to audition for Sun Records. Label owner Sam Phillips was in Florida, but producer and engineer Jack Clement recorded Lewis's rendition of Ray Price's "Crazy Arms" and his own composition "End of the Road". During December 1956, Lewis began recording prolifically, as a solo artist and as a session musician for such Sun artists as Carl Perkins and Johnny Cash. His distinctive piano can be heard on many tracks recorded at Sun during late 1956 and early 1957, including Carl Perkins's "Matchbox", "Your True Love", " and "Put Your Cat Clothes On", and Billy Lee Riley's "Flyin' Saucers Rock'n'Roll". Formerly, rockabilly had rarely featured piano, but it proved an influential addition and rockabilly artists on other labels also started working with pianists.
On December 4, 1956, Elvis Presley dropped in on Phillips to pay a social visit while Perkins was in the studio cutting new tracks with Lewis backing him on piano. Johnny Cash was also there watching Perkins. The four then started an impromptu jam session, and Phillips left the tape running.[5] These recordings, almost half of which were gospel songs, survived, and have been released on CD under the title Million Dollar Quartet. Tracks also include Elvis Presley's "Don't Be Cruel" and "Paralyzed", Chuck Berry's "Brown Eyed Handsome Man", Pat Boone's "Don't Forbid Me" and Presley doing an impersonation of Jackie Wilson (who was then with Billy Ward and the Dominoes) on "Don't Be Cruel".
Lewis's own singles (on which he was billed as "Jerry Lee Lewis and his Pumping Piano") advanced his career as a soloist during 1957, with hits such as "Whole Lotta Shakin' Goin' On" and "Great Balls of Fire", his biggest hit, bringing him international fame, despite criticism for the songs' overtly sexual undertones which prompted some radio stations to boycott them. In 2005, "Whole Lotta Shakin' Goin' On" was selected for permanent preservation in the National Recording Registry at the Library of Congress.
According to several first-hand sources, including Johnny Cash, Lewis himself, who was devoutly Christian, was also troubled by the sinful nature of his own material, which he firmly believed was leading him and his audience to hell.[6] This aspect of Lewis's character was depicted in Waylon Payne's portrayal of Lewis in the 2005 film Walk the Line, based on Cash's autobiographies.
As part of his stage act, Lewis would often pound keys with heel of his foot, kick the piano bench aside and play standing, rake his hands up and down the keyboard for dramatic accent, sit on the keyboard and even stand on top of the instrument. Lewis told the Pop Chronicles that kicking over the bench originally happened by accident, but when it got a favorable response, he kept it in the act.[5] His first TV appearance, in which he demonstrated some of these moves, was on The Steve Allen Show on July 28, 1957, where he played the song "Whole Lotta Shakin' Goin On".[7][8]
His dynamic performance style can be seen in films such as High School Confidential (he sang the title song from the back of a flatbed truck), and Jamboree. He has been called "rock & roll's first great wild man" and also "rock & roll's first great eclectic".[9] Classical composer Michael Nyman has also cited Lewis's style as the progenitor of his own aesthetic.[10]
Marriage controversy
Lewis's turbulent personal life was hidden from the public until a May 1958 British tour where Ray Berry, a news agency reporter at London's Heathrow Airport (the only journalist present), learned about Lewis's third wife, Myra Gale Brown. She was Lewis's first cousin once removed[11][12] and was only 13 years old at the time. (Brown, Lewis, and his management all insisted that she was 15.) Lewis was 22 years old. The publicity caused an uproar and the tour was cancelled after only three concerts.
The scandal followed Lewis home to the U.S. and, as a result, he was blacklisted from radio and almost vanished from the music scene. Lewis felt betrayed by numerous people who had been his supporters. Dick Clark dropped him from his shows. Lewis even felt that Sam Phillips had sold him out when the Sun Records boss released "The Return of Jerry Lee", a bogus "interview" cut together by Jack Clement from excerpts of Lewis's songs that "answered" the interview questions, which made light of his marital and publicity problems. Only Alan Freed stayed true to Lewis, playing his records until Freed was removed from the air because of payola allegations.
Lewis was still under contract with Sun Records, and kept recording, regularly releasing singles. He had gone from $10,000 a night concerts to $250 a night spots in beer joints and small clubs. He had few friends at the time whom he felt he could trust. It was only through Kay Martin, the president of Lewis's fan club, T. L. Meade (aka Franz Douskey), a sometime Memphis musician and friend of Sam Phillips, and Gary Skala, that Lewis went back to record at Sun Records.[when?]
In 1960, Phillips opened a new state-of-the-art studio at 639 Madison Avenue in Memphis,[13] abandoning the old Union Avenue studio where Phillips had recorded B.B. King, Howlin' Wolf, Elvis Presley, Roy Orbison, Carl Perkins, Lewis, Johnny Cash and others, and also opened a studio in Nashville. It was at the latter studio that Lewis recorded his only major hit during this period, a rendition of Ray Charles' "What'd I Say" in 1961. In Europe, other updated versions of "Sweet Little Sixteen" (September 1962 UK) and "Good Golly Miss Molly" (March 1963) entered the Hit Parade. On popular EPs, "Hang Up My Rock and Roll Shoes", "I've Been Twistin'", "Money" and "Hello Josephine" also became turntable hits, especially in nascent discothèques. Another recording of Lewis playing an instrumental boogie arrangement of the Glenn Miller Orchestra favorite "In the Mood" was issued on the Phillips International label under the pseudonym "The Hawk", but disc jockeys quickly figured out the distinctive piano style, and this gambit failed.
Smash Records
Lewis's Sun recording contract ended in 1963 and he joined Smash Records, where he made a number of rock recordings that did not further his career. The team at Smash (a division of Mercury Records) came up "I'm on Fire", a song that they felt would be perfect for Lewis and, as Colin Escott writes in the sleeve to the retrospective A Half Century of Hits, "Mercury held the presses, thinking they had found Lewis's comeback hit, and it might have happened if the Beatles hadn't arrived in America, changing radio playlists almost overnight. Mercury didn't really know what to do with Lewis after that." One of Smash's first decisions was to record a retread of his Sun hits, Golden Hits of Jerry Lee Lewis, which may have been inspired by the continuing enthusiasm European audiences had shown for Lewis's brand of rock and roll. However, none of Lewis's early Smash albums, including The Return of Rock, Memphis Beat, and Soul My Way, were commercial successes.
Live at the Star Club, Hamburg
One major success during these lost years was the concert album Live at the Star Club, Hamburg, recorded with The Nashville Teens in 1964, which is widely considered one of the greatest live rock-and-roll albums ever.[14][15][16][17][18] In Joe Bonomo's book Lost And Found, producer Siggi Loch states that the recording setup was uncomplicated, with microphones placed as close to the instruments as possible with a stereo mike placed in the audience to capture the ambience. The results were sonically astonishing, with Bonomo observing that "Detractors complain of the album's crashing noisiness, the lack of subtlety with which Jerry Lee revisits the songs, the fact that the piano is mixed too loudly, but what is certain is that Siggi Loch on this spring evening captured something brutally honest about the Killer, about the primal and timeless center of the very best rock & roll..." The album showcases Lewis's phenomenal skills as a pianist and singer, which had been honed by relentless touring. In a 5 out of 5 stars review, Milo Miles raved in Rolling Stone that "Live at the Star Club, Hamburg is not an album, it's a crime scene: Jerry Lee Lewis slaughters his rivals in a thirteen-song set that feels like one long convulsion." Unfortunately, due to legal constraints, the album was not released in the United States.
Country comeback
Frustrated by Smash's inability to score a hit, Lewis was nearing the end of his contract when promotions manager Eddie Kilroy called him and pitched the idea of cutting a pure country record in Nashville. With nothing to lose, Lewis agreed to record the Jerry Chestnut song "Another Place, Another Time", which was released as a single on March 9, 1968, and, to everyone's amazement, shot up the country charts. At the time of the release, Lewis had been playing Iago in a rock and roll adaptation of Othello called Catch My Soul in Los Angeles but was soon rushed back to Nashville to record another batch of songs with producer Jerry Kennedy. What followed was a string of hits that no one could have ever predicted, although country music had remained a major part of Lewis's repertoire. As Colin Escott observes in the sleeve to the 1995 compilation Killer Country, the conversion to country music in 1968 "looked at the time like a radical shift, but it was neither as abrupt nor as unexpected as it seemed. Jerry had always recorded country music, and his country breakthrough 'Another Place, Another Time' had been preceded by many, many country records starting with his first, 'Crazy Arms', in 1956." The last time Lewis had a song on the country charts was with "Pen And Paper" in 1964, which had reached number 36, but "Another Place, Another Time" would go all the way to number 4 and remain on the charts for 17 weeks.
Between 1968 and 1977, Lewis had 17 Top 10 hit singles on the Billboard country chart, including four chart toppers. Hits include "What's Made Milwaukee Famous (Has Made A Loser Out of Me)", "To Make Love Sweeter For You", "She Still Comes Around (To Love What's Left of Me)", "Since I Met You Baby", "Once More With Feeling", "One Has My Name (The Other Has My Heart)", and "Sometimes A Memory Ain't Enough". The production on his early country albums, such as Another Place, Another Time and She Even Woke Me Up To Say Goodbye, was sparse, quite different from the slick "Nashville Sound" that was predominant on country radio at the time, and also expressed a full commitment by Lewis to a country audience. The songs still featured Lewis's inimitable piano flourishes, but critics were most taken aback by the rock and roll pioneer's effortlessly soulful vocals, which possessed an emotional resonance on par with the most respected country singers of the time, such as George Jones and Merle Haggard. In his book Jerry Lee Lewis: His Own Story, biographer Rick Bragg notes that the songs Lewis was recording "were of the kind they were starting to call 'hard country', not because it had a rock beat or crossed over into rock in a real way, but because it was more substantial than the cloying, overproduced mess out there on country radio".
In a remarkable turnaround, Lewis became the most bankable country star in the world. He was so hot in 1970 that his former Smash producer Shelby Singleton, who purchased Sun Records from Sam Phillips in July 1969, wasted no time in repackaging many of Lewis's old country recordings with such effectiveness that many fans assumed they were recent releases. One of his latter unreleased Sun recordings, "One Minute Past Eternity," was issued as a single and soared to number 2 on the country chart, following Lewis's recent Mercury hit "She Even Woke Me Up To Say Goodbye." Singleton would milk these unreleased recordings for years, following The Golden Cream of the Country with A Taste of Country later in 1970.
Grand Ole Opry appearance
Lewis played the Grand Ole Opry for the first time on January 20, 1973. As Colin Escott writes in the liner notes to A Half Century of Hits, Lewis had always maintained ambivalent feelings towards Music City ever since he'd been turned away as an aspiring musician before his glory days at Sun Records: "It was 18 years since he had left Nashville broke and disheartened...Lewis was never truly accepted in Nashville. He didn't move there and didn't schmooze there. He didn't fit in with the family values crowd. Lewis family values weren't necessarily worse, but they were different." When Lewis finally took the stage, he broke just about every rule the Opry had. As recounted in a 2015 online Rolling Stone article by Beville Dunkerly, Lewis opened with his comeback single "Another Place, Another Time" and then announced to the audience, "Let me tell ya something about Jerry Lee Lewis, ladies and gentlemen: I am a rock and rollin', country-and-western, rhythm and blues-singin' motherfucker!" Ignoring his allotted time constraints – and, thus, commercial breaks – Lewis played for 40 minutes (the average Opry performance is two songs, for about eight maximum minutes of stage time) and invited Del Wood – the one member of the Opry who had been kind to him when he had been there as a teenager – out on stage to sing with him. He also blasted through "Whole Lotta Shakin' Going On", "Workin' Man Blues", "Good Golly Miss Molly", and a host of others classics before leaving the stage to a thunderous standing ovation.
The Session and Southern Roots
Lewis returned to the pop charts with "Me and Bobby McGee" in 1971 and "Chantilly Lace" in 1972, and this turn of events, coupled with a revitalized public interest in vintage rock and roll, inspired Mercury to fly Lewis to London in 1973 to record with a cadre of gifted British and Irish musicians, including Rory Gallagher, Kenney Jones, and Albert Lee. By all accounts the sessions were tense. The remake of Lewis's old Sun cut "Drinking Wine Spo-Dee-O-Dee" would be the album's hit single, reaching number 20 on the Billboard country chart and peaking at number 41 on the pop chart. The Session would be Lewis's highest pop charting album since 1964's Golden Hits of Jerry Lee Lewis, hitting number 37. It did far better on the country albums chart, rising to number 4. Later that same year, he went to Memphis and recorded Southern Roots: Back Home to Memphis, a soul-infused rock album produced by Huey Meaux. According to Rick Bragg's authorized 2014 biography, "the Killer" was in a foul mood when he showed up at Trans Maximus Studios in Memphis to record: "During these sessions, he insulted the producer, threatened to kill a photographer, and drank and medicated his way into but not out of a fog." During one exchange that can be heard on the 2013 reissue Southern Roots: The Original Sessions, Meaux asks Lewis, "Do you wanna try one?", meaning a take, to which Lewis replies "If you got enough fuckin' sense to cut it." Lewis was still pumping out country albums, although the hits were beginning to dry up. His last big hit with Mercury was "Middle Age Crazy," which made it to number 4 in 1977.
Later career
In 1979, Lewis switched to Elektra and produced the critically acclaimed Jerry Lee Lewis, although sales were disappointing. In 1986, Lewis was one of the inaugural inductees into the Rock and Roll Hall of Fame. Although looking frail after several hospitalizations due to stomach problems, Lewis was responsible for beginning an unplanned jam at the end of the evening, which was immediately incorporated into the event. That year, he returned to Sun Studio in Memphis to team up with Orbison, Cash, and Perkins along with longtime admirers like John Fogerty to create the album Class of '55, a sort of followup to the Million Dollar Quartet session, though in the eyes of many critics and fans, lacking the spirit of the old days at Sun. In 1989, a major motion picture based on his early life in rock & roll, Great Balls of Fire!, brought him back into the public eye, especially when he decided to re-record all his songs for the movie soundtrack. The film was based on the book by Lewis's ex-wife, Myra Gale Lewis, and starred Dennis Quaid as Lewis, Winona Ryder as Myra, and Alec Baldwin as Jimmy Swaggart. The movie focuses on Lewis's early career and his relationship with Myra, and ends with the scandal of the late 1950s. A year later, in 1990, Lewis made minor news when a new song he co-wrote called "It Was the Whiskey Talkin' (Not Me)" was included in the soundtrack to the hit movie Dick Tracy. The song is also heard in the movie, playing on a radio. The public downfall of his cousin, television evangelist Jimmy Swaggart, resulted in more adverse publicity to a troubled family. Swaggart is also a piano player, as is another cousin, country music star Mickey Gilley. All three listened to the same music in their youth, and frequented Haney's Big House, the Ferriday club that featured black blues acts. Lewis and Swaggart have had a complex relationship over the years.
In 1998, he toured Europe with Chuck Berry and Little Richard. On February 12, 2005, he was given a Lifetime Achievement Award by The Recording Academy (which also grants the Grammy Awards). On September 26, 2006, a new album titled Last Man Standing was released, featuring many of rock and roll's elite as guest stars. Receiving positive reviews, the album charted in four different Billboard charts, including a two-week stay at number one on the Indie charts. A DVD entitled Last Man Standing Live, featuring concert footage with many guest artists, was released in March 2007, and the CD achieved Lewis's 10th official gold disk for selling over half-a-million copies in the US alone. Last Man Standing is Lewis's biggest selling album of all time. It features contributions from Mick Jagger, Willie Nelson, Jimmy Page, Keith Richards and Rod Stewart, among others. Lewis now lives on a ranch in Nesbit, Mississippi, with his family.[19][20][21] In May 2013, Lewis opened a new club on Beale Street in Memphis. As of late 2014, Jerry Lee is still actively performing in concert.[22]
Hits and awards
Along with Johnny Cash, Carl Perkins and Roy Orbison, Lewis received a Grammy in the spoken-word category for the very rare album of interviews released with some early copies of the Class of '55 album in 1986. The original Sun cut of "Great Balls of Fire" was elected to the Grammy Hall of Fame in 1998, and Lewis's Sun recording of "Whole Lotta Shakin' Goin On" received this honor in 1999. Only recordings which are at least 25 years old and have left a lasting impression can receive this honor. On February 12, 2005, Lewis received the Recording Academy's Lifetime Achievement Award the day before the Recording Academy's main Grammy Awards ceremony, which he also attended.
Between 1957 and 2006, the date of Last Man Standing 's release, 47 singles and 22 albums (The Session counted as 2 albums) made the Top Twenty Pop, Jukebox, Rock, Indie and/or Country charts in the US or the UK. Fourteen[clarification needed] reached the number-1 position. He has had ten official gold discs, the latest being for the 2006 album Last Man Standing, plus unofficial ones issued by his record company Mercury for albums which sold over a quarter of a million copies. His 2006 duets CD Last Man Standing has sold over half a million worldwide, his biggest selling album ever. Lewis is also among the Top 50 all-time Billboard Country artists. It is also rumored that the soundtrack album to the movie Great Balls of Fire has now sold over a million copies. On October 10, 2007, Lewis received the Rock and Roll Hall of Fame's American Music Masters Award. His newest album, Mean Old Man, was released in September 2010 and reached No. 30 on the Billboard 200 album chart.
On November 5, 2007, the Rock and Roll Hall of Fame and Case Western Reserve University in Cleveland, Ohio, honored Lewis with six days of conferences, interviews, a DVD premiere and film clips, dedicated to him and entitled The Life And Music of Jerry Lee Lewis.[citation needed] On November 10, the week culminated with a tribute concert compered by Kris Kristofferson. Lewis was present to accept the American Music Masters Award and closed his own tribute show with a rendition of "Somewhere Over the Rainbow" On February 10, 2008, he appeared with John Fogerty and Little Richard on the 50th Grammy Awards Show, performing "Great Balls of Fire" in a medley with "Good Golly Miss Molly". On June 4, 2008, Lewis was inducted into The Louisiana Music Hall of Fame and appeared on A Capitol Fourth and performed the finale's final act with a medley of "Roll Over Beethoven", "Whole Lotta Shakin' Goin On" and "Great Balls of Fire." In October 2008, as part of a very successful European tour, Lewis returned to the UK, almost exactly 50 years after his ill-fated first tour. He appeared at two London shows: a special private show at the 100 Club on October 25 and at the London Forum on October 28 with Wanda Jackson and his sister, Linda Gail Lewis.[23] 2009 marked the sixtieth year since Lewis's first public performance when he performed "Drinking Wine Spo-Dee-O-Dee" at a car dealership on November 19, 1949, in Ferriday, Louisiana.[citation needed]. In August 2009, in advance of his new album, a single entitled "Mean old man" was released for download. It was written by Kris Kristofferson. An EP featuring this song and four more was also released on November 11. On October 29, 2009, Lewis opened the Rock and Roll Hall of Fame 25th Anniversary concert at Madison Square Garden in New York.
Family and personal life
Lewis has been married seven times:[24] His first marriage, to Dorothy Barton, lasted for 20 months, from February 1952 to October 1953. In a 1978 People magazine interview, Lewis stated "I was 14 when I first got married. My wife was too old for me; she was 17."[25] His second marriage, to Jane Mitchum, was of dubious validity because it occurred 23 days before his divorce from Barton was final. It lasted for four years, from September 1953 to October 1957. The couple had two children: Jerry Lee Lewis Jr. (1954–1973) and Ronnie Guy Lewis (b. 1956). His third marriage, to his cousin Myra Gale Brown, lasted for 13 years, from December 1957 to December 1970 (although the couple went through a second marriage ceremony because his divorce from Jane Mitchum was not complete before the first ceremony took place). They had two children together: Steve Allen Lewis (1959–1962) and Phoebe Allen Lewis (b. 1963). His fourth marriage, to Jaren Elizabeth Gunn Pate, lasted from October 1971 to June 8, 1982, and they had a daughter, Lori Lee Lewis (b. 1972). Pate drowned in a swimming pool at the home of a friend with whom she was staying, several weeks before divorce proceedings could be finalized.[26] His fifth marriage, to Shawn Stephens, lasted 77 days, from June to August 1983, ending with her death.[27] It has been alleged by Richard Ben Cramer that Lewis abused her and was responsible for her death.[28] His sixth marriage, to Kerrie McCarver, lasted 20 years, from 1984 to 2004. They have one child: Jerry Lee Lewis III (b. 1987). His seventh marriage, to Judith Brown, began March 9, 2012.[24] Lewis has had six children during his marriages. In 1962, his son Steve Allen Lewis drowned in a swimming pool accident when he was three, and in 1973, Jerry Lee Lewis, Jr. died at the age of 19[25][29] when he overturned the Jeep he was driving.[25] He has two surviving sons, Ronnie Guy Lewis and Jerry Lee Lewis III, and two daughters, Phoebe Allen Lewis and Lori Lee Lewis.
Graceland arrest
In 1976, Lewis was infamously arrested outside Elvis Presley's Graceland home for allegedly intending to shoot him. Lewis had already nearly killed his bass player Butch Owens on September 29 (his forty-first birthday) when a .357 accidentally went off in his hand. In Rick Bragg's 2014 authorized biography Jerry Lee Lewis: His Own Story, Lewis explains that the reclusive Presley had been trying to reach him and finally did on November 23, imploring that he "come out to the house." Lewis replied that he would if he had time but that he was busy trying to get his father Elmo out of jail in Tunica for a DUI. Later that night, Lewis was at a Memphis nightclub called Vapors drinking champagne when he was given a gun. "Charles Feron, he owned Vapors, he give it to me," Lewis explained to Bragg. "A .38 derringer. Me, pretty well drunk, with that derringer – it ain't somethin' strange." Lewis suddenly remembered that Elvis wanted to see him and, climbing aboard his new Lincoln Continental with the loaded pistol on the dash and a bottle of champagne under his arm, tore off for Graceland. Just before three o'clock in the morning, Lewis accidentally smashed into the famous Graceland gates because "the nose of that Lincoln was a mile long."
Graceland's music-themed gate, pictured in the snow
Presley's astonished cousin Harold Lloyd was manning the gate and watched Lewis attempt to hurl the champagne bottle through the car window, not realizing it was rolled up, smashing both. "I'm here to see Elvis," Lewis declared. Bragg reports that Lewis denies ever intending to do Presley harm, that the two were friends, but "Elvis, watching on the closed-circuit television, told guards to call the police. The Memphis police found the gun in the car and put Jerry Lee, protesting, hollering, threatening them, away in handcuffs." Lewis: "The cops asked Elvis, 'What do you want us to do? And Elvis told 'em, 'Lock him up.' That hurt my feelings. To be scared of me – knowin' me the way he did – was ridiculous." Lewis was charged with carrying a pistol and public drunkenness. Released on a $250 bond, his defiant mug shot was wired around the world. Presley would die at Graceland of a heart attack eight months later.[30][31][32][33][34]
Religious Beliefs
As a teenager, Lewis studied at the Southwest Bible Institute in Waxahachie, Texas before being thrown out for daring to play a boogie-woogie version of "My God Is Real," and that early incident foreshadowed his lifelong conflict over his faith to God and his love of playing "the devil's music." Lewis had a recorded argument with Sam Phillips during the recording session for "Great Balls of Fire," a song he initially refused to record because he considered it blasphemous ("How can...How can the devil save souls? What are you talkin' about?" he asks Phillips during one heated exchange). During the famous Million Dollar Quartet jam involving Lewis, Elvis Presley, Carl Perkins, and Johnny Cash, they performed several gospel songs. When he appeared on George Klein's Memphis Sounds program in 2011, Lewis explained that part of the reason the recording only features him and Elvis singing is because they were of the Assembly of God while Perkins and Cash were Baptists, and they didn't know the words. Lewis also endured years of condemnation from his cousin, evangelist Jimmy Lee Swaggart, who never passed up an opportunity to criticize Lewis's lifestyle. In the 1990 documentary The Jerry Lee Lewis Story, an intense Lewis, who could quote the Bible backwards and forwards, explains to the interviewer, "The Bible don't even speak of religion. No word of religion is even in the Bible. Sanctification! Are you sanctified? Have you been saved? See, I was a good preacher, I know my Bible...I find myself falling short of the glory of God." Lewis's faith was always best demonstrated through his music, and gospel music always remained part of his repertoire. After a string of hit country albums, he decided to record a proper gospel album for the first time in 1970.
Piano style
Lewis is widely hailed as one of the most influential – if not the most influential – pianists in the history of rock and roll. In an often quoted tribute, Elvis Presley once said that if he could play the piano like Lewis, he would quit singing. Lewis's pivotal role in popularizing the piano in rock and roll is indisputable. Up until his arrival, the music had been primarily associated with guitars, but his early Sun recordings and television appearances pushed the instrument to the forefront. Lewis was also an incendiary showman who often played with his fists, elbows, feet, and backside, sometimes climbing on top of the piano during gigs and even setting it on fire. Like Chuck Berry's guitar playing, Lewis's piano style has become synonymous with rock and roll, having influenced generations of piano players. In a 2013 interview with Leah Harper, Elton John recalls that up until "Great Balls of Fire," "the piano playing that I had heard had been more sedate. My dad collected George Shearing records, but this was the first time I heard someone beat the shit out of a piano. When I saw Little Richard at the Harrow Granada, he played it standing up, but Jerry Lee Lewis actually jumped on the piano! This was astonishing to me, that people could do that. Those records had such a huge effect on me, and they were just so great. I learned to play like that." Lewis is primarily known for his "boogie woogie" style, which is characterized by a regular left hand bass figure and dancing beat, but his command of the instrument and highly individualistic style set him apart. Appearing on Memphis Sounds with George Klein in 2011, Lewis credited his older piano-playing cousin Carl McVoy as being a crucial influence, stating, "He was a great piano player, a great singer, and a nice looking man, carried himself real well. I miss Carl very much." Lewis also cited Moon Mullican as a source of inspiration. Although almost entirely self-taught, Lewis conceded to biographer Rich Bragg in 2014 that Paul Whitehead, a blind pianist from Meadville, Mississippi, was another key influence on him in his earliest days playing clubs, confiding, "Paul Whitehead done a lot. His lesson was worth a billion dollars to me...He taught me. I'd sit beside him, and say, 'Mr. Paul, can you show me exactly how you do that?' Mr. Paul was good to me."
Although Lewis's piano playing is commonly labelled boogie woogie, gospel music was another major influence in the formation of his technique. In Joe Bonomo's 2009 book Jerry Lee Lewis: Lost and Found, Memphis producer and musician Jim Dickinson calls Lewis's occasional penchant for interrupting the standard boogie woogie left-hand progression by omitting the seventh and repeating the fifth and sixth, creating a repetitive, driving, quasi-menacing momentum, "revolutionary, almost inexplicable. Maybe Ella Mae Morse, maybe Moon Mullican had done it, but not in a way that became the propelling force of the song. Rock and roll piano up to that point had been defined by Roscoe Jordan, Ike Turner, and to an extent, Ray Charles. None of them were doing that. Even Little Richard, as primitive as he plays, wasn't doing that shuffle...There was something in Jerry Lee that didn't want to play that seventh, and that's the church. Certainly in white spiritual music you avoid sevenths."
As an early pioneer of rock and roll music, in 1956 Lewis made his first recordings at Sun Records in Memphis. "Crazy Arms" sold 300,000 copies in the South, but it was his 1957 hit "Whole Lotta Shakin' Going On" that shot Lewis to fame worldwide. Lewis followed this when he recorded songs such as "Great Balls of Fire", "Breathless" and "High School Confidential". However, Lewis's rock and roll career faltered in the wake of his marriage to his 13-year-old cousin when he was 22.
He had little success in the charts following the scandal and his popularity quickly faded. His live performance fees plummeted from $10,000 per night to $250. In the meantime he was determined to gain back some of his popularity. During the early 1960s he didn't have much chart success with few exceptions such as "What'd I Say". His live performances at this time were increasingly wild and energetic. His album Live at the Star Club, Hamburg from 1964 is often regarded by many music journalists and fans as one of the wildest and greatest rock and roll concert albums ever. After recording songs such as "I'm on Fire" for several years with little success, in 1968 Lewis made a transition into country music and had hits with songs such as "Another Place, Another Time". This reignited his career and throughout the late 1960s and 1970s he regularly topped the country-western charts. His No. 1 country hits included "To Make Love Sweeter For You", "There Must Be More to Love Than This", "Would You Take Another Chance on Me" and "Me and Bobby McGee".
Lewis's successes continued throughout the decade and he embraced his rock and roll past with songs such as a cover of the Big Bopper's "Chantilly Lace" and Mack Vickery's "Rockin' My Life Away". In the 21st century Lewis continues to tour to audiences around the world and still releases new albums. One such album, titled Last Man Standing, is his best selling to date at over a million copies sold worldwide. This was followed by Mean Old Man, which has received some of the best sales of Lewis's career.
Lewis has had a dozen gold records in both rock and country, won several Grammy awards, including a Lifetime Achievement Award. Lewis was inducted into the Rock and Roll Hall of Fame in 1986, and his pioneering contribution to the genre has been recognized by the Rockabilly Hall of Fame. In 1989, his life was chronicled in the movie Great Balls of Fire, starring Dennis Quaid. In 2003, Rolling Stone listed his box set All Killer, No Filler: The Anthology number 242 on their list of "500 Greatest Albums of All Time".[2] In 2004, they ranked him number 24 on their list of the 100 Greatest Artists of All Time.[3] Lewis is the last surviving member of Sun Records' Million Dollar Quartet and the Class of '55 album, which also included Johnny Cash, Carl Perkins, Roy Orbison and Elvis Presley.
Early life
Lewis was born to the poor family of Elmo and Mamie Lewis in Ferriday in Concordia Parish in eastern Louisiana, and began playing piano in his youth with two cousins, country music singer Mickey Gilley and TV evangelist Jimmy Swaggart. His parents mortgaged their farm to buy him a piano. Influenced by a piano-playing older cousin, Carl McVoy (who later recorded with Bill Black's Combo), the radio, and the sounds from a black juke joint across the tracks called Haney's Big House,[4] On the live album By Request, More of the Greatest Live Show on Earth, Lewis is heard naming Moon Mullican as an artist who inspired him.
He was also influenced by the Great American Songbook and popular country singers like Jimmie Rodgers and Hank Williams. Williams in particular struck a chord with Lewis, who told biographer Rick Bragg in 2014, "I felt something when I listened to that man. I felt something different."
His mother enrolled him in Southwest Bible Institute in Waxahachie, Texas, so that her son would be exclusively singing his evangelical songs. But Lewis daringly played a boogie woogie rendition of "My God Is Real" at a church assembly that sent him packing the same night. Pearry Green, then president of the student body, related how during a talent show, Lewis played some "worldly" music. The next morning, the dean of the school called Lewis and Green into his office to expel them. Lewis said that Green should not be expelled because "he didn't know what I was going to do." Years later Green asked Lewis: "Are you still playing the devil's music?" Lewis replied "Yes, I am. But you know it's strange, the same music that they kicked me out of school for is the same kind of music they play in their churches today. The difference is, I know I am playing for the devil and they don't."
After that incident, he went home and started playing at clubs in and around Ferriday and Natchez, Mississippi, becoming part of the burgeoning new rock and roll sound and cutting his first demo recording in 1954. He made a trip to Nashville circa 1955 where he played clubs and attempted to build interest, but was turned down by the Grand Ole Opry, as he had been at the Louisiana Hayride country stage and radio show in Shreveport. Recording executives in Nashville suggested he switch to playing a guitar.
Career
Sun Records
In November 1956, Lewis traveled to Memphis, Tennessee, to audition for Sun Records. Label owner Sam Phillips was in Florida, but producer and engineer Jack Clement recorded Lewis's rendition of Ray Price's "Crazy Arms" and his own composition "End of the Road". During December 1956, Lewis began recording prolifically, as a solo artist and as a session musician for such Sun artists as Carl Perkins and Johnny Cash. His distinctive piano can be heard on many tracks recorded at Sun during late 1956 and early 1957, including Carl Perkins's "Matchbox", "Your True Love", " and "Put Your Cat Clothes On", and Billy Lee Riley's "Flyin' Saucers Rock'n'Roll". Formerly, rockabilly had rarely featured piano, but it proved an influential addition and rockabilly artists on other labels also started working with pianists.
On December 4, 1956, Elvis Presley dropped in on Phillips to pay a social visit while Perkins was in the studio cutting new tracks with Lewis backing him on piano. Johnny Cash was also there watching Perkins. The four then started an impromptu jam session, and Phillips left the tape running.[5] These recordings, almost half of which were gospel songs, survived, and have been released on CD under the title Million Dollar Quartet. Tracks also include Elvis Presley's "Don't Be Cruel" and "Paralyzed", Chuck Berry's "Brown Eyed Handsome Man", Pat Boone's "Don't Forbid Me" and Presley doing an impersonation of Jackie Wilson (who was then with Billy Ward and the Dominoes) on "Don't Be Cruel".
Lewis's own singles (on which he was billed as "Jerry Lee Lewis and his Pumping Piano") advanced his career as a soloist during 1957, with hits such as "Whole Lotta Shakin' Goin' On" and "Great Balls of Fire", his biggest hit, bringing him international fame, despite criticism for the songs' overtly sexual undertones which prompted some radio stations to boycott them. In 2005, "Whole Lotta Shakin' Goin' On" was selected for permanent preservation in the National Recording Registry at the Library of Congress.
According to several first-hand sources, including Johnny Cash, Lewis himself, who was devoutly Christian, was also troubled by the sinful nature of his own material, which he firmly believed was leading him and his audience to hell.[6] This aspect of Lewis's character was depicted in Waylon Payne's portrayal of Lewis in the 2005 film Walk the Line, based on Cash's autobiographies.
As part of his stage act, Lewis would often pound keys with heel of his foot, kick the piano bench aside and play standing, rake his hands up and down the keyboard for dramatic accent, sit on the keyboard and even stand on top of the instrument. Lewis told the Pop Chronicles that kicking over the bench originally happened by accident, but when it got a favorable response, he kept it in the act.[5] His first TV appearance, in which he demonstrated some of these moves, was on The Steve Allen Show on July 28, 1957, where he played the song "Whole Lotta Shakin' Goin On".[7][8]
His dynamic performance style can be seen in films such as High School Confidential (he sang the title song from the back of a flatbed truck), and Jamboree. He has been called "rock & roll's first great wild man" and also "rock & roll's first great eclectic".[9] Classical composer Michael Nyman has also cited Lewis's style as the progenitor of his own aesthetic.[10]
Marriage controversy
Lewis's turbulent personal life was hidden from the public until a May 1958 British tour where Ray Berry, a news agency reporter at London's Heathrow Airport (the only journalist present), learned about Lewis's third wife, Myra Gale Brown. She was Lewis's first cousin once removed[11][12] and was only 13 years old at the time. (Brown, Lewis, and his management all insisted that she was 15.) Lewis was 22 years old. The publicity caused an uproar and the tour was cancelled after only three concerts.
The scandal followed Lewis home to the U.S. and, as a result, he was blacklisted from radio and almost vanished from the music scene. Lewis felt betrayed by numerous people who had been his supporters. Dick Clark dropped him from his shows. Lewis even felt that Sam Phillips had sold him out when the Sun Records boss released "The Return of Jerry Lee", a bogus "interview" cut together by Jack Clement from excerpts of Lewis's songs that "answered" the interview questions, which made light of his marital and publicity problems. Only Alan Freed stayed true to Lewis, playing his records until Freed was removed from the air because of payola allegations.
Lewis was still under contract with Sun Records, and kept recording, regularly releasing singles. He had gone from $10,000 a night concerts to $250 a night spots in beer joints and small clubs. He had few friends at the time whom he felt he could trust. It was only through Kay Martin, the president of Lewis's fan club, T. L. Meade (aka Franz Douskey), a sometime Memphis musician and friend of Sam Phillips, and Gary Skala, that Lewis went back to record at Sun Records.[when?]
In 1960, Phillips opened a new state-of-the-art studio at 639 Madison Avenue in Memphis,[13] abandoning the old Union Avenue studio where Phillips had recorded B.B. King, Howlin' Wolf, Elvis Presley, Roy Orbison, Carl Perkins, Lewis, Johnny Cash and others, and also opened a studio in Nashville. It was at the latter studio that Lewis recorded his only major hit during this period, a rendition of Ray Charles' "What'd I Say" in 1961. In Europe, other updated versions of "Sweet Little Sixteen" (September 1962 UK) and "Good Golly Miss Molly" (March 1963) entered the Hit Parade. On popular EPs, "Hang Up My Rock and Roll Shoes", "I've Been Twistin'", "Money" and "Hello Josephine" also became turntable hits, especially in nascent discothèques. Another recording of Lewis playing an instrumental boogie arrangement of the Glenn Miller Orchestra favorite "In the Mood" was issued on the Phillips International label under the pseudonym "The Hawk", but disc jockeys quickly figured out the distinctive piano style, and this gambit failed.
Smash Records
Lewis's Sun recording contract ended in 1963 and he joined Smash Records, where he made a number of rock recordings that did not further his career. The team at Smash (a division of Mercury Records) came up "I'm on Fire", a song that they felt would be perfect for Lewis and, as Colin Escott writes in the sleeve to the retrospective A Half Century of Hits, "Mercury held the presses, thinking they had found Lewis's comeback hit, and it might have happened if the Beatles hadn't arrived in America, changing radio playlists almost overnight. Mercury didn't really know what to do with Lewis after that." One of Smash's first decisions was to record a retread of his Sun hits, Golden Hits of Jerry Lee Lewis, which may have been inspired by the continuing enthusiasm European audiences had shown for Lewis's brand of rock and roll. However, none of Lewis's early Smash albums, including The Return of Rock, Memphis Beat, and Soul My Way, were commercial successes.
Live at the Star Club, Hamburg
One major success during these lost years was the concert album Live at the Star Club, Hamburg, recorded with The Nashville Teens in 1964, which is widely considered one of the greatest live rock-and-roll albums ever.[14][15][16][17][18] In Joe Bonomo's book Lost And Found, producer Siggi Loch states that the recording setup was uncomplicated, with microphones placed as close to the instruments as possible with a stereo mike placed in the audience to capture the ambience. The results were sonically astonishing, with Bonomo observing that "Detractors complain of the album's crashing noisiness, the lack of subtlety with which Jerry Lee revisits the songs, the fact that the piano is mixed too loudly, but what is certain is that Siggi Loch on this spring evening captured something brutally honest about the Killer, about the primal and timeless center of the very best rock & roll..." The album showcases Lewis's phenomenal skills as a pianist and singer, which had been honed by relentless touring. In a 5 out of 5 stars review, Milo Miles raved in Rolling Stone that "Live at the Star Club, Hamburg is not an album, it's a crime scene: Jerry Lee Lewis slaughters his rivals in a thirteen-song set that feels like one long convulsion." Unfortunately, due to legal constraints, the album was not released in the United States.
Country comeback
Frustrated by Smash's inability to score a hit, Lewis was nearing the end of his contract when promotions manager Eddie Kilroy called him and pitched the idea of cutting a pure country record in Nashville. With nothing to lose, Lewis agreed to record the Jerry Chestnut song "Another Place, Another Time", which was released as a single on March 9, 1968, and, to everyone's amazement, shot up the country charts. At the time of the release, Lewis had been playing Iago in a rock and roll adaptation of Othello called Catch My Soul in Los Angeles but was soon rushed back to Nashville to record another batch of songs with producer Jerry Kennedy. What followed was a string of hits that no one could have ever predicted, although country music had remained a major part of Lewis's repertoire. As Colin Escott observes in the sleeve to the 1995 compilation Killer Country, the conversion to country music in 1968 "looked at the time like a radical shift, but it was neither as abrupt nor as unexpected as it seemed. Jerry had always recorded country music, and his country breakthrough 'Another Place, Another Time' had been preceded by many, many country records starting with his first, 'Crazy Arms', in 1956." The last time Lewis had a song on the country charts was with "Pen And Paper" in 1964, which had reached number 36, but "Another Place, Another Time" would go all the way to number 4 and remain on the charts for 17 weeks.
Between 1968 and 1977, Lewis had 17 Top 10 hit singles on the Billboard country chart, including four chart toppers. Hits include "What's Made Milwaukee Famous (Has Made A Loser Out of Me)", "To Make Love Sweeter For You", "She Still Comes Around (To Love What's Left of Me)", "Since I Met You Baby", "Once More With Feeling", "One Has My Name (The Other Has My Heart)", and "Sometimes A Memory Ain't Enough". The production on his early country albums, such as Another Place, Another Time and She Even Woke Me Up To Say Goodbye, was sparse, quite different from the slick "Nashville Sound" that was predominant on country radio at the time, and also expressed a full commitment by Lewis to a country audience. The songs still featured Lewis's inimitable piano flourishes, but critics were most taken aback by the rock and roll pioneer's effortlessly soulful vocals, which possessed an emotional resonance on par with the most respected country singers of the time, such as George Jones and Merle Haggard. In his book Jerry Lee Lewis: His Own Story, biographer Rick Bragg notes that the songs Lewis was recording "were of the kind they were starting to call 'hard country', not because it had a rock beat or crossed over into rock in a real way, but because it was more substantial than the cloying, overproduced mess out there on country radio".
In a remarkable turnaround, Lewis became the most bankable country star in the world. He was so hot in 1970 that his former Smash producer Shelby Singleton, who purchased Sun Records from Sam Phillips in July 1969, wasted no time in repackaging many of Lewis's old country recordings with such effectiveness that many fans assumed they were recent releases. One of his latter unreleased Sun recordings, "One Minute Past Eternity," was issued as a single and soared to number 2 on the country chart, following Lewis's recent Mercury hit "She Even Woke Me Up To Say Goodbye." Singleton would milk these unreleased recordings for years, following The Golden Cream of the Country with A Taste of Country later in 1970.
Grand Ole Opry appearance
Lewis played the Grand Ole Opry for the first time on January 20, 1973. As Colin Escott writes in the liner notes to A Half Century of Hits, Lewis had always maintained ambivalent feelings towards Music City ever since he'd been turned away as an aspiring musician before his glory days at Sun Records: "It was 18 years since he had left Nashville broke and disheartened...Lewis was never truly accepted in Nashville. He didn't move there and didn't schmooze there. He didn't fit in with the family values crowd. Lewis family values weren't necessarily worse, but they were different." When Lewis finally took the stage, he broke just about every rule the Opry had. As recounted in a 2015 online Rolling Stone article by Beville Dunkerly, Lewis opened with his comeback single "Another Place, Another Time" and then announced to the audience, "Let me tell ya something about Jerry Lee Lewis, ladies and gentlemen: I am a rock and rollin', country-and-western, rhythm and blues-singin' motherfucker!" Ignoring his allotted time constraints – and, thus, commercial breaks – Lewis played for 40 minutes (the average Opry performance is two songs, for about eight maximum minutes of stage time) and invited Del Wood – the one member of the Opry who had been kind to him when he had been there as a teenager – out on stage to sing with him. He also blasted through "Whole Lotta Shakin' Going On", "Workin' Man Blues", "Good Golly Miss Molly", and a host of others classics before leaving the stage to a thunderous standing ovation.
The Session and Southern Roots
Lewis returned to the pop charts with "Me and Bobby McGee" in 1971 and "Chantilly Lace" in 1972, and this turn of events, coupled with a revitalized public interest in vintage rock and roll, inspired Mercury to fly Lewis to London in 1973 to record with a cadre of gifted British and Irish musicians, including Rory Gallagher, Kenney Jones, and Albert Lee. By all accounts the sessions were tense. The remake of Lewis's old Sun cut "Drinking Wine Spo-Dee-O-Dee" would be the album's hit single, reaching number 20 on the Billboard country chart and peaking at number 41 on the pop chart. The Session would be Lewis's highest pop charting album since 1964's Golden Hits of Jerry Lee Lewis, hitting number 37. It did far better on the country albums chart, rising to number 4. Later that same year, he went to Memphis and recorded Southern Roots: Back Home to Memphis, a soul-infused rock album produced by Huey Meaux. According to Rick Bragg's authorized 2014 biography, "the Killer" was in a foul mood when he showed up at Trans Maximus Studios in Memphis to record: "During these sessions, he insulted the producer, threatened to kill a photographer, and drank and medicated his way into but not out of a fog." During one exchange that can be heard on the 2013 reissue Southern Roots: The Original Sessions, Meaux asks Lewis, "Do you wanna try one?", meaning a take, to which Lewis replies "If you got enough fuckin' sense to cut it." Lewis was still pumping out country albums, although the hits were beginning to dry up. His last big hit with Mercury was "Middle Age Crazy," which made it to number 4 in 1977.
Later career
In 1979, Lewis switched to Elektra and produced the critically acclaimed Jerry Lee Lewis, although sales were disappointing. In 1986, Lewis was one of the inaugural inductees into the Rock and Roll Hall of Fame. Although looking frail after several hospitalizations due to stomach problems, Lewis was responsible for beginning an unplanned jam at the end of the evening, which was immediately incorporated into the event. That year, he returned to Sun Studio in Memphis to team up with Orbison, Cash, and Perkins along with longtime admirers like John Fogerty to create the album Class of '55, a sort of followup to the Million Dollar Quartet session, though in the eyes of many critics and fans, lacking the spirit of the old days at Sun. In 1989, a major motion picture based on his early life in rock & roll, Great Balls of Fire!, brought him back into the public eye, especially when he decided to re-record all his songs for the movie soundtrack. The film was based on the book by Lewis's ex-wife, Myra Gale Lewis, and starred Dennis Quaid as Lewis, Winona Ryder as Myra, and Alec Baldwin as Jimmy Swaggart. The movie focuses on Lewis's early career and his relationship with Myra, and ends with the scandal of the late 1950s. A year later, in 1990, Lewis made minor news when a new song he co-wrote called "It Was the Whiskey Talkin' (Not Me)" was included in the soundtrack to the hit movie Dick Tracy. The song is also heard in the movie, playing on a radio. The public downfall of his cousin, television evangelist Jimmy Swaggart, resulted in more adverse publicity to a troubled family. Swaggart is also a piano player, as is another cousin, country music star Mickey Gilley. All three listened to the same music in their youth, and frequented Haney's Big House, the Ferriday club that featured black blues acts. Lewis and Swaggart have had a complex relationship over the years.
In 1998, he toured Europe with Chuck Berry and Little Richard. On February 12, 2005, he was given a Lifetime Achievement Award by The Recording Academy (which also grants the Grammy Awards). On September 26, 2006, a new album titled Last Man Standing was released, featuring many of rock and roll's elite as guest stars. Receiving positive reviews, the album charted in four different Billboard charts, including a two-week stay at number one on the Indie charts. A DVD entitled Last Man Standing Live, featuring concert footage with many guest artists, was released in March 2007, and the CD achieved Lewis's 10th official gold disk for selling over half-a-million copies in the US alone. Last Man Standing is Lewis's biggest selling album of all time. It features contributions from Mick Jagger, Willie Nelson, Jimmy Page, Keith Richards and Rod Stewart, among others. Lewis now lives on a ranch in Nesbit, Mississippi, with his family.[19][20][21] In May 2013, Lewis opened a new club on Beale Street in Memphis. As of late 2014, Jerry Lee is still actively performing in concert.[22]
Hits and awards
Along with Johnny Cash, Carl Perkins and Roy Orbison, Lewis received a Grammy in the spoken-word category for the very rare album of interviews released with some early copies of the Class of '55 album in 1986. The original Sun cut of "Great Balls of Fire" was elected to the Grammy Hall of Fame in 1998, and Lewis's Sun recording of "Whole Lotta Shakin' Goin On" received this honor in 1999. Only recordings which are at least 25 years old and have left a lasting impression can receive this honor. On February 12, 2005, Lewis received the Recording Academy's Lifetime Achievement Award the day before the Recording Academy's main Grammy Awards ceremony, which he also attended.
Between 1957 and 2006, the date of Last Man Standing 's release, 47 singles and 22 albums (The Session counted as 2 albums) made the Top Twenty Pop, Jukebox, Rock, Indie and/or Country charts in the US or the UK. Fourteen[clarification needed] reached the number-1 position. He has had ten official gold discs, the latest being for the 2006 album Last Man Standing, plus unofficial ones issued by his record company Mercury for albums which sold over a quarter of a million copies. His 2006 duets CD Last Man Standing has sold over half a million worldwide, his biggest selling album ever. Lewis is also among the Top 50 all-time Billboard Country artists. It is also rumored that the soundtrack album to the movie Great Balls of Fire has now sold over a million copies. On October 10, 2007, Lewis received the Rock and Roll Hall of Fame's American Music Masters Award. His newest album, Mean Old Man, was released in September 2010 and reached No. 30 on the Billboard 200 album chart.
On November 5, 2007, the Rock and Roll Hall of Fame and Case Western Reserve University in Cleveland, Ohio, honored Lewis with six days of conferences, interviews, a DVD premiere and film clips, dedicated to him and entitled The Life And Music of Jerry Lee Lewis.[citation needed] On November 10, the week culminated with a tribute concert compered by Kris Kristofferson. Lewis was present to accept the American Music Masters Award and closed his own tribute show with a rendition of "Somewhere Over the Rainbow" On February 10, 2008, he appeared with John Fogerty and Little Richard on the 50th Grammy Awards Show, performing "Great Balls of Fire" in a medley with "Good Golly Miss Molly". On June 4, 2008, Lewis was inducted into The Louisiana Music Hall of Fame and appeared on A Capitol Fourth and performed the finale's final act with a medley of "Roll Over Beethoven", "Whole Lotta Shakin' Goin On" and "Great Balls of Fire." In October 2008, as part of a very successful European tour, Lewis returned to the UK, almost exactly 50 years after his ill-fated first tour. He appeared at two London shows: a special private show at the 100 Club on October 25 and at the London Forum on October 28 with Wanda Jackson and his sister, Linda Gail Lewis.[23] 2009 marked the sixtieth year since Lewis's first public performance when he performed "Drinking Wine Spo-Dee-O-Dee" at a car dealership on November 19, 1949, in Ferriday, Louisiana.[citation needed]. In August 2009, in advance of his new album, a single entitled "Mean old man" was released for download. It was written by Kris Kristofferson. An EP featuring this song and four more was also released on November 11. On October 29, 2009, Lewis opened the Rock and Roll Hall of Fame 25th Anniversary concert at Madison Square Garden in New York.
Family and personal life
Lewis has been married seven times:[24] His first marriage, to Dorothy Barton, lasted for 20 months, from February 1952 to October 1953. In a 1978 People magazine interview, Lewis stated "I was 14 when I first got married. My wife was too old for me; she was 17."[25] His second marriage, to Jane Mitchum, was of dubious validity because it occurred 23 days before his divorce from Barton was final. It lasted for four years, from September 1953 to October 1957. The couple had two children: Jerry Lee Lewis Jr. (1954–1973) and Ronnie Guy Lewis (b. 1956). His third marriage, to his cousin Myra Gale Brown, lasted for 13 years, from December 1957 to December 1970 (although the couple went through a second marriage ceremony because his divorce from Jane Mitchum was not complete before the first ceremony took place). They had two children together: Steve Allen Lewis (1959–1962) and Phoebe Allen Lewis (b. 1963). His fourth marriage, to Jaren Elizabeth Gunn Pate, lasted from October 1971 to June 8, 1982, and they had a daughter, Lori Lee Lewis (b. 1972). Pate drowned in a swimming pool at the home of a friend with whom she was staying, several weeks before divorce proceedings could be finalized.[26] His fifth marriage, to Shawn Stephens, lasted 77 days, from June to August 1983, ending with her death.[27] It has been alleged by Richard Ben Cramer that Lewis abused her and was responsible for her death.[28] His sixth marriage, to Kerrie McCarver, lasted 20 years, from 1984 to 2004. They have one child: Jerry Lee Lewis III (b. 1987). His seventh marriage, to Judith Brown, began March 9, 2012.[24] Lewis has had six children during his marriages. In 1962, his son Steve Allen Lewis drowned in a swimming pool accident when he was three, and in 1973, Jerry Lee Lewis, Jr. died at the age of 19[25][29] when he overturned the Jeep he was driving.[25] He has two surviving sons, Ronnie Guy Lewis and Jerry Lee Lewis III, and two daughters, Phoebe Allen Lewis and Lori Lee Lewis.
Graceland arrest
In 1976, Lewis was infamously arrested outside Elvis Presley's Graceland home for allegedly intending to shoot him. Lewis had already nearly killed his bass player Butch Owens on September 29 (his forty-first birthday) when a .357 accidentally went off in his hand. In Rick Bragg's 2014 authorized biography Jerry Lee Lewis: His Own Story, Lewis explains that the reclusive Presley had been trying to reach him and finally did on November 23, imploring that he "come out to the house." Lewis replied that he would if he had time but that he was busy trying to get his father Elmo out of jail in Tunica for a DUI. Later that night, Lewis was at a Memphis nightclub called Vapors drinking champagne when he was given a gun. "Charles Feron, he owned Vapors, he give it to me," Lewis explained to Bragg. "A .38 derringer. Me, pretty well drunk, with that derringer – it ain't somethin' strange." Lewis suddenly remembered that Elvis wanted to see him and, climbing aboard his new Lincoln Continental with the loaded pistol on the dash and a bottle of champagne under his arm, tore off for Graceland. Just before three o'clock in the morning, Lewis accidentally smashed into the famous Graceland gates because "the nose of that Lincoln was a mile long."
Graceland's music-themed gate, pictured in the snow
Presley's astonished cousin Harold Lloyd was manning the gate and watched Lewis attempt to hurl the champagne bottle through the car window, not realizing it was rolled up, smashing both. "I'm here to see Elvis," Lewis declared. Bragg reports that Lewis denies ever intending to do Presley harm, that the two were friends, but "Elvis, watching on the closed-circuit television, told guards to call the police. The Memphis police found the gun in the car and put Jerry Lee, protesting, hollering, threatening them, away in handcuffs." Lewis: "The cops asked Elvis, 'What do you want us to do? And Elvis told 'em, 'Lock him up.' That hurt my feelings. To be scared of me – knowin' me the way he did – was ridiculous." Lewis was charged with carrying a pistol and public drunkenness. Released on a $250 bond, his defiant mug shot was wired around the world. Presley would die at Graceland of a heart attack eight months later.[30][31][32][33][34]
Religious Beliefs
As a teenager, Lewis studied at the Southwest Bible Institute in Waxahachie, Texas before being thrown out for daring to play a boogie-woogie version of "My God Is Real," and that early incident foreshadowed his lifelong conflict over his faith to God and his love of playing "the devil's music." Lewis had a recorded argument with Sam Phillips during the recording session for "Great Balls of Fire," a song he initially refused to record because he considered it blasphemous ("How can...How can the devil save souls? What are you talkin' about?" he asks Phillips during one heated exchange). During the famous Million Dollar Quartet jam involving Lewis, Elvis Presley, Carl Perkins, and Johnny Cash, they performed several gospel songs. When he appeared on George Klein's Memphis Sounds program in 2011, Lewis explained that part of the reason the recording only features him and Elvis singing is because they were of the Assembly of God while Perkins and Cash were Baptists, and they didn't know the words. Lewis also endured years of condemnation from his cousin, evangelist Jimmy Lee Swaggart, who never passed up an opportunity to criticize Lewis's lifestyle. In the 1990 documentary The Jerry Lee Lewis Story, an intense Lewis, who could quote the Bible backwards and forwards, explains to the interviewer, "The Bible don't even speak of religion. No word of religion is even in the Bible. Sanctification! Are you sanctified? Have you been saved? See, I was a good preacher, I know my Bible...I find myself falling short of the glory of God." Lewis's faith was always best demonstrated through his music, and gospel music always remained part of his repertoire. After a string of hit country albums, he decided to record a proper gospel album for the first time in 1970.
Piano style
Lewis is widely hailed as one of the most influential – if not the most influential – pianists in the history of rock and roll. In an often quoted tribute, Elvis Presley once said that if he could play the piano like Lewis, he would quit singing. Lewis's pivotal role in popularizing the piano in rock and roll is indisputable. Up until his arrival, the music had been primarily associated with guitars, but his early Sun recordings and television appearances pushed the instrument to the forefront. Lewis was also an incendiary showman who often played with his fists, elbows, feet, and backside, sometimes climbing on top of the piano during gigs and even setting it on fire. Like Chuck Berry's guitar playing, Lewis's piano style has become synonymous with rock and roll, having influenced generations of piano players. In a 2013 interview with Leah Harper, Elton John recalls that up until "Great Balls of Fire," "the piano playing that I had heard had been more sedate. My dad collected George Shearing records, but this was the first time I heard someone beat the shit out of a piano. When I saw Little Richard at the Harrow Granada, he played it standing up, but Jerry Lee Lewis actually jumped on the piano! This was astonishing to me, that people could do that. Those records had such a huge effect on me, and they were just so great. I learned to play like that." Lewis is primarily known for his "boogie woogie" style, which is characterized by a regular left hand bass figure and dancing beat, but his command of the instrument and highly individualistic style set him apart. Appearing on Memphis Sounds with George Klein in 2011, Lewis credited his older piano-playing cousin Carl McVoy as being a crucial influence, stating, "He was a great piano player, a great singer, and a nice looking man, carried himself real well. I miss Carl very much." Lewis also cited Moon Mullican as a source of inspiration. Although almost entirely self-taught, Lewis conceded to biographer Rich Bragg in 2014 that Paul Whitehead, a blind pianist from Meadville, Mississippi, was another key influence on him in his earliest days playing clubs, confiding, "Paul Whitehead done a lot. His lesson was worth a billion dollars to me...He taught me. I'd sit beside him, and say, 'Mr. Paul, can you show me exactly how you do that?' Mr. Paul was good to me."
Although Lewis's piano playing is commonly labelled boogie woogie, gospel music was another major influence in the formation of his technique. In Joe Bonomo's 2009 book Jerry Lee Lewis: Lost and Found, Memphis producer and musician Jim Dickinson calls Lewis's occasional penchant for interrupting the standard boogie woogie left-hand progression by omitting the seventh and repeating the fifth and sixth, creating a repetitive, driving, quasi-menacing momentum, "revolutionary, almost inexplicable. Maybe Ella Mae Morse, maybe Moon Mullican had done it, but not in a way that became the propelling force of the song. Rock and roll piano up to that point had been defined by Roscoe Jordan, Ike Turner, and to an extent, Ray Charles. None of them were doing that. Even Little Richard, as primitive as he plays, wasn't doing that shuffle...There was something in Jerry Lee that didn't want to play that seventh, and that's the church. Certainly in white spiritual music you avoid sevenths."
Jerry Lee Lewis -Whole Lotta Shakin Going On (Live 1964)
http://translate.google.de/translate?hl=de&sl=it&u=http://it.wikipedia.org/wiki/Mike_Onesko&prev=/search%3Fq%3Dmike%2Bonesko%2Bbio%26biw%3D2144%26bih%3D1028
http://it.wikipedia.org/wiki/Mike_Onesko
At the ripe old age of 17 Mike Onesko left his native Fairview Park Ohio for the greener pastures of San Francisco with just $60 and his guitar he hitchhiked his way across country till he arrived in S.F. Upon arrival he formed a power trio called
Sundog and started exploring his musical journey playing long jams and heavy sabbath type riffs.
Next was Steelwind a five piece outfit with keyboards, That featured John Warmouth on drums and Walker Kaeck(I Think I,m in Love) On vocals. They Headlined at Kezar Stadium
just three years after Led Zeppelin played there!The Kwik and Three Man Army were next and they opened for many acts such as Robin Trower,Montrose,Nazareth,Great White, Mitch Ryder,Clarence Clemons,Mike was discovered in the clubs of Marin County California by Shrapnel records President Mike Varney! They formed the Blindside Blues Band with Scott Johnson on guitar,and Jeff Martin on drums and Greg Chaisson on bass guitar.They put out three records with this lineup.Although Greg played on the records he never did any
live shows with the band!That duty was filled admirably by Kier Staeheli. The last Shrapnel lineup for the Blindside Blues Band was Mike Onesko,Mike Varney,Aysnley Dunbar,James
Lomenzo.Mike produced and played on Cream of The Crop a tribute to Cream where he produced and performed with Pat Travers,Leslie West Tim Bogert,Rick Derrigner,Glenn
Hughes,Neal Schon ,and many more! Mike went on to Comet Records in Italy to record many great records such as Mike Onesko,s Guitar Army,Smokehouse Sessions,Live At The
Torrita Blues Festival,Italy,and Voodoo Crossing and Gypsy Blood both hendrix tributes. Recently,Mike and The Blindside Blues Band just completed their new release with the help of many friends! Davey Pattison,Mike Varney,Derek Reeve,Barry Prior,Jeff Martin is back in the fold!
Those lineups included Emery Ceo current Blindside Blues Band MemberEmery Ceo ranks as one of the great unknown drummers of all time.Combining great jazz improvisation
with the killer rock chops to balance it out!You can catch them all on the NEW BLINSIDE BLUES BAND RELEASE KEEPERS OF THE FLAME and you can catch Mike and Emery along with Bass Legend Tim Bogert on the ONESKO-BOGERT-CEO PROJECT The Big Electric Cream
Jam Live in Cleveland Ohio!!Coming in Dec of 2009 The BIggest and Baddest Blindside Blues Band Record Yet! Raised On Rock! Featuring-Mike Onesko-Angelica Onesko-Scotty
Johnson-Emery Ceo- Kier Staeheli! This record or disc as they call it these days ROCKS! Recorded At Breezeway Studios Brookpark Ohio!You can get this release in Dec.
Sundog and started exploring his musical journey playing long jams and heavy sabbath type riffs.
Next was Steelwind a five piece outfit with keyboards, That featured John Warmouth on drums and Walker Kaeck(I Think I,m in Love) On vocals. They Headlined at Kezar Stadium
just three years after Led Zeppelin played there!The Kwik and Three Man Army were next and they opened for many acts such as Robin Trower,Montrose,Nazareth,Great White, Mitch Ryder,Clarence Clemons,Mike was discovered in the clubs of Marin County California by Shrapnel records President Mike Varney! They formed the Blindside Blues Band with Scott Johnson on guitar,and Jeff Martin on drums and Greg Chaisson on bass guitar.They put out three records with this lineup.Although Greg played on the records he never did any
live shows with the band!That duty was filled admirably by Kier Staeheli. The last Shrapnel lineup for the Blindside Blues Band was Mike Onesko,Mike Varney,Aysnley Dunbar,James
Lomenzo.Mike produced and played on Cream of The Crop a tribute to Cream where he produced and performed with Pat Travers,Leslie West Tim Bogert,Rick Derrigner,Glenn
Hughes,Neal Schon ,and many more! Mike went on to Comet Records in Italy to record many great records such as Mike Onesko,s Guitar Army,Smokehouse Sessions,Live At The
Torrita Blues Festival,Italy,and Voodoo Crossing and Gypsy Blood both hendrix tributes. Recently,Mike and The Blindside Blues Band just completed their new release with the help of many friends! Davey Pattison,Mike Varney,Derek Reeve,Barry Prior,Jeff Martin is back in the fold!
Those lineups included Emery Ceo current Blindside Blues Band MemberEmery Ceo ranks as one of the great unknown drummers of all time.Combining great jazz improvisation
with the killer rock chops to balance it out!You can catch them all on the NEW BLINSIDE BLUES BAND RELEASE KEEPERS OF THE FLAME and you can catch Mike and Emery along with Bass Legend Tim Bogert on the ONESKO-BOGERT-CEO PROJECT The Big Electric Cream
Jam Live in Cleveland Ohio!!Coming in Dec of 2009 The BIggest and Baddest Blindside Blues Band Record Yet! Raised On Rock! Featuring-Mike Onesko-Angelica Onesko-Scotty
Johnson-Emery Ceo- Kier Staeheli! This record or disc as they call it these days ROCKS! Recorded At Breezeway Studios Brookpark Ohio!You can get this release in Dec.
Blindside Blues Band
22. Oktober 2010 - Crossroads - Bonn, Harmoniehttp://www1.wdr.de/mediathek/video/sendungen/rockpalast/video-blindside-blues-band-100.html
Blindside Blues Band - Crossroads (2010).avi
Sherman Holmes *29.09.1939
Die Holmes Brothers sind eine US- amerikanische Band, die in ihrer Musik Blues, Gospel, Soul, R&B, Rock and Roll und Country mischen.[1]
Biographische Daten
Die Band besteht aus den Brüdern Sherman (* 29. September 1939 in Plainfield, New Jersey) und Wendell (* 19. Dezember 1943 in Plainfield, New Jersey) Holmes und Popsy Dixon (* 26. Juli 1942 in Norfolk, Virginia). Das musikalische Interesse der Brüder wurde von ihren Eltern geweckt, die sie mit Gospel, aber auch mit dem Blues von Jimmy Reed, Junior Parker und B. B. King vertraut machten. Sherman lernte Klarinette und Klavier, bevor er mit dem Bass begann, Wendell lernte Trompete und Gitarre. Musikalische Erfahrungen sammelten die Brüder in einer Band, die oft Blues- und Soulacts begleitete. 1979 gründeten die Brüder "The Holmes Brothers", gemeinsam mit dem Schlagzeuger Popsy Dixon.
Diese Drei bilden das Herz der Band, für Tourneen verstärken sie sich gelegentlich mit anderen Musikern.[2] Ihr dreistimmiger Harmoniegesang entzückt immer wieder ihre Fans. Wendells rauer Gesang mit Dixons Falsett und Shermans Bariton bringen den Geist der Gospelmusik in jedes Lied, das sie spielen.[1]
Obwohl sie schon jahrelang zusammen in Harlem auftraten, wurden sie erst in den späten 1980er-Jahren bekannt. 1992 unterzeichneten sie bei Peter Gabriels Real World Records als erste amerikanische Gruppe des bekannten World Music Labels. Von da an ging es mit ihrer Karriere steil bergauf, so traten sie mit Bob Dylan, Van Morrison, Bruce Springsteen, Patti Smith, Willie Nelson, Lou Reed, Peter Gabriel, Merle Haggard, Keith Richards, Al Green, Ben Harper, Lucinda Williams, Steve Earle, Levon Helm, Rosanne Cash, Odetta und anderen auf bzw. nahmen mit ihnen Alben auf. 1996 traten sie im Film "Lotto Land" auf, für den sie auch den Soundtrack schrieben.Zwischen 2007 und der Veröffentlichung ihres letzten Albums kämpfte Wendell Holmes mit Krebs, den er aber besiegte.
Biographische Daten
Die Band besteht aus den Brüdern Sherman (* 29. September 1939 in Plainfield, New Jersey) und Wendell (* 19. Dezember 1943 in Plainfield, New Jersey) Holmes und Popsy Dixon (* 26. Juli 1942 in Norfolk, Virginia). Das musikalische Interesse der Brüder wurde von ihren Eltern geweckt, die sie mit Gospel, aber auch mit dem Blues von Jimmy Reed, Junior Parker und B. B. King vertraut machten. Sherman lernte Klarinette und Klavier, bevor er mit dem Bass begann, Wendell lernte Trompete und Gitarre. Musikalische Erfahrungen sammelten die Brüder in einer Band, die oft Blues- und Soulacts begleitete. 1979 gründeten die Brüder "The Holmes Brothers", gemeinsam mit dem Schlagzeuger Popsy Dixon.
Diese Drei bilden das Herz der Band, für Tourneen verstärken sie sich gelegentlich mit anderen Musikern.[2] Ihr dreistimmiger Harmoniegesang entzückt immer wieder ihre Fans. Wendells rauer Gesang mit Dixons Falsett und Shermans Bariton bringen den Geist der Gospelmusik in jedes Lied, das sie spielen.[1]
Obwohl sie schon jahrelang zusammen in Harlem auftraten, wurden sie erst in den späten 1980er-Jahren bekannt. 1992 unterzeichneten sie bei Peter Gabriels Real World Records als erste amerikanische Gruppe des bekannten World Music Labels. Von da an ging es mit ihrer Karriere steil bergauf, so traten sie mit Bob Dylan, Van Morrison, Bruce Springsteen, Patti Smith, Willie Nelson, Lou Reed, Peter Gabriel, Merle Haggard, Keith Richards, Al Green, Ben Harper, Lucinda Williams, Steve Earle, Levon Helm, Rosanne Cash, Odetta und anderen auf bzw. nahmen mit ihnen Alben auf. 1996 traten sie im Film "Lotto Land" auf, für den sie auch den Soundtrack schrieben.Zwischen 2007 und der Veröffentlichung ihres letzten Albums kämpfte Wendell Holmes mit Krebs, den er aber besiegte.
The Holmes Brothers are a musical trio originally from Christchurch, Virginia.[1] Mixing sounds from blues, soul, gospel, country, and rhythm & blues, they have released twelve studio albums, with three reaching the top 5 on the Billboard Blues Albums chart.[2] They have gained a following by playing regularly at summer folk, blues, gospel, and jazz festivals.[1] They’ve recorded with Van Morrison, Peter Gabriel, Odetta, Phoebe Snow, Willie Nelson, Freddie Roulette, Rosanne Cash, Levon Helm and Joan Osborne, and have gigged all over the world—including performing for President Bill Clinton. They won the Blues Music Award from the Memphis-based Blues Foundation for Band of the Year in 2005 and for the Soul Blues Album of the Year in 2008.[3] USA Today calls The Holmes Brothers’ music "Rootsy R&B, gospel and country. They are glorious, full of soul and surprises."[4] The New Yorker says, “The Holmes Brothers are capable of awesome achievements.”[5] National Public Radio adds, “Their voices are rough enough for a juke joint and smooth enough for church.”[6]
Biography
Sherman and Wendell Holmes were born and raised in Christchurch, Virginia. Their schoolteacher parents fostered the boys’ early interest in music as they listened to traditional Baptist hymns, anthems and spirituals as well as blues music by Jimmy Reed, Junior Parker and B.B. King. They both sang in the church choir. Sherman studied clarinet and piano before taking up the bass, while Wendell learned trumpet, organ and guitar. Sherman studied composition and music theory at Virginia State University, but in 1959, he dropped out and headed to New York for a job playing with singer Jimmy Jones (of "Handy Man" fame). His younger brother Wendell joined him after completing high school. The two brothers played in a few bands before forming The Sevilles in 1963. The group lasted only three years, but they often backed up touring blues and soul acts such as artists like The Impressions, John Lee Hooker and Jerry Butler, gaining experience. After The Sevilles disbanded, Sherman, Wendell and a fellow Virginian, drummer Popsy Dixon, continued to play in a variety of Top 40 bar bands. Wendell also toured with Inez and Charlie Foxx ("Mockingbird") until 1979.[7]
Sherman, Wendell, and Popsy convened in the form of a new group known as the Holmes Brothers in 1979. The three share vocals (some solo and some in gospel-inspired harmony), with Sherman playing bass, Wendell on guitar and piano, and Popsy on drums.[7] The band frequently plays with additional musicians as well.[1] The trio moved from their hometown of Christchurch, Virginia to Harlem where they regularly performed at blues clubs, most notably Dan Lynch's, a center of the local New York City blues scene. Here the Holmes Brothers formed working relationships with future blues/folk stars such as Joan Osborne and members of Blues Traveler.[7]
The group signed with Rounder Records in 1989 and released their first album In the Spirit the following year. Four subsequent albums would be recorded for the label.[1] In 1992, the Holmes Brothers were signed to Peter Gabriel's Real World Records as the first American act on the prestigious world music label. In the mid 1990s the group performed with Van Morrison and recorded the soundtrack to the independent film Lotto Land, in which they also starred. In 1997, they were hired by Joan Osborne as her backing band for a tour supporting Bob Dylan.[7] In 1998 the trio accompanied Freddie Roulette on his album, Spirit of Steel.
In 2001 the Holmes Brothers signed with Alligator Records. Their first album for the label was the critically acclaimed Speaking in Tongues, produced by Joan Osborne. Greg Kot of the Chicago Tribune called it a “joyous, foot-stomping carnival…a gift to the world of music.”[8] The Chicago Sun-Times called it, "A Breathtaking and heartfelt journey through gospel-drenched soul, blues, funk and country."[9] The Holmes Brothers appeared on television on the Late Show with David Letterman and The CBS Saturday Early Show, as well as on NPR’s Weekend Edition, A Prairie Home Companion and Mountain Stage. In addition, The Holmes Brothers appeared on the M.C. Records tribute to Sister Rosetta Tharpe, Shout, Sister, Shout, backing Joan Osborne, Odella, Victoria Williams and Phoebe Snow.
In 2003 the group recorded two songs for the soundtrack album for the TV series Crossing Jordan.[10] Also in 2003, Peter Gabriel released the single, "Burn You Up, Burn You Down," featuring backing vocals by The Holmes Brothers.
Following their next album for Alligator, Simple Truths, they appeared on Outlaws And Angels—The Willie Nelson and Friends 3rd Annual Birthday Concert (televised on USA Network and released on CD and DVD), Late Night with Conan O'Brien, World Cafe, Mountain Stage, as well as the nationally broadcast NPR programs All Things Considered, On Point, and Here And Now. The albums Simple Truths and State of Grace became the first two Holmes Brothers albums to reach the Billboard charts, with both reaching the top five of the Blues Albums chart.[2] After the release of State of Grace, the band again performed on Late Night with Conan O'Brien. Features and reviews ran in USA Today, The New York Times, Billboard, Time Out New York, Rolling Stone, The New Yorker and many other publications. State of Grace won the Blues Music Award for Soul Blues Album of the Year. Reviewer David Fricke of Rolling Stone called the album “impressive, fervent country soul.”[11]
On March 2, 2010, the brothers released the album Feed My Soul, which was inspired in part by Wendell's bout with cancer.[12] That album was followed by 2013’s Brotherhood. The album was described in Living Blues magazine, which said, "Brotherhood is as soulful and alive as the Holmes Brothers performances and is a superior, award-worthy outing...sweet sounds from the beginning of American rock 'n' roll, African American southern gospel, and agonizingly beautiful, layered soul-baring harmonies, Jimmy Red blues lumps, string squeezing, moving bass lines, strong backbeats, NOLA second-line rhythms, street corner doo-wop and the twangy heartbreak of country. The rich interplay of all this music is what makes the Holmes Brothers a national treasure."[13]
As of 2015, Wendell Holmes was living in Rosedale, MD, while Sherman Holmes resides in Saluda, VA. Popsy Dixon died of bladder cancer on January 9, 2015.
Biography
Sherman and Wendell Holmes were born and raised in Christchurch, Virginia. Their schoolteacher parents fostered the boys’ early interest in music as they listened to traditional Baptist hymns, anthems and spirituals as well as blues music by Jimmy Reed, Junior Parker and B.B. King. They both sang in the church choir. Sherman studied clarinet and piano before taking up the bass, while Wendell learned trumpet, organ and guitar. Sherman studied composition and music theory at Virginia State University, but in 1959, he dropped out and headed to New York for a job playing with singer Jimmy Jones (of "Handy Man" fame). His younger brother Wendell joined him after completing high school. The two brothers played in a few bands before forming The Sevilles in 1963. The group lasted only three years, but they often backed up touring blues and soul acts such as artists like The Impressions, John Lee Hooker and Jerry Butler, gaining experience. After The Sevilles disbanded, Sherman, Wendell and a fellow Virginian, drummer Popsy Dixon, continued to play in a variety of Top 40 bar bands. Wendell also toured with Inez and Charlie Foxx ("Mockingbird") until 1979.[7]
Sherman, Wendell, and Popsy convened in the form of a new group known as the Holmes Brothers in 1979. The three share vocals (some solo and some in gospel-inspired harmony), with Sherman playing bass, Wendell on guitar and piano, and Popsy on drums.[7] The band frequently plays with additional musicians as well.[1] The trio moved from their hometown of Christchurch, Virginia to Harlem where they regularly performed at blues clubs, most notably Dan Lynch's, a center of the local New York City blues scene. Here the Holmes Brothers formed working relationships with future blues/folk stars such as Joan Osborne and members of Blues Traveler.[7]
The group signed with Rounder Records in 1989 and released their first album In the Spirit the following year. Four subsequent albums would be recorded for the label.[1] In 1992, the Holmes Brothers were signed to Peter Gabriel's Real World Records as the first American act on the prestigious world music label. In the mid 1990s the group performed with Van Morrison and recorded the soundtrack to the independent film Lotto Land, in which they also starred. In 1997, they were hired by Joan Osborne as her backing band for a tour supporting Bob Dylan.[7] In 1998 the trio accompanied Freddie Roulette on his album, Spirit of Steel.
In 2001 the Holmes Brothers signed with Alligator Records. Their first album for the label was the critically acclaimed Speaking in Tongues, produced by Joan Osborne. Greg Kot of the Chicago Tribune called it a “joyous, foot-stomping carnival…a gift to the world of music.”[8] The Chicago Sun-Times called it, "A Breathtaking and heartfelt journey through gospel-drenched soul, blues, funk and country."[9] The Holmes Brothers appeared on television on the Late Show with David Letterman and The CBS Saturday Early Show, as well as on NPR’s Weekend Edition, A Prairie Home Companion and Mountain Stage. In addition, The Holmes Brothers appeared on the M.C. Records tribute to Sister Rosetta Tharpe, Shout, Sister, Shout, backing Joan Osborne, Odella, Victoria Williams and Phoebe Snow.
In 2003 the group recorded two songs for the soundtrack album for the TV series Crossing Jordan.[10] Also in 2003, Peter Gabriel released the single, "Burn You Up, Burn You Down," featuring backing vocals by The Holmes Brothers.
Following their next album for Alligator, Simple Truths, they appeared on Outlaws And Angels—The Willie Nelson and Friends 3rd Annual Birthday Concert (televised on USA Network and released on CD and DVD), Late Night with Conan O'Brien, World Cafe, Mountain Stage, as well as the nationally broadcast NPR programs All Things Considered, On Point, and Here And Now. The albums Simple Truths and State of Grace became the first two Holmes Brothers albums to reach the Billboard charts, with both reaching the top five of the Blues Albums chart.[2] After the release of State of Grace, the band again performed on Late Night with Conan O'Brien. Features and reviews ran in USA Today, The New York Times, Billboard, Time Out New York, Rolling Stone, The New Yorker and many other publications. State of Grace won the Blues Music Award for Soul Blues Album of the Year. Reviewer David Fricke of Rolling Stone called the album “impressive, fervent country soul.”[11]
On March 2, 2010, the brothers released the album Feed My Soul, which was inspired in part by Wendell's bout with cancer.[12] That album was followed by 2013’s Brotherhood. The album was described in Living Blues magazine, which said, "Brotherhood is as soulful and alive as the Holmes Brothers performances and is a superior, award-worthy outing...sweet sounds from the beginning of American rock 'n' roll, African American southern gospel, and agonizingly beautiful, layered soul-baring harmonies, Jimmy Red blues lumps, string squeezing, moving bass lines, strong backbeats, NOLA second-line rhythms, street corner doo-wop and the twangy heartbreak of country. The rich interplay of all this music is what makes the Holmes Brothers a national treasure."[13]
As of 2015, Wendell Holmes was living in Rosedale, MD, while Sherman Holmes resides in Saluda, VA. Popsy Dixon died of bladder cancer on January 9, 2015.
08.11.2012: The Holmes Brothers - Bluesclub Meisenfrei
https://www.youtube.com/watch?v=SJot6nzJuvA#t=108
Speaker Biography: Wendell and Sherman Holmes grew up playing the same mixture of music they draw from today: gospel, soul, R&B, country, and blues. In the 1970s, Wendell met and performed with drummer Willie "Popsy" Dixon, who was also a native Virginian. The brothers and Popsy formed the Holmes Brothers band. The group performed to national, and later international, audiences and recorded with stars such as Van Morrison, Peter Gabriel, Odetta, Phoebe Snow, Willie Nelson, Freddie Roulette and Rosanne Cash.
Speaker Biography: In late 2013, Wendell Holmes began working with young Baltimore rock'n'soul musician Brooks Long, and for the past year, Holmes has been formally mentoring Brooks with the assistance of a Maryland Traditions Apprenticeship Award.
Speaker Biography: A native of Washington, D.C., Phil Wiggins spent most of his career playing as a duo with the late John Cephas. Besides being a renowned harmonica player, he is also a gifted songwriter and singer. As a harmonica-guitar duo, Cephas & Wiggins were uniquely able to exemplify the synthesis of African and European elements which co-exist in the blues.
https://www.youtube.com/watch?v=S-xTAqwIrxw
The Sherman Holmes Project with Brooks Long & Phil Wiggins
In this concert, Sherman Holmes and Brooks Long are joined by the great blues harmonica player Phil Wiggins. Speaker Biography: Wendell and Sherman Holmes grew up playing the same mixture of music they draw from today: gospel, soul, R&B, country, and blues. In the 1970s, Wendell met and performed with drummer Willie "Popsy" Dixon, who was also a native Virginian. The brothers and Popsy formed the Holmes Brothers band. The group performed to national, and later international, audiences and recorded with stars such as Van Morrison, Peter Gabriel, Odetta, Phoebe Snow, Willie Nelson, Freddie Roulette and Rosanne Cash.
Speaker Biography: In late 2013, Wendell Holmes began working with young Baltimore rock'n'soul musician Brooks Long, and for the past year, Holmes has been formally mentoring Brooks with the assistance of a Maryland Traditions Apprenticeship Award.
Speaker Biography: A native of Washington, D.C., Phil Wiggins spent most of his career playing as a duo with the late John Cephas. Besides being a renowned harmonica player, he is also a gifted songwriter and singer. As a harmonica-guitar duo, Cephas & Wiggins were uniquely able to exemplify the synthesis of African and European elements which co-exist in the blues.
https://www.youtube.com/watch?v=S-xTAqwIrxw
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